The Phantom of the Opera by Gaston Leroux Characters Erik/Opera Ghost/Phantom (P:1) the story’s main character‚ an exquisite singer who hides his disfigured face behind a mask. Erik wreaks havoc on the opera house‚ he knows everything nook and cranny and is able to hide‚ vanish‚ or move freely between walls and floors. Raoul‚ Vicomte de Chagny (P:2) is the younger brother of Philippe. He has carried a flame for Christine since their youth‚ and becomes jealous of Erik‚ who also wants to share in
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stories from different talents was an outstanding experience. It was hard to believe that only a piano companied the singers because of the deepness of the sound. When I close my eyes it sound me like a little orchestra. Most of the singers were soprano; there were few tenor and baritone. Especially Nancy Freer amazed me so much. She singed one of my favorite one Vissi d’arte which is compesed by Giacomo Puccini. Whenever I listen it I feel flame. Also she singed Villanelle from Les Nuits d’ete‚
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(1999) by Adam Silverman‚ Concerto for Cello and Orchestra by Robert Schumann performed by cellist Zsombor Lazar‚ Der Erkonig by Franz Schubert performed by soloist Ian Martin‚ “Il est doux‚ il es bon” from Herodiade by Jules Massenet performed by soprano Amanda M. Williams ‚ Variations on a Theme by Joseph Haydn‚Op. 56a by Johannes Brahms and Te Deum by Zoltan Kodaly. The Symphony Orchestra included such instruments as piano‚ violins‚ cellos‚ flutes. Performers were prepared very well. Ovidiu Marinescu
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second to biggest of all Saxophone and over time there are ten kinds of Saxophones today. In 1846‚ Adolphe achieved the patents of all the 10 types of saxophones‚ all transposed in different pitches. However‚ the four main types of Saxophone is the Soprano ‚ Alto‚ Tenor‚ and Baritone Sax. These four types of Saxophones started to become famous throughout bands. Adolphe originally invented these Saxophones to be in orchestra and military bands but it influenced a new era of music‚ Jazz. Jazz brings out
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Classical Composers are untouchable; the music they have composed has the ability to “speak” to music lovers of different cultures and time periods. The techniques they used only help mold the best music of our time. Throughout the years‚ artists of different genres have done variations of classical pieces. Sometimes the variations are just in the background with different instruments‚ or tempo‚ while other times the piece is completely remixed. A few popular variations are The Fifth of Beethoven
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line has a melody and weave together with the broken chords above. The touch of both line s should be kept brisk‚ as this piece was originally composed for harpsichord. The fugue is more complex with 3 voices. It begins with the motif played in the soprano in the tonic key of D minor and the other voices join in‚ gradually building up the poly phonic texture. The motif is then repeated‚ modulated and inverted. It is of typical fugue style‚ with the contrapuntal characteristics and clear entries. It
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Intro: From the day that we were born we ’ve been heading down a track Sometimes it ’s made for good sometimes for bad But if we look behind us there ’s a wave coming down Carrying us forward to a new age Chorus: What about the world around us How can we fail to see And now that our fathers have gone And we ’ve been left to carry on What about the age of reason Verse: So why can ’t we be still why can ’t we love each other Is kindness an ancient skill buried by our blindness
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Huanhuan Ma 12/04/2012 Comic Opera in Classical period The comic opera is a new operatic genre which denotes a dramatic singing of a light natural‚ and earthy comedy‚ usually with a happy ending. The form of comic opera first developed in the early of 17th century. It began to distinguished from other operatic form since in the early 18th century in Naples and Venice. It developed by the poets‚ composers and entrepreneurs that offered social criticism
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tell of the tunes of Krishna’s flute having a spellbinding and enthralling effect not only on the women of theBraj‚ but even on the animals of the region. The North Indian bansuri‚ typically about 14 inches in length‚ was traditionally used as a soprano instrument primarily for accompaniment in lighter compositions including film music. The bass variety (approximately 30"‚ tonic E3 at A440Hz)‚ pioneered by Pannalal Ghosh has now been indispensable in Hindustani Classical music for well over half
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MUHAMMAD AFFAN BIN NOR AZROL 2009498136 MUG 306 INTRODUCTION TO ETHNOMUSICOLOGY MY FIELD DIARY Event : Program Jejak Bakat UiTM Venue : SMK Seri Jementah & SMK Bandar Putra‚ Segamat‚ Johor. Date : 16th & 17th of February 2011 GENERAL INFORMATION The ‘Program Jejak Bakat UiTM’ is a programme that was organized by UiTM Music Faculty. The purpose of this event is to promote Music Faculty and encourage students especially Sijil Pelajaran Malaysia (SPM) graduates to apply for music
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