this story‚ there are so many similes‚ however one that really stood out was the one quoted above. As I continue to go on with the story it amazes me how Sandra Cisneros‚ structures these sentences to make the readers more captivated. Reading this story once or just skimming through it‚ there would be no way to fully understand the deep meaning she is trying to reveal. For me‚ I personally had to reread the story a couple times to be able to catch all the similes and fully grasp the whole story about
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Caramelo By Sandra Cisneros The novel “Caramelo” by Sandra Cisneros deals with the issues of a young ¾ Mexican girl named Lala‚ who grows up with a father described as “traditional” and a mother described as “modern and tolerant” (grey box p. 44) In the first excerpt our main character‚ Lala‚ is in the car on the way to Mexico with her family. Before crossing the border‚ the kids sing title songs from American commercials and cartoons they remember. After passing the border “nobody feels like
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cruelest realities of life. That’s what Sandra Cisneros’ “Eleven” is. To see life from the eyes of an eleven year old‚ even though it’s not a true child’s perspective‚ is a unique opportunity‚ especially when the child knows how to properly express one’s feelings in words. Cisneros expresses one of the key feelings that we share as human beings‚ that we are never smart‚ mature‚ or experienced enough to do what we need to do‚ like we are never good enough. This story also makes me wonder about the meaning
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Sandra Day O’Connor Perhaps no other jurist could have come to the Supreme Court under greater expectations. When President Ronald Reagan nominated Sandra Day O’Connor in 1981 to be the first woman to sit on the Supreme Court‚ he did soto keep a campaign promise. O’Connor’s nomination was quick to draw criticism from both the political people left and right. Conservatives put down her lack of federal judicial experience and claimed that she didn’t have any constitutional knowledge. They considered
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PSYCHOLOGICAL REPORT Student ID #: 22923629 Client Name: Sandra Johnson Date of Report: 09/23/10 REFERRAL QUESTION/ REASON FOR TESTING Sandra Johnson was referred the Chief of Staff of Greenrun Medical Center for evaluation after her work performance and interpersonal relations substantially decreased after being assigned to a nursing missionary stationed in Rwanda. As the head nurse for the missionary Sandra will be stationed in Rwanda with 20 subordinates for a period of 12
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Two stories that are abundant with feminist views and stereotypes are Cisneros’ Barbie-Q and My Tocaya. In both stories‚ we see characters struggle with what it means to be a woman. Cisneros explores the standards women are held up to‚ and the standards they make for themselves. Cisneros does a wonderful job of bringing out the worries‚ fears‚ and Otherness that women frequently grapple with in their daily lives. She writes her tales‚ all the while reflecting and dismantling stereotypes of women
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Freud and Sandra Gilbert meet at Starbucks to discuss Ophelia in Act 4 scene 5. Gilbert is examining Ophelia’s madwoman image while Freud is diagnosing her with hysterics. FREUD: Ophelia is to be diagnosed with hysterics‚ because she is bringing her fears into account when she is singing her song. Especially the part where she says‚ “He is dead and gone lady/ He is dead and gone”(93) she is realizing that her father is gone. This is her female trouble and she needs to be treated medicine for her
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"BREAD" SANDRA CISNEROS I question whether these two people in the story are having an affair‚ back together after a divorce‚ or whatever? Something as simple as bread can lead to that answer. The bread is much like their relationship‚ actually exactly like it. "We were hungry. We went into a Bakery on Grand Avenue and bought bread. Filled the backseat. The whole car smelled of bread. Big sourdough loaves shaped like a fat ass"(Cisneros 84). It was an affair. They were lusting each other and finally
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Est. 1964 Sandra Fabara‚ commonly known as Lady Pink enquired her name from her past love romances. She started writing graffiti in 1979 at the age of fifth teen at the high school of Art & Design in Manhattan. The loss of a boyfriend she cared for dearly initiated her to start writing graffiti. Sent away to Puerto Rico for theft‚ Pink began to imprint his name all over NYC in remembrance for her lover which soon transferred into her own name desecrating the walls of the big apple. After a couple
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Every Woman Not for Herself Ms. Sandra Cisneros expresses the life message that "Family is a gift but for some women‚ it can be a burden and curse too"‚ through the characters Marin‚ Alicia‚ and Minerva in her series of vignettes called The House on Mango Street. In a near by apartment there lives a Puerto Rican family who has a cousin that "...can’t come out-gotta babysit with the Louie’s sisters...can meet someone in the subway who might marry you and take you to live in a big house far away.
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