In the story‚ “The Lottery‚” by Shirley Jackson‚ the only point of view used by the author is the dramatic or objective point of view. In this point of view‚ the narrator is an unidentified speaker who reports things in great detail‚ even though the narrator does not play a role in the story. By using such point of view‚ Jackson builds an aura of uncertainty that endures until the dramatic ending of the story. From the beginning of the story‚ the knowledge about the lottery is revealed only by the
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Constantine the Philosopher University in Nitra Faculty of Arts Department of English and American Studies Stylistic Analysis of Barrack Obama´s Presidential Victory Speech Iveta Vondráková Nitra 2012 Content Introduction ..................................................................................................................... 3 1 Basic characteristics .................................................................................................... 4 1.1 References from the
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Macro’s eyes widened. They all entered‚ the boy was flung to the ground and strapped up to a machine at the far side of the room. “This may hurt a little…” said the Sargent smiling to himself. His long spindly finger whipped out of his tightly clenched hand and moved towards a big red button on the side of the machine. “STRIKE 1!” he shouted and a spark flew out of the machine. But the Macro had had no shock‚ no effect at all actually‚ he just sat clueless on the floor. “ What’s happening” whispered
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Fantasy Story: Once upon a time there was a girl named Belle. She lived in a magical kingdom‚ but was unaware of it‚ until her 13th birthday. She and her friend Sunny are to discover that there were more than flowers in a garden. “Let’s hurry!” yelled Belle “We don’t have much time!” “Ok‚ ok‚ I’m coming!” murmured Sunny groggily. It was 3 in the morning after all! The two girls were heading to the Tulip Meadow. It all had started when they were having a sleepover
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Chapter 1 Mom’s word stuck me like a lightning bolt. I was so shocked that I forgot to give reaction to what I had just heard. Maybe because a part of me still believed this couldn’t be true. Well‚ was it a joke? I looked back into mom’s eyes. She was still looking at me with pitiful look in her eyes‚ which showed me sympathy. I wanted to ask her if she was joking‚ but then I realised it would be hard to bear the pain if she said no. Instead I wanted for her to say something else or give a reaction
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Friday‚ December 24‚ 8:40 a.m. Christmas Eve - today’s going to be insane. When I got up this morning‚ it was snowing heavily. The sight made me tingle with excitement. Pumping with adrenaline‚ I fixed myself a cup of water and took a quick wash. I lay down on my snug bed pondering over what to put down for my Christmas list... Life was hard here in Serbia ever since my mum died. Nothing was the same. No more clean water‚ no electronic luxuries and a huge shortage of money. I had to often help
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Анализ текста "Кошка под дождем" The sample of emotive prose which has been chosen for stylistic analysis is a short story "Cat in the rain" by Ernest Hemingway. It has been chosen because it is suggestive and contains a definite psychological implication. The story is interesting from the point of view of the author’s approach to conveying the main idea to the mind of the reader. It is always implicit and remains unspoken. It is the reader himself who should find it behind the simple‚ at first
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“Zombieland” is a film where a lot of stylistic choices were made. Especially the opening scene says a lot about the film and the characters. Mise-en-scene‚ cinematography‚ editing and sound shape the film’s effect on the viewer. The film begins in the middle of a zombie apocalypse. The first shot is unbalanced to prime our expectation that something will change position. The shot is of the American flag‚ which is focused while the background is unfocused which means it indicates that the flag
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door called stage 3 with a sign saying “no entrance” hanging on. Thoughtlessly I sneak inside and start wandering with anxiety looking at all of these tubes‚ hearing some murmuring here and there. A hand pulls me to the side behind a set of tubes. “shhh‚ don’t say a single word” this old man puts his hand on my mouth. He takes me into this small chamber and gives me a coke. I look bewilderedly at this can of drink; I never saw such a thing in the conservatory inside. I reject it‚ but he stops me and
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A Home on the Other Side of the Mirror “Dillon‚ it’s time to go!” His father yelled from his car. His room was the only place left he could think. But maybe that was a good thing. He carried his suitcase downstairs‚ each step seeming like an inch closer to rock bottom. The door slams behind him‚ leaving the sounds of anger to echo throughout the house in despair that his mother might be listening and come running after him. She was gone now though. It had been only a few days since his mother
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