The extract under the title is taken from the trilogy “The Forsyte Saga” written by the English novelist and playwright‚ winner of the Nobel Prize for Literature in 1932 John Galsworthy. Galsworthy became known for his portrayal of the British upper middle class and for his social satire. His most famous work is THE FORSYTE SAGA (1906-1921)‚ an English parallel to Thomas Mann’s Buddenbrooks (1901). Galsworthy was a representative of the literary tradition‚ which has regarded the novel as an instrument
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STYLISTIC SEMASIOLOGY OF THE ENGUSH LANGUAGE (Методичні вказівки до семінарських та практичних занять зі стилістики англійської мови для студентів IV курсу. (Видання 2) . Уклад. Воробйова О.П.‚ Бойцан Л.Ф.‚ Ганецька Л.В. та інш. - К.: Вид. центр КНЛУ‚ 2001. - С. 28-33.) 1. Semasiology is a branch of linguistics which studies semantics or meaning of linguistic units belonging to different language levels. Lexical semasiology analyses the meaning of words and word combinations‚ relations between
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Claribel by Arnold Bennett. The General Slant of the Story. The Author’s Attitude to Love and the Institution of Marriage Honorable members of the examination board‚ the speech submitted to your consideration is devoted to the essence of love and the institution of marriage on the basis of the story “Claribel” written by Arnold Bennett. In my speech I’m to dwell upon the following points: firstly I give the definition of love‚ then I pass on to love in its various forms‚ after that I focus
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SYNTACTIC STYLISTIC DEVICES The sentence‚ as a unit of a certain level‚ is a sequence of relatively independent lexical and phrasal units (words or word combinations)‚ and what differentiates a sentence from a word is the fact that the sentence structure is changeable; it does have any constant length: it can be shortened or extended‚ complete or incomplete‚ simple‚ compound or complex. Besides‚ its constituents‚ length‚ word-order‚ as well as communicative type (assertion‚ negation‚ interrogation
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Desire Thou‚ who dost dwell alone; Thou‚ who dost know thine own; Thou‚ to whom all are known‚ From the cradle to the grave‚-- Save‚ O‚ save! From the world’s temptations; From tribulations; From that fierce anguish Wherein we languish; From that torpor deep Wherein we lie asleep‚ Heavy as death‚ cold as the grave‚-- Save‚ O‚ save! When the soul‚ growing clearer‚ Sees God no nearer; When the soul‚ mounting higher‚ To God comes no nigher; But the arch-fiend Pride Mounts at
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CHAPTER 2. Peculiarities of translation of stylistic devices in the short stories by E.A.Poe 2.1. Main characteristics of translation of stylistic devices 2.1. Reproduction of simile in the short stories by E.A.Poe 2.2. Reproduction of metaphor in the short stories by E.A.Poe 2.3. Reproduction of epithets in the short stories by E.A.Poe 1.3.1. Simile . According to K. Ya. Lotots’ka simile is an imaginative comparison which is also called literary comparison.[27‚ p
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ENGLISH STYLISTICS G. Misikova – Linguistic stylistics I. R. Galperin- Stylistics Crystal D. and Davy D. – Investigating English Style / for non-literary styles STYLISTICS Style and Styleme Štylistika je náuka o výbere a spôsobe využívania jazykových a mimojazykových alebo umeleckých prostriedkov a postupov uplatňovaných v procese použitia komunikácie. Jazykový štýl je spôsob prejavu‚ ktorý vzniká cieľavedomým výberom‚ zákonitým usporiadaním a využitím jazykových a mimojazykových
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Stylistic Classification of the English Vocabulary PLAN 1. Stylistic classification of the English language vocabulary. Classification criteria 2. Standard English vocabulary and its constituents. Neutral words. 3. Specific literary vocabulary. Terms‚ poetic and archaic words‚ obsolete and obsolescent words‚ literary coinages and neologisms‚ foreignisms and barbarisms 4. Specific colloquial vocabulary. Professionalisms‚ jargon and slang‚ vulgarisms and nonce-words‚ dialectisms. LITERATURE Galperin
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The Future of an Illusion Sigmund Freud ’s The Future of An Illusion proposes an idealistic form of human culture‚ one in which human relations are reorganized so that coercion and suppression of instincts are abandoned. The pivotal factor in this reorganization‚ he believes‚ is the universal abdication of religion. For the first portion of this response‚ the text itself will be broken down into chapter-by-chapter summaries. These summaries are written from the Freudian perspective and are
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All stylistic means of the English languages can be divided into expressive means (EM) and stylistic devices (SD). “The expressive means of a language are those phonetic‚ morphological‚ word building‚ lexical‚ preseological or syntactical forms which exist in language as-a-system for the purpose of logical and various dictionaries. Among lexical EM we must mention words with emotive meanings‚ interjections‚ polysemantic words‚ vulgar words‚ slang etc. The fact that polysemantic words retain
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