"The symbolism of the poker night in a streetcar named desire" Essays and Research Papers

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    Kazan’s A Streetcar Named Desire: A Key to Confusion? Tennessee Williams’s A Streetcar Named Desire and Elia Kazan’s film version of the play share the same characters and the same story. Except for the opening scene‚ Kazan doesn’t change the plot at all. To emphasize the meanings of death and desire‚ the movie shows Blanche taking different streetcars in the area surrounding where Stanley and Stella live—and the viewer can imagine how difficult it is for Blanche to adjust. In the play‚ Blanche simply

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    The Representation of Psyche in A Streetcar Named Desire The characters of Blanche Dubois‚ Stanley Kowalski‚ and Stella Kowalski in A Streetcar Named Desire are all representations of the basic parts of the human psyche.  The three basic parts of the human psyche are: the Id (the sense of desire with disregard to consequences)‚ the Superego (the individual’s sense of right and wrong and guilt)‚ and the Ego (the mediator of the Id and Superego‚ trying to satisfy both at once).  Despite the f

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    relationships I have always wondered about the logic‚ thoughts and the actions of a person when in a conflict. I believe the idea of being happy with a special someone can create an individual to do some questionable things. In the play‚ A Streetcar Named Desire‚ there is a display of strange notions that occurs. Stanley had slapped his wife‚ Stella‚ and she had left him for the apartment above to be with Eunice. But not too long after‚ Stanley is at the bottom of these steps bellowing “Stella! Stella

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    Illusions in A Streetcar Named Desire In Tennessee Williams’ play‚ A Streetcar Named Desire‚ there are many examples where the characters are using illusions in an attempt to escape reality. The best example is found by looking to the main character. Blanche Dubois was a troubled woman who throughout the play lives her life in illusions. The story begins with Blanche going to New Orleans to stay with her sister Stella‚ and her husband Stanley for a while.

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    oceans of pre-existence‚ opposing forces have existed in a perpetual state of antagonism. An unending war of push and pull rages on between the extremes of all spectrums in existence. One such war is depicted throughout Tennessee William’s A Streetcar Named Desire in the form of an explosive relationship between the play’s lead‚ Blanche DuBois‚ and her brother-in-law‚ Stanley Kowalski. Given that the former is the physical embodiment of illusion and the latter of reality‚ an ever-present air of mutual

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    Consider the characters of Stanley‚ Blanche and Stella and their behaviours in Scene 1. Using your own words‚ describe whether you think is reinforcing or challenging hegemony in “A Streetcar Named Desire”. I think Tennessee Williams is not challenging hegemony in the play “A Streetcar Named Desire” and it’s maintaining the cultural and social topics of the time. To start off‚ the characters of Stella‚ Stanley and Blanche are showing prejudices and discrimination by their actions‚ behaviour

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    How effectively does the film portray the key themes and characters of Williams play? In 1949‚ Tennessee Williams released a novel entitled “A Streetcar named Desire”. Two years later Elia Kazan directed and released a movie based on the novel. She tried to recreate the film as closely as she could to the written play. How well did Kazan do this? Did she leave out key parts or did she cover them all? Did she model the characters perfectly according to the novel? Was she spot on or was she way off

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    her to insanity‚ constantly hearing the song that was playing when Allan killed himself in her head throughout the rest of the play (133). Stanley also hurts his spouse‚ physically attacking Stella. He becomes easily agitated with Stella after a night of poker with his friends‚ and attacks her for turning on the radio after telling her to be quiet (114). After she leaves and his head clears up‚ he

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    In a Streetcar Named Desire‚ women have a constant‚ recurring need to have support from a male counterpoint. From Stella leaving her plantation‚ to Blanche needing a steady stream of support from all the male characters she encounters‚ women are proven to have a need to feel supported and important by men. Stella leaves her plantation‚ with the knowledge that “The best [she] could was to make [her] own living.” And so Stella left the safety of her farm in order to make herself feel important and

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    find amusing or moving or disturbing. Explain how the scene provokes this response and discuss how this aspect of the scene contributes to your understanding of the play as a whole. The penultimate scene of Tennessee William’s play “A Streetcar named Desire” in which the protagonist Blanche Dubois is raped by her brother-in –law‚ Stanley Kowalski‚ is deeply disturbing to the audience. Williams uses this scene as a climax of both the play’s plot and a number of key themes At the start of the

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