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    are spoken. The stories “The Tell-Tale Heart‚” by Edgar Allen Poe and “The Yellow Wallpaper‚” by Charlotte Perkins Gilman are both prime examples of how 19th century authors provoked the ideas of paranoia and mental deterioration within troubled narrators. These disorders can be compared in reference to when each character makes its discovery‚ the similarities can be drawn from discovering these comparisons in mental state‚ and then differences between “The Tell-Tale Heart” and “The Yellow Wallpaper”

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    Heart and Points

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     Which layer of the heart wall consists of cardiac muscle tissue? (Points : 1)        Epicardium        Pericardium        Myocardium        Endocardium        Hypocardium 2. Which blood vessel shown in the figure carries oxygenated blood to the lower thoracic cavity and the abdominal cavity of the body?  (Points : 1)        A        B        E        F        H 3. Blood leaving the left ventricle passes through which of the following structures? (Points : 1)        Right atrium

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    Edgar Allan Poe with his horror story‚ Tell Tale Heart‚ as well as Lord Brooke Fulke Greville‚ with his short poem‚Sonnet 100. Both passages support the theme of night time and fear creating an ominous mood to the story‚ but both authors do it in slightly different ways. Greville‚ with his short and ‘sweet’ poem‚ uses short phrases coupled with extensive vocabulary‚ while Poe integrates explaining more than vocabulary‚ and instead of shortening

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    Analytical Essay of Edgar Allan Poe’s The Tell-Tale Heart This Edgar Allan Poe’s short story indicates the narrator as the prime character in this story‚ who describes himself as a sane man‚ as he expresses in the first sentence‚ yet he shows a horrifying thing as a proof. Poe presents this story with its frightening atmosphere‚ full of contradiction and symbolism‚ so it causes us to be more accurate in interpreting every single part of the story. It tends to demand us‚ as the reader‚ to be more

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    In the many achievements of Edgar Allen Poe‚ the concept of insanity absorbs the environment of the plot and the characters‚ which occurs prominently in “The Tell-Tale Heart” and “The Fall of the House of Usher.” Using the fears of the past and present‚ Poe descends his characters into madness via the horrors that we all experience at one point or another. Whether those phobias consist of a premature burial‚ the fear of being accused guilty or insane‚ or the paranoia existing somewhere inside ourselves

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    The classic short story‚ The Tell Tale Heart‚ by Edgar Allen Poe‚ and the iconic Southern Gothic work‚ Everything That Rises Must Converge‚ by Flannery O’Connor‚ are two excellent examples of how authors use the tool of the narrator to manipulate the reader’s knowledge and opinions on events happening around them. Though these short stories are vastly different in their plot line‚ both short stories explore the depths of human nature and opinion. Both Poe and O’Connor use literary devices‚ genre

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    The Murderer versus the Murder Reflection Paper on “The Tell-Tale Heart” by Edgar Alan Poe A major aspect in this story is the climax‚ since in my opinion there is more than one. Which I believe is good since the story does not stop after the first climax‚ which is the murder; it seems to get even more suspenseful. Inevitably‚ the first climax is when the narrator‚ whose name and gender is unknown in the story‚ finally murders the old man after eight nights of planning. “There was no pulsation

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    Point of View

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    there are two kinds of points of view: the first-person point of view‚ and the third-person point of view. In the first-person point of view a fictitious observer tells us what he or she saw‚ heard‚ concluded‚ and thought and is usually characterized by the use of the pronoun “I”. The speaker or narrator may sometimes seem to be the author speaking directly using an authorial voice. For example‚ Nick Carraway in “The Great Gatsby” tells the story in a first-person point of view‚ sharing with the reader

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    readers are made to witness his vast internal contradictions. At one point‚ the speaker claims that he pities old man his "mortal terror‚" but then immediately adds "although I chuckled at heart." At another pivotal point in story‚ the main character examines the old man’s corpse thoroughly. He is convinced and‚ in turn convinces the reader‚ that the old man is "stone dead." Yet he will later act under the belief that the old man’s heart still beats. What is clear‚ then‚ is that as the reader "listens"

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    In literature‚ Edgar Allen Poe is widely known for his short stories that all have common dark‚ non-moralistic theme. Considering‚ Poe’s “The Black Cat” and “The Tell-Tale Heart‚” have no exceptions. Theses works show exemplementry stories of narrators who have gone mad‚ murdered out of wickedness‚ and seek redemption from those who’ll listen. Poe’s unique writing styles and plot grabs hold of the reader’s attention and takes them down a dark‚ spiraling path of the narrators’ minds. From different

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