using different approaches in order to establish the social and political climate in which the authors wrote. This work will be supported by findings on a significant number of critical essays on “Otherness” in both: to Kill a Mockingbird and the Tempest. To cope with my research‚ this paper consists of an introduction‚ three main chapters‚ conclusion and
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aspirations. Imaginative journeys can lead to discoveries beyond the physical‚ being unpredictable and dangerous at times. They can be seen as catalysts for change. My concept of journeys has been developed through the study of Shakespeare’s “The Tempest”‚ the movie “Click” and the song lyrics “In the arms of the angel”. These texts have shown that imaginative journeys can be inspired by magical elements‚ and can be thought provoking and dangerous. Shakespeare’s use of stage direction‚ motif and
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good writer is because he knew when to use the correct work to get certain emotions and feeling out of a person. The last reason Shakespeare was such a good writer was because of the emotions he got people to feel. One example of this is in the play tempest when it says‚ "My Lord Sebastian‚ the truth you speak doth lack some gentleness‚ and time to speak it in. You rub the sore when you should bring the plaster." In this quote it is explaining how Gonzo is criticizing what Sabastian told Alonso. This
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King Lear If I were to stage a performance of King Lear‚ I would attempt to cultivates more sympathy for the unruly royal father. When I first read this play‚ I judged King Lear harshly for making one foolish mistake after another. I viewed his treatment of Regan‚ and Goneril as sufficient evidence for his eviction. King Lear was neither intelligent or moral. He was simply an outdated‚ foolish‚ and hostile old man. However‚ after digesting the play I have found the folly of my ways. Since the
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A lot of the colonization that happened was due to this naive greed of the europeans in the Old World. In The Tempest‚ greed is a clear motivator for the antagonist‚ Antonio. He wishes to become the king of Naples’s right hand and duke of Milan. This is shown through his plotting and scheming‚ first for taking Prospero’s place some years ago. Prospero recalls‚ “A
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Prospero’s Illusion of Justice Justice means conformity to moral rightness in action or attitude; righteousness and in the play The Tempest by William Shakespeare tells a fairly straight forward story involving an unjust act; he was banished by his brother Antonio‚ he is on a quest to re-establish justice by restoring himself to power. However‚ Prospero’s idea of justice seems extremely one-sided and mainly involves what is good for him; the idea represents the view of one character that controls
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a normal priority for children in both the time of Shakespeare and ancient Greece. Found within Shakespeare’s play The Tempest and E.M. Berne’s book Myths and Legends of Ancient Greece and Rome‚ there are two specific children whom bore similar childhood experiences and and faced important life tasks once they were of appropriate age. Prospero’s daughter Miranda‚ from The Tempest‚ and Polydectes’s adopted son Perseus‚ from Myths and Legends of Ancient Greece and Rome‚ face similar life circumstances
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THE STORY OF THE FLOOD- the Epic of Gilgamesh ’You know the city Shurrupak‚ it stands on the banks of Euphrates? That city grew old and the gods that were in it were old. There was Anu‚-lord of the firmament‚ their father‚ and warrior Enlil their counsellor‚ Ninurta the helper‚ and Ennugi watcher over canals; and with them also was Ea. In those days the world teemed‚ the people multiplied‚ the world bellowed like a wild bull‚ and the great god was aroused by the clamour. Enlil heard the clamour
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the lack of obedience‚ and lack of decision making‚ this is due to their lack of knowledge. Boatswain commands‚ to “Blow‚ till thou burst thy wind”‚ to the soldiers. Symbolising the power and authority of Prospero through the controlling of the ‘tempest’ itself and the Boatswain. The storm also symbolised the lack of authority Antonio has compared to Prospero. Prospero holds knowledge on the ‘secret arts’ and Boatswain on the function of the ‘sails’‚ therefore both have major authority. Gonzalo respects
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supernatural is used most fearsomely in Hamlet‚ with the ghost of Hamlet’s father representing the most frightening apparition in all of the Bard’s plays. However‚ the supernatural is used to an almost whimsical degree in A Midsummer’s Night Dream and The Tempest. In both of these plays the supernatural does not assume an evil demeanor‚ though it does wreak havoc on the lives of those in its
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