Literary Criticism Quiz 1. Explain the ego‚ id‚ and superego. 2. What does formalism analyze? 3. What does the philosophical approach evaluate? 4. What are the three stages of the quest as defined by the archetypal approach? Make sure you explain them: 5. What is the Oedipal Complex? 6. What constitutes the “tragic hero?” 7. What is the intentional fallacy? 8. On what basis do philosophical critics judge a work? 9. What
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confronting catalyst for change‚ providing a means to access what has been concealed or lost‚ spurring deep emotional confrontations that realign perceptions of reality through processes of self-discovery. William Shakespeare’s tragic comedy‚ The Tempest‚ formulates powerful concepts of discovery‚ using discoveries of tangible and intangible nature to explore critical emotions that drive profound realisations‚ of which centralise on fatalism‚ ethics‚ and subjugation. Moreover‚ Pink Floyd’s concept
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Reader-Oriented Criticism This essay will summarize what Reader-Oriented Criticism actually is and how it plays a role with in Friday Night Lights. First of all‚ Reader-Oriented Criticism is the interaction of what the text was written to mean and how the viewer reads it‚ also known as text-reader relationships. “As such‚ reader-oriented criticism is largely concerned with “potential” as opposed to “actualized” meanings of the text to an audience” (Vande 331). The text throughs out cues on how
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O’Toole’s criticism of the U.S. Forest Service is one that people need to decide whether or not they want to side with it. There is good and bad sides to his criticism that we will take a look at‚ as well as including how Krieger’s position on preservation and conservation take place. Let begin by taking a look at the good side of his criticism. In his criticism‚ O’Toole points out a flaw in the U.S. Forest Service’s plan of attack. The incentives they are offering do no attain to everyone. When
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Justice is the pursuit of righteousness and moral good standing within an individual or a group. Shakespeare‚ however‚ gives new perspective to this idea of justice in his work‚ The Tempest. Shakespeare critiques justice and portrays it in way in which justice is defined as the rule of the majority‚ and governed by the person with most power. Through the actions of the main character‚ Prospero; this new viewpoint of both justice and mercy emerges. Prospero‚ once the Duke of Milan‚ seeks revenge
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Criticism of "The Sick Rose" By analyzing more information from different authors‚ I was able to draw a greater amount contrast from the authors. I had a better feel for what they were trying to convey when they wrote their critical essays in their books. Whatever the case‚ it was easier to judge "The Sick Rose" by having more sources to reflect upon. Michael Riffaterre centers his analysis of "The Sick Rose" in "The Self- sufficient Text" by "using internal evidence only [to analyze
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Intersections of Race‚ Class‚ and Gender in The Tempest In Shakespeare’s play‚ ‘The Tempest’‚ the characters of Prospero and Caliban‚ represent two different extremes on the social spectrum: the ruler‚ and the ruled. Their positions on the social hierarchy are largely due to the fact that Caliban responds almost wholly to passions‚ feelings of pleasure; his senses‚ while Prospero is ruled more by his intellect and self-discipline; his mind. Within ‘The Tempest’ there are obvious social implications regarding
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Cesaire ’s play A Tempest‚ written in 1969‚ was written in a time of increasing pressure for decolonization and black civil and national rights. Following‚ World War II colonial peoples set about to reinvent their futures as all the great nations were in some way disconcerted by the war. Anti-colonial leaders saw an opportunity to make nations of their colonies. Cesaire promoted decolonization throughout his life being one of the key figures for the anti-colonial movement. A Tempest is Cesaire ’s final
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In what ways is Caliban presented as hideous in The Tempest? Through the exploration if the play‚ The Tempest by William Shakespeare‚ we are introduced to the character of Caliban and almost immediately we are encouraged to view him as hideous and monstrous. Shakespeare makes us identify Caliban as some kind of sub-human freak through the horrific appearance‚ malicious background and low social status in which he is allocated. However‚ although we are encouraged by language‚ and the other characters
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A Different Mirror: Takaki’s use of the Tempest In the first chapter of “A Different Mirror” by Ronald Takaki‚ he explains stereotypes and biases of white‚ Eurocentric attitudes that have been with us since the earliest days of the colonies and settlements here. Beginning with the early colonists and their treatment of the natives‚ there is a pattern of ruthless acquisition of land and goods. According to Takaki‚ the early settlers judged native americans as lacking everything identifiable in
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