UNIVERZITA KOMENSKÉHO FILOZOFICKÁ FAKULTA‚ KATEDRA DEJÍN UMENIA Giorgione – The Tempest Odborná angličtina 4 Letný semester Linda Hobinková Ak. rok 2010/11 2. ročník Girogio da Castelfranco Founder of 16.century Venetian painting‚ who has
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The oak one day address the reed: "To you ungenerous indeed Has nature been‚ my humble friend‚ With weakness aye obliged to bend. The smallest bird that flits in air Is quite too much for you to bear; The slightest wind that wreathes the lake Your ever-trembling head does shake. The while‚ my towering form Dares with the mountain top The solar blaze to stop‚ And wrestle with the storm. What seems to you the blast of death‚ To me is but a zephyr’s breath. Beneath my branches
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“Who are you to judge the life I live? I am not perfect and i do not have to be! Don’t point fingers‚ unless your hands are clean.” Quoted Bob Marley. Everyone judged him because he did not look like a normal dog Throughout “Soul of Caliban” Caliban gets misjudged over and over. one example that Caliban was misjudged was when Caliban saves the newborn lamb from the blizzard‚ because he was thinking of other animals to rather than just himself. Emma-Lindsey Squier wrote‚ “And into the nebulous
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Malvolio; the puritanical‚ entertainment-despising character‚ who undoubtedly contradicts himself and his beliefs‚ provides Shakespeare’s Twelfth Night with a comedic‚ yet somewhat disheartening aspect‚ but nonetheless contributes to the enjoyment of the readers. Malvolio is presented as a stereotyped Puritan figure‚ who is quick to judge supposed sinners‚ such as the other aristocratic‚ frivolous servants. Additionally‚ he isolates himself from the merriment between the other servants of Lady
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In Act V of The Tempest‚ Prospero begins to speak about giving up his beloved magic. He recounts the acts he was able to perform with magic fondly saying‚ “I have bedinn’d the noontide sun‚ call’d forth the mutinous winds‚ and ‘twixt the green sea and the azured vault.” (lines 10-11) Prospero refers to his magic gratefully calling it a “potent art” in line 18. Magic allowed Prospero to perform many great acts and allowed him to confront those who wronged him in years past. However‚ Prospero makes
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Notes on The Tempest: 1611 Genre: Romance ● visionary‚ exotic‚ supernatural‚ unfamiliar‚ illusion; (mysterious encounters‚ concealed identities‚ hazardous journeys‚ unexpected meetings) = hopeful idealism ● Reconciliation: love and harmony resolves past discord. ● TIME = regenerative o masque = bounty of nature‚ seasonal cycles. Context: Jacobean Era ● James VI of Scotland (son of Mary‚ Queen of Scots) becomes James I of England 1603 (Stuart Dynasty) ● James writes the
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Consumed by Control Are we motivated by the search for control or does this desire actually control us? People who are desperate for power rarely feel at peace unless they have a sense of influence over those around them. In William Shakespeare’s The Tempest‚ Prospero loses his leadership to his brother and decides to use a purely psychological form of retaliation. Consequently‚ Prospero stops seeking revenge in scene V when his efforts give him the control he needs to regain satisfaction in life. Prospero
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sorts. An empire that still lives on through the many poems‚ sonnets and plays he wrote. Over the years‚ many of his plays‚ especially The Tempest (1610) have been reimagined and rewritten‚ allowing the play to keep up with the changing times. These adaptations either challenge‚ extend or reinforce Shakespeare’s work. One such adaptation is the film The Tempest (2010) by Julie Taymor. Julie Taymor‚ born on December 15‚ 1952‚ in Newton‚ Massachusetts‚ is an Academy Award-nominated playwright‚ designer
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Revenge and forgiveness play huge roles in Shakespeare’s The Tempest‚ but first lets focus on what revenge means and examples from The Tempest. The definition for revenge is‚ “ the action of inflicting hurt or harm on someone for an injury or wrong suffered at their hands in the act of avenging” ‚ when someone inflicts hurt or trouble onto you‚ you almost have a second nature action to try and get that person back in any shape or form. For example if someone trips you while you are walking down the
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help us to learn more about the world we inhabit and ourselves. This journey requires the process of speculation and contemplation. In texts‚ the imaginative journey involves speculation from the composer as well as the responder or audience. “The Tempest” by William Shakespeare is a play which allows the audience to speculate and embark on an imaginative journey with the characters of the play in order to both entertain and enlighten them. Other imaginary texts such as “Ground
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