Jamal West University of Phoenix ETH 316 June 4‚ 2013 University of Phoenix Material Week Three Ethics Game Simulation Worksheet Student Name: ___Jamal West______________________ Facilitator: _________________________ Complete the interactive Ethics Game simulation located on the University of Phoenix student website for Week Three. Note. You can only go through the simulation once‚ so please use this worksheet to take notes. The simulation uses the following decision model
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Four The minimum drinking age articles “Tempest in a Bottle”‚ by Shari Roan‚ “The Perils of Prohibition”‚ by Elizabeth M. Whelan‚ “The Minimum Legal Drinking Age: Facts and Fallacies” by Traci L. Toomey‚ Carolyn Rosenfeld‚ and Alexander Wagenaar‚ “De-Demonizing Rum: What’s Wrong with “Underage” Drinking?” by Andrew Stuttaford‚ are articles that represent why underage people shouldn’t be allowed to drink alcohol beverages. In the “Tempest in a Bottle”‚ by Shari Roan‚ explains that more
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control weather for their own pleasure and to perform evil deeds. It once so happened that a wife of a sailor had refused to give chestnuts to the first witch who had asked her for them. Evil in nature‚ the witch controlled the weather to create a tempest and attack the sailor’s ship. And munched‚ and munched‚ and munched: ‘Give me’ quoth I. / ‘Arount thee‚ witch!’ the rump-fed ronyon cries. Her husband’s
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parental love is depicted as being extremely strong in both Shakespeare’s The Tempest and Jon Stallworthy’s poem The Almond Tree. In the play‚ Prospero assures his daughter that he has "done nothing but in care of thee": her well-being is his entire motivation for all his actions in the play‚ including summoning the violent storm at the beginning of the play. He acts as a parent of various types and in various ways in The Tempest‚ to Miranda‚ to Caliban and to Ariel. It is only to Miranda that Prospero
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Dante’s Hell is based on a law of symbolic retribution – the talion or “divine justice.” Dante believed that the world‚ including art‚ is created by the “divine word‚” and that all meaning ultimately comes from God. The Inferno‚ then is a poem about the consequences of denying God. In essence‚ the punishments fit the crimes. The lower eight circles are a structured according to the Aristotelian concept of virtue and vice and are grouped into sins of incontinence (corresponding
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various types of suffering. Suffering can be defined in two ways; physical suffering‚ in which the character is inflicted with physical pain and trauma‚ and emotional suffering‚ where the character suffers an emotional trauma or loss. In The Tempest‚ the physically traumatized characters‚ are Trinculo and Stephano. They are chased by dogs but their physical trauma has not induced any sign of remorse or guilt. Ferdinand‚ on the other hand‚ is overcome by emotional suffering at the "loss" of
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Brague observes that in ancient and medieval times‚ the simple question‚ “What is man?” was seldom thought about. Contemplating this question requires one to believe they are a self-determining being. In ancient and medieval times‚ people did not think about who they were or if they could change. The universe was stagnant‚ every being had a purpose and a place and stayed in that place. In order to believe you are a self-determining being‚ you must be able to reflect upon yourself. This concept did
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Kyesha Fuller March 14‚ 2013 Ms. Gaston Strategic Read II Refuge: An Unnatural History of Family and Place Book Report “The gift of being alone‚ I can never get enough.” In Genesis 2:18 the lord god said “It is not good that the man should be alone; I will make him a helper fit for him.” Looking through God’s eyes there are specific gifts of being alone. Aloneness is a rare gift but some people are afraid of being alone. If gods says being alone is a gift then
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a) Bring out the significance of the forest of Arden in As You Like It. OR b) Discuss the character of Rosalind in As You Like It. 8. a) What view of man and nature does emerge from your study of The Tempest ? OR b) Comment critically on the earth-air or Caliban-Ariel antithesis in The Tempest. 9. a) What is the problem in Measure for Measure and how is it solved ? OR b) Comment on the title of the play‚ Measure for Measure. 10. a) What according to Bradley‚ are the distinctive features of
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Magic and supernatural occurrences in Shakespeare’s A Midsummer Night’s Dream‚ Richard III‚ and The Tempest are used to create a surreal world to confuse and resolve conflicts in each play. Magic provides the audience with an escape from reality and the comfort of the play’s unrealistic nature. In A Midsummer Night’s Dream‚ a love potion from a magical flower is used and misused to provide comic relief and resolution to love’s difficulties‚ supernatural ghosts are used to condemn a horrific murderer
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