The Things They Carried. Page 174-175‚ Written Commentary Many people ask themselves who is to blame for deaths in war‚ and if it is subjective to a person‚ or if it is contextual. In the following extract from Tim O’Brien’s “The Things They Carried”‚ it is impossible to think just about the Vietnam War as situational cause of the death of so many‚ the reader has to view the war person by person‚ each person or situation differing from each other. Right after the death of Kiowa‚ the men go searching
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The Things they Carried by Tim O’brien is a series of war stories that lean on the male perspective. If and when a woman appeared in the story‚ O’brien would idealize them as use for the soldiers when they came home with open arms and in hope for more. Women were used as a metaphor of innocents that the soldiers have to release to help for all the memories and horrors of the war. The innocents and fantasies of the book from the soldiers perspectives were used to either discriminate the women‚ or
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revealed through war. In the novel The Things They Carried‚ the characters of this series of stories embody traits of soldiers in the Vietnam War. Through writing‚ the author‚ Tim O¡¦Brien‚ portrays his feelings as a Vietnam soldier through this novel. He describes the loss of three fellow soldiers‚ Ted Lavender‚ Curt Lemon‚ and Kiowa and depicts the guilt and blame these deaths evoke. Ted Lavender¡¦s death increased the intangible guilt the platoon carried. No one was anticipating death because
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Oedipus accepts the fate‚ as well‚ and gouges his eyes out‚ exiling himself from Thebes. Although generally accepted as a play of fate‚ many people have made criticisms against this claim. One critic in particular‚ Kurt Fasso‚ in his criticism “Oedipus Crux‚” believes this fate was not truly Oedipus’ – he just accepts it as his own. His criticism is valid‚ for it touches on points that do in fact prove his theory‚ in a single persuading and convincing piece‚ particularly concerning the discrepancies
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Literary Criticism (Written report) PSYCHOANALYTICAL APPROACH IN LITERATURE Psychoanalytic literary criticism refers to literary criticism or literary theory which‚ in method‚ concept‚ or form‚ is influenced by the tradition of psychoanalysis begun by Sigmund Freud. Psychoanalytic reading has been practiced since the early development of psychoanalysis itself‚ and has developed into a heterogeneous interpretive tradition. As Patricia Waugh writes‚ ’Psychoanalytic literary criticism does not
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veteran Daniel Somers‚ talks about how when one is forced into war‚ they lose everything‚ including their mind‚ and are unable to get the peace they desire. This relates to the topic because the soldiers outlined in Tim O’Brien’s book‚ The Things They Carried‚ have gone through the feeling of being caught in a war while at the same time‚ dealing with psychological issues. This paper will go into detail about the soldiers struggle to retain their humanity and how specific traumatic events lead to
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The Things They Carried By Tim O’Brien Describe your speaker. What do you know about him/her? What do you NOT know about him/her? What makes your speaker an effective story teller? What character in the novel do you believe to be the least effective? Why? How does the speaker relate to this character? I know that the speaker is conscious of what he writes about‚ meaning that he knows he writes only about the Vietnam War and that it has consumed his writing career yet can’t help
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Generic Criticism What is Generic Criticism? * Foss (2009) defines generic criticism as “the assumption that certain types of situations provoke similar needs and expectations” (p. 137). * According to Oliver and Duff (2012)‚ “Genre can be defines as a pattern of communication that conforms to community norms. Genres are not fixed‚ but are constantly evolving and emerging.” (p. 373) * According to Northrop Frye‚ genre studies are not just about classification‚ he believes that "the
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New Criticism [pic]New Criticism is a name applied to a varied and extremely energetic effort among Anglo-American writers to focus critical attention on literature itself. Like Russian Formalism‚ following Boris Eikhenbaum and Victor Shklovskii‚ the New Critics developed speculative positions and techniques of reading that provide a vital complement to the literary and artistic emergence of modernism. Like many other movements in modern criticism‚ New Criticism was in part a reaction against the
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DEFINITION OF POSTCOLONIAL CRITICISM A type of cultural criticism‚ postcolonial criticism usually involves the analysis of literary texts produced in countries and cultures that have come under the control of European colonial powers at some point in their history. Alternatively‚ it can refer to the analysis of texts written about colonized places by writers hailing from the colonizing culture. In Orientalism (1978)‚ Edward Said‚ a pioneer of postcolonial criticism and studies‚ focused on the way
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