Sylvia Plath’s poem “Mirror” and Gwen Harwood’s poem “In the Park” explore the concept of loss diversely. Plath’s poem surrounds the distress regarding the inevitability of aging and its impact while Harwood’s poem explores how the truth cannot be hidden when faced with motherhood. In the opening verses of “Mirror‚” the narrator commences its narration by declaring itself neutral. It announces it has “no preconceptions” and without bias or emotions it will metaphorically “swallow immediately” what
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alive’. When Harwood refers to the wind‚ she uses the particular image to allude to the human experience of loneliness and frustration‚ as the mother feels like she has nobody else to turn to. Harwood’s choice of words is monosyllabic ‘they have eaten me alive’ suggesting a sense of weariness and despair throughout the poem‚ in turn adding effect for the reader. The children ‘Draw(s) aimless patterns in the dirt’ metaphorically emphasizes her disorientation and lack of direction. When Harwood describes
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Gwen Harwood- Father and Child The ability of a text to be universally accepted in a range of contexts ultimately determines its textual integrity and appreciation. Gwen Harwood’s work draws from the inspiration of her context‚ her lifelong influences‚ primarily music‚ her childhood and religious beliefs. This can be identified through study of Gwen Harwood’s poem‚ "Father and Child" that is able to be appreciated in a multitude of different contexts due to its universality and textual integrity
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Gwen Harwood’s poetry focuses on the concepts of loss and consolation‚ which‚ through her exploration of universal themes and deft use of poetic and literary techniques‚ has continued to engage readers over the ages. My understanding of her poems resonates with these ideas about them‚ as does it the notion that Harwood’s poetry examines ideas of the growth towards maturity‚ understanding and wisdom‚ and the connection this shares with the conventional images of youth and age. The poems “Father and
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Gwen Harwood’s poetry endures to engage readers through its poetic treatment of loss and consolation. Gwen Harwood’s seemingly ironic simultaneous examination of the personal and the universal is regarded as holding sufficient textual integrity that it has come to resonate with a broad audience and a number of critical perspectives. This is clearly evident within her poems ‘At Mornington’ and ‘A Valediction’‚ these specific texts have a main focus on motif that once innocence is lost it cannot be
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judgment of this poem and Harwood’s poetry as a whole. Through a critical study of Gwen Harwood’s poetry‚ the responder’s personal response has a significant effect on their judgement towards her poetry. In The Sharpness of Death‚ Harwood explores the inexplicable link between life and death‚ as well as the value of memories in response to the inevitable passing of time. Similarly in At Mornington‚ Harwood accentuates the value of appreciating life to overpower death and the importance of memories
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Poetry can provide the reader with an insight into human behavior and relationships‚ utilizing various poetic techniques to achieve this. Two poems‚ An Absolutely Ordinary Rainbow by Les Murray and In the Park by Gwen Harwood‚ are examples of poems that make use of techniques to give an observation on human behavior and relationships. The two poems differ from each other in subject matter and the way they comment on human behavior. An Absolutely Ordinary Rainbow deals with expression of emotion whereas
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The very nature of poetry as being open to interpretive readings means that the poetry of Gwen Harwood can change with time and place‚ thus exploring the social customs and ethics affecting the contemporary audience. Her poems “Father and Child” (FC) and “The Violets” (TV) both reflect her context of the 1960s and 1970s‚ a period in which social activism had a major effect on the values of the presiding culture. The poems reveal Harwood’s characteristic voice that surpasses the barriers of time and
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Gwen Harwood (1920 – 1995): Harwood has fond memories of her childhood in Queensland which often appear in her poems. She was married in 1945 and moved to Tasmania. She began writing in her thirties to express the things that gave her life meaning. Originally she preferred pseudonyms but changed to poetry because of her growing reputation. The poetry she writes is deeply personal and presents a strong sense of identity; she also presents unusual perspectives on everyday experiences and relationships
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Often in poetry the technique of imagery is relied on heavily to present the reader with a visual stimulus that allows the poet to express a set of complex ideas. Poet Gwen Harwood utilises certain everyday images to illustrate the tendency of society to categorize the roles and expectations of females in the 1950’s. Some of her works such as ‘In the Park’‚ ‘Suburban Sonnet’ and ‘Dichterlibre’ draw on images of bickering children‚ household chores and tiresome motherly figures in order for the reader
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