The Woman Warrior v.s. Chinese Culture The Woman Warrior‚ written by Maxine Hong Kingston in 1976‚ depicts the stories of five women – Kingston’s “No-Name” aunt; a famous historical female warrior called “Fa Mu Lan”; Kingston’s mother‚ Brave Orchid; Kingston’s aunt‚ Moon Orchid; and Kingston herself. The book integrates Kingston’s lived experience as well as the spoken stories that Kingston’s mother told her‚ combining Chinese culture‚ myths‚ history and beliefs all together. The Woman Warrior
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Kingston’s novel‚ The Woman Warrior‚ she primarily uses her memory to recall the legend of Fa Mu Lan‚ a Chinese girl who took her father’s place in battle illegally (21). Kingston uses this familiar Chinese story that leaves a “direct personal impression” on her and links it to her own imagination (Lanning and Macauley 3). This fabricates the origin of a story that gives the reader insight on how Kingston feels about Chinese society. In the second chapter of The Woman Warrior Kingston positions
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The Woman Warrior is the memoir of Maxine Hong Kingston’s experience growing up as a first-generation Chinese American. In it‚ she tells the stories of several other women to reveal the struggles and issues that have affected her own life. In telling their stories‚ she is telling her own stories because Kingston herself is a compilation of all the women in her book. In The Woman Warrior‚ Kingston reveals the cultural conflicts that have affected her and how‚ ultimately‚ she is able to fight back
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In the novel The Woman Warrior Maxine Hong Kingston uses ghosts to represent a battle between American and Chinese cultures. The two cultures have different views of what a ghost is. The Chinese believe the ghost spirits may be of people dead or alive. Chinese culture recognizes foreigners and unfamiliar people as ghosts because‚ like American ghosts‚ they are mysterious creatures of the unknown. Americans view ghosts as spirits of the dead that either help or haunt people. American ghosts may
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In Maxine Hong Kingston’s The Woman Warrior‚ Hong Kingston shares a tragic story involving one of her aunts. Originally the story was told to Hong Kingston by her mother‚ but a lot of the information was withheld so Hong Kingston includes a lot of what she thinks could have happened. Regardless of what is true and what is not‚ this piece of writing was extremely engaging and interesting. Hong Kingston dives into the norms held in Chinese culture and how they affect different people. This chapter
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Maxine Hong Kingston‚ the author of Woman Warrior‚ and her mother Brave Orchid are the only two people to make an appearance in every chapter of Woman Warrior. Because of this‚ we can tell how much of an effect Kingston’s mother has had on her‚ and how her talk-stories influenced her views on the Chinese and American cultures‚ family‚ and maybe most importantly‚ gender and what it means to be a woman. In the chapter entitled “Shaman‚” we get to see the life story of Brave Orchid‚ with a few moments
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The Power in Storytelling The idea of power takes an entirely new meaning in Maxine Hong Kingston’s memoir‚ The Woman Warrior. Rather than power insinuating a political or social advantage‚ power in Kingston’s writing relates to her recurrent childhood experiences of being told stories and listening to “talk-story” from her mother. The importance and impact that the stories have is stressed from the first page of the memoir until the last story‚ which demonstrates the way Kingston uses and displays
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Maus and The Woman Warrior that we read this semester seem very different from each other‚ but I think that they both contain similarities and can be contrasted readily. The Woman Warrior by Maxing Hong Kingston like Maus by Art Spiegelman deals with storytelling and tradition derived from racial issues. These books are not merely based on race though. Culture‚ identity‚ language‚ heritage‚ history‚ and discrimination are all components in the compositions of Maus and The Woman Warrior. The races
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In Maxine Hong Kingston’s autobiography The Woman Warrior: Memoirs of a Girlhood Among Ghosts‚ Kingston struggles to assimilate into American culture while living in Chinese culture at home. Her conflict in identity leads her to self-invention as displayed by her idea of American-femininity and the fictitious image of the Woman Warrior‚ thus contradicting the idea of America as a melting pot. Kingston retains both her Chinese and American culture by merging the two together. The tradition of talk-stories
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Maxine Hong Kingston’s The Woman Warrior novel‚ is a semi-autobiographical collection of short stories that chronicles her childhood in California. The main characters‚ Kingston‚ Brave Orchid‚ Moon Orchid‚ and an unnamed aunt‚ are all mentally and emotionally abused by the society in both America and China. Kingston is judged and ignore by the people at school because she is Chinese‚ and in turn blames her mother‚ Brave Orchid‚ for her problems. Moon Orchid moves to America with the help of her
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