women as naïve ’’damsels in distress’’‚ constantly reliant on male protection. Women who rebelled against this stereotype‚ or got men into trouble were punished. The poetic works of Christina Rossetti explore to what extent women are victims. Rossetti was concerned with the different layers upon which
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1. Allegory (寓言)– The word derives from the Greek allegoria ( “speaking other-wise” ). It loosely describes any writing in verse or prose that has a double meaning. This fictional literary narrative acts as an extended metaphor in which persons‚ abstract ideas‚ or events represent not only themselves on the literal level‚ but also stand for something else on the symbolic level. An allegorical reading usually involves moral or spiritual concepts that may be more significant than the actual‚ literal
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A key choice writers make is how they name or refer to characters in their stories. Write about the significance of the choices writers have made in naming or referring to their characters in the three texts you have studies. In the three texts I have studies the writers all name and refer to their characters in different ways. For example in The Road the characters are not given names and in Small
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Maude Clare Maude Clare is ballad written by Christina Rossetti‚ it’s composed of 12 quatrains and 12 stanzas each with alternating iambic tetrameter‚ the rhyme scheme‚ ABCB‚ differs from that of a traditional ballads which are usually ABAB‚ the writer does this deliberately to show the reader through structure the disruption Maude Clare causes at the wedding‚ it also foreshadows how the traditional wedding will change. In addition to this the more spontaneous ABCB rhyme scheme to provide some relief
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Christina Rossetti along with Gerard Manley Hopkins were regarded as religious poets in the Victorian era. Christina Rossetti’s poems struggled with religious doubt and fear as they seek to understand the exclusion from God and Christ. One of her most imminent poems was “Goblin Market’’. Christina Rossetti in this poem follows the standard patterns of religion;temptation‚ fall‚ redemption and restoration. However‚ in her real life‚ she does not side with Biblical account. Her narrative to the poem
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Percy Bysshe Shelley (/ˈpɜrsi ˈbɪʃ ˈʃɛli/;[2] 4 August 1792 – 8 July 1822) was one of the major English Romantic poets and is regarded by critics as among the finest lyric poets in the English language. A radical in his poetry as well as his political and social views‚ Shelley did not achieve fame during his lifetime‚ but recognition for his poetry grew steadily following his death. Shelley was a key member of a close circle of visionary poets and writers that included Lord Byron; Leigh Hunt; Thomas
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well-kept secret. Individuals who have been let in on the secret of life after death are unable to communicate their discoveries‚ so it will remain unknown. In “Because I could not stop for Death” by Emily Dickinson and “After Death” by Cristina Rossetti‚ the
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English Essay- My Cousin Kate A Poem which was written by Christina Rossetti in the Victorian times between the years 1830-1894. An English poet who mainly aimed her poems at children she lived in London and was educated privately. It is not a typical poem of its time setting because of the theme the poem is showing and as we can see this when analysing the poem. In the first stanza in the first line where it states “I was a cottage maiden”- this part shows that she is using first person at
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Come back to me in dreams‚ that I may give 16 Pulse for pulse‚ breath for breath: 17 Speak low‚ lean low‚ 18 As long ago‚ my love‚ how long ago! The Rhymes in Christina Rossetti’s “Echo” In the three-stanza lyric poem “Echo‚” Christina Rossetti uses rhyme as a way of saying that one might regain in dreams a love that is lost in realit. As the dream of love is to the real love‚ so is an echo to an original sound. From the comparison comes the title of the poem and also Rossetti’s unique
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Marxist criticism The poem‚ “Goblin Market” by Christina Rossetti‚ was originally intended to be a fairytale to teach children the simple cliché: “Don’t trust strangers.” Nevertheless‚ whether intended or not‚ the convoluted manner in which Rossetti crafts this poem‚ demonstrates that there are deeper meanings to this poem. The poem is no longer regarded as just a children’s fable‚ but instead is viewed as social commentary in which Rossetti is commenting about the world around her. The poem can be
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