History of Theatre Early in the 1700’s British people that were involved with theatre were mostly middle class. There were 2 kinds of new dramatic theatre: sentimental comedy and domestic tragedy. The fist playhouse was in the American colonies was built in Williamsburg‚ Virginia. In 1741 the greatest British actor was born and his name was David Garrick. Aeschylus wrote the first major playwright and multiple contests. "The Orestria" was the last remaining tragic trilogy. Sophocles
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Verbatim Theatre - The Laramie Project Verbatim theatre is a form of documentary theatre‚ it empowers marginalised groups and communities by staging their stories‚ enabling them to make their experiences visible whether it be local or global. Verbatim theatre explores a range of perspectives‚ and a variety of truths by scripting real life interviews of people from a story or incident Verbatim theatre offers a range of perspectives from different people‚ for example In the Laramie Project the
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THEATRE OF ELIZABETHAN: There were three different types of venues for Elizabethan plays: Inn yards‚ Playhouses and Open Air Amphitheatres a. Inn- yards: The Elizabethan Theatres started in the cobbled courtyards of Inns – they were called Inn-yards. As many as 500 people would attend play performances. Elizabethan acting troupes travelled the country and sought lodgings at inns or taverns and before long entrepreneurs‚ like James Burbage‚ started to produce plays at inn-yards – a popular
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INTRODUCTION. Theatre in Ghana predates ancient times although there is no document to support that‚ it is not farfetched because Ghanaian way of life has been theatrical and performance based; from child birth to naming ceremony through to puberty rites to marriage ceremonies and funeral rites. All these ceremonies are imbued with theatrical performances. It must also be noted that instoolment of Chiefs‚ festivals‚ enstoolment of Chiefs‚ grand durbars‚ victories at war‚ ritual ceremonies are all
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the participant on a specific subject matter. Theatre in Education began in 1965 with the Belgrade Theatre in Coventry. This decade was a period of change‚ where the worldwide movement of protest was brought about‚ and a revolution was born. The people who founded TIE were radical thinkers who questioned everything‚ and more importantly‚ strived for change in society. All aspects of society were affected by this revolution‚ including education and theatre. Education transitioned from a classroom scenario
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As an extremely determined and proactive person‚ I tend to submerge myself in any project or extracurricular activity I possibly can. I am prepared for this type of experience because I love musical theatre and I am determined to be the best I can possibly be. I am completely willing to work as hard as I need to so I can learn as much as I need to. Having ventured through a plethora of roles‚ ranging from my first lead at 11 years old‚ to numerous ensemble and dancing roles‚ I have become seasoned
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PowerPoint The very nature of theatre involves some special hazards‚ including safety hazards‚ fire hazards and chemical hazards. Backstage crew‚ performers‚ and sometimes even the audience can be at risk. Within the theatre‚ there is lifting of heavy scenery‚ and manipulation of this often-large scenery‚ props‚ and lighting or special effect equipment in a very small space. The hours of work are irregular and the backstage is often very cramped‚ especially in older theatres‚ and there is the pressure
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Theatre Arts Terms and Definitions Theatre Personnel Executive Producer: The individual responsible for the funding and financing of a particular production. Producer: The individual responsible for the managerial and administrative aspects of the production. This includes‚ and is not limited to‚ hiring creative personnel‚ manages financial aspects of film‚ liaising with cast and crew and to ensure the smooth running of all aspects of a productions.
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Live Theatre Analysis The set used for Vernon God Little was highly symbolic and simplistic; when we walked into the theatre we could visually see that there were flowers‚ cards and memorable items attached on the audiences seats above our heads‚ which already created a sombre atmosphere around the theatre. Once seated‚ we saw that the stage was mainly bare with a chair on the left hand side of the stage. This suggested to the audience that the play would be non-naturalistic unlike‚ a west end
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PESTEL Political- The theatre is subsidized by the public purse in the form of local authorities and the arts council (Arts council‚ 2010). However‚ funding is under continual pressure after cuts made to the arts budget by the coalition government (Mintel‚ 2012). This has been evident since 2008 where the arts council of England stopped funding of the theatre meaning it is only supported by Winchester City Council‚ Hampshire city council‚ sponsors and friends of Theatre Royal Winchester (Burn‚
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