“Like a Billion Likes” The first production at Stage West on February 8‚ 2018 marketed as a “teenage drama with dark comedy” (News Play Exchange). Entering the play relatively no information‚ the production of “Like a Billion Likes” seemed to focus on our obsession with social media and human desire have fame. The production committed to discuss two major sociological themes‚ gender fluidity and the obsession with social media as form of self-value. Although‚ the play was successful in its artistic
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He examines the audience in one chapter of his book as a modern football crowd rather than as modern theatre audiences today. He suggests that crowd psychology should be analyzed in Shakespearian audiences and uses material gathered from performances‚ evidence found in books‚ and documentation of these events from Sam Wanamaker books to come to the conclusion
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THE3312 Theatre History II Roxanne LeBlanc 4/6/16 Strength in the Striptease An analysis of how Ixion gave woman power in the theatre through the art American Burlesque. When society thinks of the term "burlesque‚" immediately our minds are programed to think of female strippers shaking and shimmying to sexy big brass music. Some might even find it appalling yet only a few know of its true origin. The idea of teasing audience members with stripping down to lacey lingerie actually comes into burlesque
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Baby with the Bathwater Critique “Baby with the Bathwater” is a play by Christopher Durang about two parents who were completely unprepared for parenthood. At first‚ they can’t decide on a name for the baby‚ but eventually name it Daisy. They decide to choose the sex of the baby later and they have no idea how to handle or treat a baby. The parents‚ John and Helen‚ played by Stephen Tyler Howell and Danielle Amick‚ did a fantastic job in portraying the struggles and uncertainties of parenthood
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delve deeper into the realm of physical theatre for our devised creative adaptation. The main reason for this was our success in unit 2 were we used Frantic Assembly‚ an innovative physical theatre group‚ as a Practitioner. We now want to work on the basics that we learned last year but also extend our skills to more challenging and advanced physical movements and sequences. Now that the shackles are off we are interested to look into other physical theatre practitioners such as ‘PUSH’ who use a
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constantly being watched from all directions‚ whether it be by his parents‚ society or of course‚ Equus. The play is centred on this theme of ‘watching’ because it is what led Alan to blind the six horses. The set embodies the elements of a Greek theatre with its amphitheatre-like shape. This signifies Dysart’s love of Greek culture and history but also the underlying battle of the Greek Gods. In the therapy room there is a battle
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industry‚ and I believe that this course will provide me with the necessary skills‚ opportunities and contacts to help make that happen. Over the past five years‚ I’ve spent a large portion of my free time and‚ more recently‚ time at college in a theatre. I have been lucky enough to see a wide range of plays‚ musicals and live performances in numerous venues across London‚ as well as being a member of the crew in multiple school and college productions. Having the option to study what I once considered
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produced by Illumination Entertainment‚ written by Garth Jennings‚ and directed by Garth Jennings and Christophe Lourdelet (“Trailer and Movie Site”). The film tells the story of a Koala bear named Buster Moon‚ who owns a theatre that has fallen on hard times. In an attempt to save his theatre‚ the bear holds a singing competition in order to find new and successful acts for his shows. The animation film uses well know actors and singers such as Reese Witherspoon‚ Scarlett Johansson‚ Jennifer Hudson‚ and
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Brecht Vs. Stanislavski. To move away from naturalism Brecht methods differs from Stanislavski’s in many ways. In order to achieve a un-natiuralistic performance and create an audience that are critical on the play rather than be emotionally attached to the play. Some of these differences between the two practitioner’s methods that create these two opposite effects are; Events being episodic‚ Where the actors go and having a 4th wall. The two practitioners play about with the order of the
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Torres‚ Anne Francesca Marielle C. 2013-73064 Comm 3 Prof. Oscar Serquina “Adarna” Adarna‚ adarna‚ adarna! The best play I have watched so far. It was the first time I watched a play in UP and also my first time to see Dulaang UP perform. Before I watch the play‚ many of my friends who were studying in UP said that‚ “The best ang Dulaang UP. Sobrang galing ng mga yan.” My expectations to the Dulaang UP were achieved because of what I saw. The actors and actresses who played a character in
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