Crash The most powerful scene in this movie is when the Indian man shows up at the end the Spanish mans house still upset his store getting robbed and blaming him for it. The Indian man has a fully loaded revolver. When the Spanish man get out of his work truck‚ the Indian man walks up and pulls out his gun asking him where his money was. The Spanish man not knowing what he was talking about he went in his pocket and told him he could have the fifty dollars that he had. At the same time all this
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Upon watching Crash Directed by Paul Haggis‚ I have come to the conclusion that people are a lot more like sheep than we would like to admit. Sheep are followers; they go with what every other sheep does. They have no sense of reasoning‚ right or wrong‚ or emotion that comes with the frontal lobe that human beings were gifted with. So why must we continue to deny the use of our frontal lobe’s incredible ability to be unique? Why don’t we break the cycle of letting
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Luka Lokmer The film "Crash" directed by Paul Haggis challenges the audience through the theme of prejudice‚ isolation and through the use of characters how the audience views them. The film is set in Los Angeles‚ and shows the confrontation of people ’crashing’ into each other‚ due to their views and beliefs. Haggis shows this through cinematography‚ music‚ irony and through the use of characters. Haggis portrays the lives of every-day people who collide with each other because of their racial
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The Movie Crash is about racial in social division. These factors are what prevents the characters communication effetely. For example‚ Terrance Howard and Thandie Newton where pull over because they where driving a high profile vehicle at night and because they where African American people. The fact that they are were from different backgrounds in had different lifestyles obtusely affected how they communicated. For example‚ Ludacris and Larenz Tate lived in a more poverty stricken neighborhood
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Crash Paper Amanda Haas W131 Section 2082 December 10‚ 2010 Crash Paper Paul Haggis’ movie Crash is all about different kinds of social and multicultural differences we observe. We look through a three-category lens made up of race‚ class‚ and gender. All of which play roles in stereotypes and assumptions we make about others. The film deals especially with America as it continues to grow as a multicultural society and also explores how racial intolerance and prejudice are collective problems
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In 2006 the movie "Crash" won the Academy Award for Best picture and received outstanding reviews from critics across the country. Director Paul Haggis was stunned that his picture won such acclaimed awards. Haggis surely thought Ang lee’s "Brokeback Mountain" would have taken the award for best picture. This shows that the American people and the academy thought Haggis’s movie had pointed out real issues that are relevant in today’s society. An analysis of the movie "Crash" reveals three main reasons
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CRASH People are born with good hearts‚ but they grow up and learn prejudices. "Crash" is a movie that brings out bigotry and racial stereotypes. The movie is set in Los Angeles‚ a city with a cultural mix of every nationality. And throughout the movie‚ we see how people from different nations have to interact with each other and how these prejudice affect their life‚ usually in bad way‚ in deep and unnecessary way. The movie has lot of main characters from different
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A. 1. “Crash” is a story about several different people of different races who interact with each other over a two day period in Los Angeles. The film deals with how all these different people act toward one another and how ones actions can affect another regardless of the color of their skin. There are many different characters with unique personalities that appear in the movie‚ including a racist‚ veteran cop and his fresh‚ rookie partner; a corrupt politician and his snotty wife; a black couple
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The white supremacy movie The Oscar-winning best picture -- extensively prefigured‚ especially by white liberals‚ for proceeding an honest discussion of race in the United States -- is‚ in fact‚ a holdup in the crucial project of forcing white America to come to terms the reality of race and racism‚ white supremacy and white privilege. The central theme of the film is simple: Everyone is prejudiced -- black‚ white‚ Asian‚ Iranian and‚ we are responsible‚ anyone from any other racial or ethnic
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The movie crash is a combination of many different things including labeling theory. Crash is not just a movie about car crashes‚ but also of cultures and values. There are several intertwined lives and personal relationships with a common point of prejudice involving ethnic issues. The narrative is circular‚ as the film’s message about racial discrimination develops as a snowball‚ the director Paul Haggis shows us how prejudice is the most central issue. The political crime that is shown on the
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