(I‚ iii) I am sick at heart (I‚ i) tis = it is; ope = open; o’er =over; gi’ = give; ne’er = never; i’ = in; e’er = ever; oft = often; a’ ~=he; e’en = even 1. Second person pronouns: thou‚ thy‚ thine‚ ye 2. Verb inflection: second person thou + a-t‚ -st‚ or -est = thou art‚ thou seemest; may be contracted: thou seem’st third person he‚ she‚ it + add -eth = he knoweth 3. Words common to Shakespeare‚ but not to us: some examples such as anon = soon beshrew= curse bootless = without result
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The role of manipulation in Macbeth The theme of manipulation played an important role in the play Macbeth‚ by Shakespeare. Macbeth was manipulated by several characters in the play in order to kill the king Duncan. For example‚ the witches manipulated Macbeth’s mind by telling him he will become the king of Cawdor‚ which he was already the king of Cawdor unbeknownst him. Then the witches told him that he is going to be the king of Scotland which that was impossible because the king Duncan
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day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May‚ And summer’s lease hath all too short a date: Sometime too hot the eye of heaven shines‚ And often is his gold complexion dimm’d; And every fair from fair sometime declines‚ By chance or nature’s changing course untrimm’d; But thy eternal summer shall not fade Nor lose possession of that fair thou owest; Nor shall Death brag thou wander’st in his shade‚ When in eternal lines to time thou growest:
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Shakespeare deals with a parent-child relationship in the historical plays of Henry IV Parts One and Two in the characters of Henry Bullingsworth (Henry IV) and his son Hal (Prince of Wales‚ later Henry V). The fact stands clear in the development of the son‚ Hal: the son’s success in life is not dependent on his relationship to his father politically‚ but success is demonstrated when there is a realization of both parties on the level of parental love. Hal is not living up to his name‚ but also
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not brought. In the place of thought sincere That our hearts may feel‚ We must seize a pen of steel‚ And with verse and line severe Fling abroad a jest and jeer. Muse‚ that in the past inspired me‚ And with songs of love hast fired me; Go thou now to dull repose‚ For today in sordid prose I must earn the gold that hired me. Now must I ponder deep‚ Meditate‚ and struggle on; E’en sometimes I must weep; For he who love would keep Great pain has undergone. Fled are the days of ease
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he would wield. She struggles in the beginning to believe the sisters of their prophecy‚ "The illness should attend it. What thou wouldst highly‚ That wouldst thou holily; wouldst not play false‚ And yet wouldst wrongly win.." yet whether or not the sisters are true‚ she’s fully aware of what must be done‚ and shows now remorse of that knowledge‚ ""Thus thou must do‚ if thou have it.. And chastise with the valor
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Lady Macbeth is more responsible for King Duncan’s murder because she had higher ambitions than Macbeth. She forced evilness upon herself and her high ambitions pushed her to the point of no regret for murdering the king. Lady Macbeth says‚ “Come‚ you spirits That tend on mortal thoughts‚ unsex me here‚ And fill me from the crown to the toe topful Of direst cruelty”(1.5.30-32). This is a clear example of how her ambitions have driven her to the point of evil acts to commit this crime. The act of
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this a dagger which I see before me‚ The handle toward my hand? Come‚ let me clutch thee! I have thee not‚ and yet I see thee still. Art thou not‚ fatal vision‚ sensible To feeling as to sight? or art thou but A dagger of the mind‚ a false creation Proceeding from the heat-oppressèd brain? I see thee yet‚ in form as palpable As this which now I draw. Thou marshall’st me the way that I was going‚ And such an instrument I was to use. Mine eyes are made the fools o’ th’ other senses‚ Or else
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Is Death the Finale? Death has always been an intriguing topic in literature. Writers have been confounded by the idea of death and the unknown afterlife for centuries. Some people believe death is the end of all things because nothing can withstand it. In John Donne’s poem‚ “Death‚ be not proud‚” the poet explains his personal understanding of death and its permanence. This poem is a narrative sonnet. Although this sonnet follows the rhyme scheme of an Italian sonnet (abba cddc effe gg)‚ it also
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death and kills Tybalt‚”Alive in triumph—and Mercutio slain!/ Away to heaven‚ respective lenity‚/ And fire-eyed fury be my conduct now./ Now‚ Tybalt‚ take the “villain” back again/ That late thou gavest me‚ for Mercutio’s soul/ Is but a little way above our heads‚/ Staying for thine to keep him company./ Either thou or I‚ or both‚ must go with him.” Romeo acting on impulse is a contributor to the deaths of Romeo and
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