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    Nescot | Contrasting Economic Climates | P5 M2 | | Justosh Singh | |

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    Franz Schubert

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    FRANZ SCHUBERTMusic Appreciation Section 02 FRANZ SCHUBERT “I HAVE COME INTO THE WORLD FOR NO OTHER PURPOSE BUT TO COMPOSE” It was Franz Peter Schubert‚ who said to a friend “I have come into the world for no other purpose but to compose”. For someone to be so certain‚ focused and dedicated at such a young age with extraordinary talent and promise‚ finding out more about Schubert’s life and astonishing music was a must for me. Franz Peter Schubert was bone in Vienna‚ on January 31‚ 1797

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    on the other hand has gravity acting as a force. A small ball is shot‚ at three various angles (30‚45‚60)‚ and through the known values the initial velocity of the ball is found. As a result‚ the range of the project can be represented with the equation 1) R = V02g*Sin2θ ‚ where R represents the range or Dx; the values of g and θ are known. However‚ in this experiment‚ one main equation were used to determine the initial velocity. 1) y-y0=tanθx-gx22(V0cosθ)2 ‚ where y is the trajectory of

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    2. The following is a set of data from a sample of 7 4 9 8 2 A) Compute the first quartile the third quartile and the interquartile range. Rank: 2 4 7 8 9 First quartile = 2+4 / 2 = 3 Third quartile = 8+9 / 2 = 8.5 Interquartile range = third quartile – first quartile = 8.5 – 3 = 5.5 B) List the five-number summary. 1) X smallest 2) Q1 3) Median 4) Q3 5) X largest 2 3 7 8.5 9 3. A) Compute

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    Maths Leaf It to Me

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    INTRODUCTION EXPECTAIONS‚ PREDICTIONS AND ASSUMPTIONS PAGE 3 DATA SECONDARY DATA – STEM AND LEAF PLOT PAGE 4 SECONDARY DATA – LINE GRAPH AND OGIVES PAGE 6 SECONDARY DATA – BOX PLOT AND HISTOGRAMS PAGE 7 SECONDARY DATA – MEASURMENTS OF RANGE PAGE 12 SECONDARY DATA – BELL CURVE PAGE 12/11 INVESTIGATION PAGE 11 ANALYSIS CONCLUSION PAGE 13 APENDIX PRIMARY/ RAW DATA PAGE 13/15

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    Dream Vacation

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    The third physical factor is the ranges‚which consists of mountains and hills. The ranges let us see a series of mountains together. Climbing one of the mountain is a good experience for me as I had not tired mountain climbing before. Since they are ranges‚there must be nice scenery there too. I would like to go there to see the beautiful scenery. Examples are Brindabella ranges‚ visible to the west of Canberra‚ and Flinders Ranges‚ the largest mountain range in South Australia. The fourth physical

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    opera essay

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    Armide Reflection Kitty Xiao In March of 2012‚ my class‚ the beginner band of Mr. Kettle along with the other band classes of Mr. Kettle was informed that we would soon be getting a chance to enrich ourselves in the history‚ the making and the production of opera “Armide” by Opera Atelier. Marshall Pynkoski as the Director‚ David Fallis as the Conductor‚ Jeannette Lajeunesse Zingg as Choreographer‚ Gerard Gauci as Set Designer‚ Dora Rust D’Eye as Costume Designer‚ Bonnie Beecher as Lighting

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    Data and decision making

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    median is 85 Mean = X/N = 567/7 = 81kg 2 = (X– (X)/N) 2 /N = 319.7142857‚  = 17.88. Range = max-min = 101-49 = 52 4. Calories Fat 240 260 350 350 420 510 530 8 3.5 22 20 16 22 19 Descriptive stats for calories: Calories Mean 380 Standard Error 42.7618 Median 350 Mode 350 Standard Deviation 113.1371 Sample Variance 12800 Kurtosis -1.4478 Skewness 0.178848 Range 290 Minimum 240 Maximum 530 Sum 2660 Count 7 First quartile position: (n+1)/4 = 2

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    Blackmores Research

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    Analysis Descriptive statistics There six variables that we will analyse in this section‚ and shall be done one at a time. There are three different account types that are extracted from our sample. They are: * V: Visa * S:Savings * C: Cheque Refer to the frequency table and the pie chart provided in the appendices‚ you will notice that 6% of the sample have C accounts‚ 33% of the sample data have S accounts; and 61% of the sample data have V accounts. We can now refer to the

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    Mezzo Soprano Essay

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    to a normal male voice‚ usually a bass‚ at least when staging Handel’s castrato-centered operas.28 Anyone who supports such an approach is aware of the considerable musical distortion-and loss- of having the role sung in a completely different range. However‚ there is less distortion in castrato-centered operas than in other operas

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