How does a good movie director like Tim Burton create such good movies? Tim Burton was born in august 25 of 1958 and grew up living with his grandmother. Tim burton joined Disney and helped create some of the best-selling animated movies of all time. All though working for Disney‚ Tim burton was interested in making movies on his own for example Frankenweenie. All though the movie was rejected because some of the content was rather scary‚ Tim burton later became the director of many other movies
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Tim Burton Timothy Walter "Tim" Burton was born August 25th‚ 1958 in Burbank California. He has actively been a creative and iconic film director‚ producer‚ artist‚ writer and animator since 1982. Tim Burton is best known for his dark‚ gothic‚ chilling‚ and unusual horror and fantasy films. His work is derived from many inspirations‚ such as Christopher Lee‚ Vincent Price‚ Edgar Allen Poe‚ Edward Gorey‚ Alan Moore‚ George Melies‚ Dr. Seuss‚ and Paul Whitehouse. In addition‚ Tim Burton watched the
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Tim Burton is a very skilled and experienced movie director.Some of the films that he has directed are “Charlie and the Chocolate Factory” “Edward Scissorhands” and “The Big Fish”. These three movies use cinematic techniques such as music‚ edits‚ and lighting. These three components in the movies are huge factors in setting the tone or mood for different scenes. This essay will cover the cinematic techniques Tim Burton used‚ and how they are effective in film making. The first Cinematic technique
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“One person’s craziness is another person’s reality‚” by Tim Burton. Throughout the three movies (Charlie and the Chocolate Factory‚ Edward Scissorhands‚ and Big Fish)‚ Tim Burton has reiterated his style‚ which is mystery‚ fantasy‚ and imagination. These make Burton movies extremely interesting to view because you always wonder what Tim Burton was imagining when he created his next film. His style comes from three properties that every movie should contain‚ music‚ shots‚ and lighting. Throughout
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of Alice fighting against a fearsome monster don’t share similar plots. However‚ Alice and Odysseus both fight against evil forces and the two protagonists parallel each other as well. When reading the epic poem and watching the movie‚ Homer and Tim Burton use similar characters and scenes. In Alice in Wonderland and The Odyssey‚ the identical heroes are called to an adventure to face challenging obstacles and they both share brutal battle scenes. The characters’ personalities in The Odyssey and
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Tim Burton is like a mad scientist. Getting crazy ideas he can bring to life using other people’s faces and other tools to truly engross you into his films. Using music‚ camera angles and lighting You just sink further to his depth. For my light example‚ in Miss Peregrine’s Home for Peculiar Children‚ When Jake and Emma are in the boat the lighting is shadowed yet still bright. Light is an important detail in which some‚if not most‚ movies flourish. Burton seems to pull together enough to where
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Alliteration 1. Is derived from Latin’s “Latira”. It means “letters of alphabet”. It is a stylistic device in which a number of words‚ having the same first consonant sound‚ occur close together in a series. 2. Use of the same consonant at the beginning of each stressed syllable in a line of verse. Around the rock the ragged rascal ran. But a better butter makes a batter better. A big bully beats a baby boy. Park Place. Mary marveled at the magnificent monument. Anadiplosis The term anadiplosis
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STYLISTICS In Stylistics Richard Bradford provides a definitive introductory guide to modern critical ideas on literary style and stylistics. The book includes examples of poems‚ plays and novels from Shakespeare to the present day. This comprehensive and accessible guidebook for undergraduates explains the terminology of literary form‚ considers the role of stylistics in twentieth-century criticism‚ and shows‚ with worked examples‚ how literary style has evolved since the sixteenth century. This
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a word-group or a sentence which exaggerate the real degree of a quantity of the thing spoken about. It is a distortion of reality for the purpose of visualization or strengthening the emotional effect. It is also an important expressive literary device‚ often employed for humoristic purpose: One after another those people lay down on the grass to laugh- and two of them died. Гипербола - вид тропа: чрезмерное преувеличение чувств‚ значения‚ размера‚ красоты и т.п. описываемого объекта. Understatement-
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as being ‘desolate’‚ which gives it an aura of something foreboding. ii. I notice lexical parallelism in these lines because the word ‘ashes’ has been repeated to focus the reader’s attention as to what he will be foregrounding. Next‚ is the stylistic device called semantic deviation. The writer has compared the landfill of ashes to a wheat field of a farm through the use of a simile. Furthermore‚ it has been compared to mountainous features‚ an ugly landscape and a house with lit chimneys. The
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