"Tiziano terzani" Essays and Research Papers

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    Italian Renaissance painter Tiziano Vecellio‚ also known as Titian‚ created one of his most well-known paintings in the year 1538. This work‚ Venus of Urbino (Figure 1)‚ is an oil painting that depicts a nude young woman reclining on a couch or bed in the luxurious surroundings of a Renaissance palace. Created for the Duke of Urbino‚ Guidobaldo II Della Rovere‚ this work commemorated his wedding to Giuliana Varano that took place in 1534. Titian’s work‚ based on his master‚ Giorgione’s Sleeping Venus

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    The Rape of Europa has been the greatest piece of artwork I have happened across. The first time I looked at Tiziano Vecillio‚ or Titian’s painting I was mortified at the subject he had decided to paint about‚ and as I started researching the history of his painting I found myself disgusted with the true meaning of the painting. However‚ I also find myself dazzled by the spectacular artwork he has given the world‚ and the boldness he had to choose such a controversial myth to paint of. The painting

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    Titian

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    Tiziano Vecellio‚ also known as Titian‚ was born in Venice‚ Italy in 1488 and died sometime in the year of 1576. Titian was known for his remarkable use of color and was the greatest Venetian artist in the sixteenth century. He was trained by two other Venetian artists named Giovanni Bellini and Giorgione. They were influential for his tonal approach to painting and his landscape style‚ which were usually atmospheric and evocative. His first paintings would include mythical figures with a flourishing

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    “Sacrifice of Isaac” by Tiziano Vecellio Kimberly Duran About the Work Tiziano Vecellio lived from 1488–1576 and was known as Titian‚ was the greatest Venetian artist of the sixteenth century‚ eventually gaining international fame. Titian contributed to all of the major areas of Renaissance art‚ painting altarpieces‚ portraits‚ mythologies‚ and pastoral landscapes with figures. In the piece titled‚ “The Sacrifice of Isaac‚” Titian demonstrates his style in the use of oil on canvas. This painting

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    Wernicke's Mirror

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    In the case of Wernicke’s production‚ the mirror stands as the main motive always as its background. It has different meanings for this production. As I already mentioned‚ the mirror background reflects the different images of Vienna‚ singers on the stage and the audience. At the first scene‚ the mirror is directed forward and reflects the stage and the audience. But soon later‚ it turns inside and reflects the image of historical red bedroom of the Marschallin on it. At the end of the first act

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    -- Jacopo from the 1420s‚ sons Giovanni and Gentile from the 1460s. By the early 1500s‚ Venice had taken the Renaissance torch from Florence and made it its own‚ lending the movement the new color and lighting schemes of such giants as Giorgione‚ Tiziano (Titian)‚ Paolo Veronese‚ and Tintoretto. So much for Venice the Serenissima. There’s also Venice the insanely popular and overcrowded. Certainly‚ the tourists can seem inescapable‚ and prices can be double or triple here what they are elsewhere

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    everyday scenarios such as construction workers‚ street singers‚ and beggars in his art work. Manet’s artwork never dwindled in value or passion. The Bar at Folies-Bergere‚ one of his best known works‚ was painted a year before his death in 1883. Tiziano Vecelli‚ Titian in English‚ was born in 1448. Titian was regarded as one of the greatest painters of the Renaissance in Venice. He is best known for his religious arts‚ portraiture‚ and mastery of color. He had released over 600 works of art which

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    interrelated short works‚ each of which may function entirely independent from the others. In "The Naked Nude‚" for instance‚ Fidelman comes to a new‚ artistic maturity through his attempt to copy the famous painting "Venus of Urbino" by Titian Tiziano. Malamud’s recurring theme of self-knowledge through suffering permeates this short work. Scarpio and Angelo‚ as primary antagonists‚ provide the bulk of this suffering

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    School of Athens Fresco

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    Oil painting - The School of Athens (after Raphael) Object: Oil painting Place of origin: Rome‚ Italy (painted) Date: 1752-1755 (painted) Artist/Maker: Mengs‚ Anton Raphael‚ born 1728 - died 1779 (artist) Raphael‚ born 1483 - died 1520 (after‚ artist) Materials and Techniques: oil on canvas Credit Line: Given by the Duke of Northumberland‚ 1926 Museum number: P.36-1926 Gallery location: In Storage Public access description Anton Raphael Mengs (1728-1779) was born in Bohemia now Czech Republic

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    Sacred and Profane Love

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    iconographical pieces and stories in the painting. This exquisite work of art is a prime example of high renaissance. Although there are many stories and symbolism behind the different aspects of this painting‚ the real meaning will forever be unknown. Tiziano Vecelli‚ more commonly known as Titian‚ was a famous painter during the 1500s whose mark in art history has‚ and will always live on. He was born around 1440 in Cadoe‚ Italy‚ to an un-artistic family consisting of lawyers. As a young child‚ he quickly

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