AN EVERYDAY MONOLOGUE This is an essay‚ and I don’t feel like spilling any of my secrets. Because that’s what I just did. Then you know I backspaced the entire thing. The End. But its too short‚ eh? Oh I can do so much better than this. I could tell you all the things‚ all the things in the world! But I’m a little neurotic you see. And paranoid. I can make weird twisted connections in which how anyone could figure out my true identity just by having that one bit of information I put out. For
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“Where are you‚ Lushanya‚” I say in a taunting tone‚ “I’m coming to get you.” I suddenly hear a rustle in the bushes. A smirk played on my lips as I crept closer to the bush‚ being as quiet as possible. “Boo!” I yelled as I jumped on to the bush‚ falling on top of Lushanya. “Aahh!” She screamed as I landed. Soon enough we were rolling around
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Crooks monologue: Jus because I’m a nigger [examines luger shell from Carlson’s gun] they’d probably shoot me like Candy’s dog if it was as much fun as the scourge they put me through‚ [walks to window and leans against the frame] just because I’m a busted up ol’ nigger‚ [scowls and bites his bottom lip] no-one wants to talk with me or anything. [Glares up into the stars and becomes furious] S’pose I weren’t‚ s’pose I was just like the rest of em‚ and that new fella‚ that big stupid bastard‚ s’pose
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So you’ll be with that jenny downstairs while Nosi and I are upstairs? Elizabeth lives with me. She’s not going anywhere. - That’s not going to change. - How nice? A threesome. You’ll be here because you’re the mother of my child‚ and you need my help. Nothing more. Give me a weekend with him. He’ll return every single item he’s stolen. - I hope you won’t beat him up. - No‚ Principal. I didn’t steal anything‚ I... I’m trying to get a meeting with Thenjiwe Ntombela. Lelo’s parole officer
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now see the people’s faces ‚but they don’t seem ecstatic. They look like they are disappointed. Disappointed in what? Have I played yet? Have I done anything yet? Everything becomes a blur as I pick up my guitar and start to play. The people start to boo they want me off the stage. SNAP! I wake up. Could this all be just a scary daydream? When I awaken I am backstage getting ready to play. My mind is racing ‚and I am extremely nervous. One recurring thought was I can’t do this. I won’t do good. Nobody
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Science is a Boon Or Bane Science is bane for world. Because science and technology has not only grabbed us. It has also grabbed the living creature like animals‚ insects‚ bees etc. The vibration produced by mobile phone can also kill the bees. Some years after end of honey bee is certain whole human life will also finish. Animals get problems in taking breathe due to harmful gases being produced from industries and factories depend on science and technology. So the science and technology has
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Monologue- an Athenian Man Fed up of the dark‚ tossing sea I was keen to lay down our spoils at the foot of Apollo in dedication‚ already planning the arrangements of invitations‚ wine and Hetari for the feast I would give out in celebration of my homecoming. Wearied by the hills of Cerata‚ wetted with blood- a righteous token of the brute treachery of our Megarian allies‚ our trireme Aianteia‚ was pulled with steady shoulders‚ the eretai crying “rhup-pa-pai” as‚ skirting the moles‚ we made for
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“blameless and upright man” (Job 1.8). As the book unfolds‚ God and Satan make a bet to determine whether Job will remain loyal to God when catastrophes unfold. Irony manifests itself as dramatic and situational irony throughout the entire text. Dramatic irony plays a fundamental role throughout the Book of Job. Dramatic irony is the irony that occurs when a situation’s implications are understood by the audience but not by the characters. In the first chapter‚ Satan tells God‚ “Have you not put a fence
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device that causes surprise and amusement for the audience also a helper to the author to make their writing more fluid. Types of irony in stories are dramatic‚ situational and verbal. In the short stories “The Censors” by Luisa Valenzuela‚ “The Necklace” by Guy de Maupassant and “Lamb to the Slaughter” by Roald Dahl‚ there is situational and dramatic irony. The ironies affect the main characters carrying their stories out interestingly. In the short story “The Censors” there is situational
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Self’s perception of other people; whether or not love is a strong enough reason to trust one another. Two excerpts centred on different themes will be analysed. This analysis will bring to light certain dramatic elements and viewpoints of time‚ body and space that Berthold has used to enhance the dramatic meaning of this production. Cosi is set in Melbourne during the early 1970s. The play is about a young university student‚ Lewis (Benjamin Schostakowski) who is asked to direct a play for a mental
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