the audience in the trial scene‚ Act 4 scene 1 in The Merchant of Venice’? In the trial scene (act 4 scene 1)‚ Shakespeare uses many different dramatic techniques to make the tension in the court room rise and build. He also uses dramatic irony and many other techniques to engage an audience in this particular scene in the play. These techniques would work have worked on an Elizabethan audience or a modern day audience. Although‚ these two eras do not share the same views on some of the things Shakespeare
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A Two-Faced "Lady Richly Left" (1.1.161). In the play The Merchant of Venice‚ Shakespeare reveals Portia’s character in a variety of different ways. She seems to have multiple personalities‚ and it is very difficult for one to conclude whether she is kind or cruel. For example‚ she could be said to be prejudiced and sly‚ while also very caring. Portia is quick to judge others on appearances and first impressions. In scene II‚ when Portia is discussing her suitors with Nerissa‚ she explains all
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In the Elizabethan Era‚ and even now‚ funerals start with the death of a person. At the funeral‚ everyone would wear black because it symbolized that a tragedy has happened (Secara). It also symbolized grieving and sympathy. Death during the Elizabethan Era was often caused by two things: a disease or old age. However‚ there have been many aspects about funerals that have changed with the advancement in society. Some of these changes are: the way wills are now written‚ the preservation of the corpses
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included to highlight the prejudices and pre-conceptions of the social climate in which the play or novel was written. In the Merchant of Venice’ it can be argued that Shylocks character undergoes a metamorphosis from villain to victim. However‚ in this essay I hope to discuss whether in fact Shylock can be defined as either villain or victim and to form an opinion of what Shakespeare intended. <br> <br>First we shall look at the aspects of the text that portray Shylock as a villain. We are first
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THE UNIVERSITY OF HULL SCHOOL OF POLITICS‚ PHILOSOPHY AND INTERNATION STUDIES being a dissertation submitted for the Degree of Politics To what extent were private rented sector policies in Britain and Germany between 1914 and the early 1970s consistent with the characteristics set by Hall and Soskice’s ‘Varieties of Capitalist’ typology? A meso-level empirical comparison of predominantly rent control and regulation in the private rented sector between 1914 and the early 1970s in Britain and Germany
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In ’The Merchant of Venice’‚ there are three parent-child relationships; Shylock and Jessica‚ Portia and her deceased father‚ and Launcelot and Old Gobbo. There is an obvious contrast between these relationships. Although Portia’s father is deceased‚ they had a good relationship while he was alive. However‚ the relationship between Shylock and Jessica is repressive and conflictual and ends tragically. After Shakespeare’s song‚ Hamnet‚ died tragically in 1596‚ he began a theatrical study of parent-child
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familiarity with the play was based on hearsay‚ and for some reason I got the idea in my heads that it was a tragedy. I thought that Shylock_did_ receive a pound of flesh from Antonio‚ but that it was just skin removed from his back. This gruesome image was what I was waiting for during my entire reading of the play. But I was pleasantly surprised to find that this was not the case. Also‚ I found out ’Comedy’ means ’Happy Ending.’ And that ’Happy Ending’ means ’No One Gets Their Skin Cut off for Defaulting
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without the king having to seek counsel. Most importantly‚ under Shakespeare’s worldview‚ kings are divinely appointed‚ chosen by God. That makes kingship a charge that Lear does not have the right to lay down‚ To believe that he can divest himself of what he was divinely invested with is arrogance that involves placing himself above God‚ which is sort of the very definition of hubris. Lear does not represent that of wisdom of a king‚ as a father‚ as a leader‚ as a friend. It is unnatural for a King
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beast and showcases how religion is never a blessing but a curse. Their microcosm of society reflects the powers of a cult that caused the boys to lose their innocence in the form of their free thought. Consequences of the deifying of Jack and the beast involve savage acts of brutal murder that would not have happened without a strong frame of mind from civilization. In a microcosm of society‚ the boys showcase a blindness in what
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most from it. They were convicted of heresy‚ and often killed because of their beliefs. Such is the kind of racial discrimination toward Shylock‚ the Jewish character in "The Merchant of Venice." Some believe that the character as a greedy‚ coldhearted villain‚ which is not the case. In Shakespeare’s play‚ "The Merchant of Venice‚" Shylock was a victim of years’ struggle against discrimination toward his religion. One of the most persistent charges against Shylock was that he was cruel and bloodthirsty
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