behavior serves a variety of purposes. It regulates conversations‚ shows interest or involvement‚ and establishes a connection with others. Specifically‚ the eye gaze is one aspect of eye behavior that plays a significant role in the communication process. It can make or break a conversation. In order to further understand the effects of the eye gaze versus the lack of eye contact‚ I participated in conversation with three people‚ using two types of eye behavior. In one situation‚ I gazed in the eyes of
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Representation of women in the media: specifically objectification and the male gaze Whether you’re at the movies‚ watching television‚ or reading a magazine‚ you’re constantly being bombarded with carefully constructed images and representations in virtually everything you see. Set pieces designed to catch your eye‚ witty slogans‚ engaging dialogue‚ different and specific representations of each gender. Yes‚ within different media forms‚ there is a stark contrast in the portrayals of men and women
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Draft) The term “Gaze” was first introduced by Jacques Lacan and it describes the nervousness that someone feels when he realizes that he is being viewed. In the second rise of feminism in the 60’s one of the many topics that had been discussed among the social scientist and people all over the world for many years was the male gaze. Some people who were highly involved in the feminist movement believe that men’s gaze objectifies women and converts men into spectators
Free Human Jacques Lacan Feminist theory
determinedly self-conscious aesthetic style reminiscent of the French and British ‘new waves’. In experimenting with cinematic style‚ however‚ is also plays with the inherited imagery of England and Scotland” (2002: 172). London is portrayed through tourist imagery‚ for example‚ signs of Oxford Street and Picadilly Circus. This sequence also uses cliché images of ‘Britishness’‚ for example the London buses. These images are edited in such a way that the cuts are angled differently‚ and are fast paced
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THE MIRROR OF ART: REFLECTIONS ON TRANSFERENCE AND THE GAZE OF THE PICTURE Joy Schaverien The images in this paper are strictly for educational use and are protected by United States copyright laws. Unauthorized use will result in criminal and civil penalties. 1 Cognition‚ language‚ myth and art: none of them is a mere mirror simply reflecting images of inward or outward data; they are not indifferent media‚ but rather true sources of light‚ the prerequisite of vision‚ and the well-springs
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general public will buy their product. To relate to the public in these advertisements‚ advertisers create an image using a subject‚ a number of objects‚ unique placement of the objects‚ and specific color and lighting. Advertisers will also use the gaze‚ pose and mouth position of the models in their advertisements to market their product successfully. The clothing company Nautica employs the technique of image creation in one of their latest advertisements found in GQ magazine. This advertisement
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in the title. She has an inviting look on her face and her body language appears to be relaxed‚ calm‚ and comfortable. Titian uses chiaroscuro since the foldings on the cloth and pillows is in great detail. Titian exemplifies the theme of the male gaze in this artwork by having Venus naked and creating the inviting look on her face. He depicts her as an object which leads to the male pleasure. In “La Grande Odalisque” by Jean Auguste Dominique Ingres‚ http://www.artble.com/‚ the subject is clearly
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them. In this case‚ there is a construction and reproduction of reality. Cinema always re-constructs gender and sexual identity. According to Mulvey camera works for men. Male character looks‚ “female character is looked at.” Actually male gaze is a sexual gaze. Women are objects of desire. Spectators are put into a masculine subject position. (Althusser‚1971) How does cinema alter the position of spectator? This sense of self is produced by personal choices of director. Using eye-line matches‚ close-up
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theory of female masquerade to a film listed on the module schedule‚ assessing its disruption of the gaze in the film. Mary Ann Doane’s theory of the masquerade inherently usurps the binary in constructing the gaze in terms of being active and passive of Laura Mulvey’s theory of scopophilia and to-be-looked-at-ness in classical Hollywood narrative . Mulvey’s theory is pivotal around the assumption the gaze of the hypothetical audience is structured around a masculine view point as facilitated by the cinematic
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research seeks to compare and contrast the following paintings by; Titian’s‚ Venus of Urbino. 1538‚ Edouard Manet’s‚ Olympia. 1863 and Lucian Freud’s Naked Portrait (Kate Moss). 2002 by looking at “The Idealised Body” in relation to the issues of “gaze‚ looked-at-ness‚ voyeurism‚ objectification as well as notion of the woman as an object of pleasure for a male viewer by the male artist. These works are all painted on different times‚ Titians painting was painted during Renaissance period as in the
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