tightly under my knee to keep from the cool air. I close my eyes tightly trying to rid of the burning from letting myself stare far to long into the flames. They seem to reach and throw themselves high into the darkness of the clear night sky. I gaze around the fire‚ and the guests seem to be enjoying themselves as they mingle with family and friends. Billows of laughter escape from each of the small circles of conversations. A few of us‚ like myself‚ sat alone around the fire escaping the drunkenness
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Tom had been on the go since six O’clock that morning‚ had confirmed that a brutal rape and murder of a woman was the work of a serial-killer‚ had interview the victims friends and acquaintances‚ and spent hours going over phone and computer records‚ without coming up with one damn piece of evidence‚ or anything he believed had led him closer to finding a direction in which to turn. The only break‚ and the only food‚ he’d gotten all day was the quick lunch with Lila‚ that had been mostly business
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development in tourism. Anatolia‚ 18(2)‚ 349– 355. Beeton‚ S. (2006). Community development through tourism. Collingwood‚ VIC: Land Links. Beritelli‚ P. (2010). Cooperation among prominent actors in a tourist destination. Annals of Tourism Research‚ 38(2)‚ 607– 629. Butler‚ R. W. (1980). Concept of a tourist area cycle of evolution: Implications for management of resources. Butler‚ R. W. (1999). Sustainable tourism: A state-of-the-art review. Internal Journal of Tourism Space‚ Place and Environment‚ 1
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feelings and meanings to others" (Related materials 2014). They displayed in a graphic chart the different body postures that signify positive and negative emotions. They also discussed how different gazes are different in cultures and how to differentiate positive from negative. The way gazes are acceptable in different cultures as a way of being accepted into that culture. "This study suggests that group membership is important in the context of social attention within natural contexts" (Gallop
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possible. This heat allows physical healing of the body on a deeper level. During integration I will address Tapas and heat the rooms appropriately to cultivate the most comfortable yogi environment. Principle Five Gaze (Drishti) and Focus (Dharana) Drishti is an unmoving point to gaze at for the
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(Hall‚ Crum‚ 1994)‚ which ultimately reflects the provocative‚ exploited images of women in advertising today. Why? Because society is under the impression that “sex still sells” (Schiller‚ Landler‚ and Flynn‚ 1991). The women seen by the male gaze Hegemonic masculinity is at the heart the exploitation of women in
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‘What we watch on the screen could and should be interpreted as bearing a latent‚ and partly hidden‚ meaning‚ reflecting the profound concerns of the culture it emerges from‚ thus eliciting emotions‚ pleasure and pain.’ (Sassatelli‚ 2011) Introduction Through this essay‚ I will attempt to examine various codes and character portrayals that contribute to the representation of women within the domain of film fiction. My intention is to review exactly how women are represented and investigate whether
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Feminism and Pop culture By: Brittany Stevers In the recent history‚ feminism and pop culture have become more closely entwined than ever before. This can be partially because of the growing interest in culture studies as an academic discipline‚ but it can also be explained by the fact that‚ there’s a whole lot more popular culture to watch. Pop culture has become our common language‚ a universal way of uniting the world. Pop culture is also a key route to making the
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Journal 1 What’s cooking? Explain the representation of women and their roles in their families. Explain the role of the generational conflict. How does the setting design tell about the characters? The film What’s cooking? is about four different families all coming from different cultures‚ but focuses primarily on the women of each. We have a Jewish mother who is trying to accept the fact that her daughter is a homosexual and trying to eases the acceptance. Then we have the Nguyens‚ the mother
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Power Games Surveillance and Visibility in the Harry Potter Novels The narrative of J.K. Rowling’s Harry Potter novels talks about the discourse of the origin and distribution of power through an effective use of the strategies of visibility. The Harry Potter narratives use the dynamics of visibility to show how subjects of visibility attain power and the objects of visibility become subjugated by the power induced over them. These narratives divide characters into two categories of power relation:
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