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    Tragedy is undeniably one of the oldest forms of theatre. Tragedy as a genre invokes images of Ancient Greek dramas depicting moral dilemmas and the downfall of great men‚ or of Shakespearian romances doomed to end in failure and death. When considering tragedy’s place in French theatre‚ we can see a dominance of tragic works in the classical period of the 17th century‚ and works by Corneille and Racine dominated the theatre. However‚ with the progression of the years‚ we can identify a dramatic

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    Aristotle’s Poetic. Simply we can say that Riders to the Sea is a modern tragedy in classical settings and with classical overtones. Unlike Greek tragedies‚ Riders to the Sea deals with the sufferings of a common human being named Maurya who is the head of an Irish peasant-cum fisherman family. While Greek tragedies dealt with the sufferings of high-born people‚ modern tragedies deal with the sufferings of common people. And while Greek tragedies tell the stories of kings and princes or people of kingly status

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    understanding it. Marlowe ultimately shows in Dr. Faustus the futility of the quest for ultimate knowledge and the inevitable end result of abandoning moral integrity for omnipotent knowledge. Dr. Faustus also represents a Classic Elizabethan tragedy. First‚ the tragic hero has a flaw or makes an error in judgment that leads to his own doom. It’s hard to say whether Faustus had a fatal flaw in his character or whether he was doomed by a faulty understanding that lead to a fatally disastrous error

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    A Modern Tragedy A form of drama in which a person of superior intelligence and character is overcome by the very obstacles he/she is struggling to remove defines a tragedy as most people know it. However‚ tragedy can reflect another aspect of life: the tragedies of the common people. Heroic behavior in these instances may at times be impossible. We expect‚ from reading the first tragedies‚ that only kings or nobility can be tragic heroes. Arthur Miller himself said‚ "I believe that the common

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    A Modern Tragedy Throughout the history of American literature‚ stories of the white knight saving the damsel in distress and riding off into the sunset to live happily ever after have plagued our shelves for centuries. The birth of the modern tragedy came in the late 19th century and early 20th century with novels such as Red badge of Courage‚ and All Quiet on the Western Front. They show the realism of war and the harass tragedy that comes with it. Ernest Hemingway was a product of war himself

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    Outline for essay over Things Fall Apart Thesis: Achebe defines Things Falls Apart as a tragedy through Okonkwo‚ who is a tragic hero‚ and by the pity and fear aroused in the reader. I. Introduction A. Author ’s last name and Book title B. Aristotle ’s definition of tragedy C. Function of a tragedy‚ according to Aristotle D. Thesis II. Okonkwo as tragic hero A. Okonkwo is high-ranking -- part of the egwugwus (87-94) B. Okonkwo is dignified - Wrestled and won "The Cat" (3) C. Courageous - went many

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    Tragedy comes in many forms‚ for example earthquakes‚ tornadoes and hurricanes are all types of tragedies. On the other hand‚ when talking about tragedy in literature‚ it has a whole different meaning. Tragedy in literature is on a smaller scale than things like earthquakes‚ tornadoes and hurricanes. In literature tragedy is usually about one person and the horrible things that happen to them during their life in a story or play. Oedipus is the main character in the play Oedipus the King. Oedipus

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    Tragedy and its Tragic Heroes Tragedy: A story that tells of the ruin of a great man. In tragedies the main character can sometimes be characterized as a tragic hero. A tragic hero is “a literary character‚ who makes an error of judgment or has a fatal flaw‚”(Merriam Webster) which is actually their downfall. In Oedipus The King‚ the main character‚ the king of Thebes‚ is seen as the tragic hero on this particular tragedy. Now‚ fast-forwarding through time to 1949 Arthur Miller wrote Death

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    exists‚ or is it just an optimistic illusion. This deliberation has been the subject and driving force of multiple tragedies‚ perhaps most famously Sophocles’ Oedipus Rex and William Shakespeare’s Hamlet and Macbeth. These timeless classics placed literary recognition and relevance to the conflict between fate and free will‚ and have inspired countless works of drama‚ especially tragedies‚ since their original creation; Arthur Miller in particular focused on this paradox of destiny in his renowned plays

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    suggests the most effective means to arouse essential emotions such as pity and fear. He presents here the elaborate structure of justice of virtue rewarded and villain punished‚ broadly speaking the poetic justice. Now since in the finest kind of tragedy the structure should be complex and not simple‚ and since it should also be a representation of terrible and piteous events (that being the special mark of this type of imitation)‚ in the first place‚ it is evident that good men ought not to be shown

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