It is evident in the plays Twelfth Night and Midsummer Night’s Dream that Viola and Hermia have less control over their own lives because they are female. First‚ women cannot work certain jobs‚ even if they are qualified. Specifically‚ Viola is unable to work for Duke Orsino until she alters her appearance. After being shipwrecked‚ Viola talks to the captain and learns of Orsino and his love for Olivia. Then Viola decides to serve the duke and asks the captain to comply: Conceal me what I am‚ and
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Escher said‚ “Are you really sure that a floor can’t also be a ceiling?” This quote is saying that what you see and what is actually there can be two different things. Appearances versus reality is a recurring theme in William Shakespeare’s play‚ Twelfth Night . Appearances hide an important reality and sometimes can get in the way of a character from developing or attaining his or her goal. The problems that happen involve disguises and deceit of one form or another and create tension amongst the
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In Shakespeare’s Twelfth Night most of the character’s actions and thoughts are motivated through love. In modern and past society love is viewed as a gift or blessing‚ but in this case love is the main cause of suffering and characters that do fall in love are most of the time misguided and acts of cruelty either fall on them or they cause them. Straight from the beginning Orsino is manipulated with love for Olivia. His obsession over her causes him to refuse to go hunting or any other activity
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In William Shakespeare’s a Twelfth Night a major subject is gender and sexual identity as a whole. Shakespeare takes on a vision that implies that gender to some degree can be subjective depending on how you present yourself rather than something you are due to the sexual parts you were given at birth. Viola early on in the story disguises herself as a male‚ named Cesario‚ and almost instantly Olivia falls in love with her. The overall alteration of Viola into Cesario is thought-provoking because
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In William Shakespeare ’s Twelfth Night; or‚ What You Will‚ Viola‚ a young woman who survived a shipwreck‚ makes a choice to disguise as a boy‚ in order to work for the Duke of Illyria‚ Orsino. During the first three days of her employment as a eunuch named "Cesario"‚ she is sent on a quest to persuade Orsino ’s love interest‚ Olivia‚ to be his wife. Though not an easy task‚ Viola is granted access to Olivia‚ who is mourning her recently deceased brother. While "Cesario" is attempting to woo her
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Within Shakespeare’s Act 2 scene 4 of Twelfth Night and Act 1 scene 4 of King Lear‚ comparisons between Orsino and King Lear‚ and Cesario and Kent are made. The distinct similarities regarding character function‚ the theme of love‚ and the motif of disguise demonstrate draw interesting parallels between the two scenes. Orsino and King Lear are both unpredictable when making up their minds‚ thus‚ making them similar in regards to their attitude. Orsino indirectly changes his mind when talking to
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misunderstanding’. To what extent are mistaken identities and misunderstanding central to the comedy of ‘Twelfth Night’? Much of the Shakespeare’s ‘Twelfth Night’ focuses on misconceptions and the way disguises cause the root of misunderstandings in which mistaken identities arise‚ a fortuitous device for complicating action. Critic John Hollander described the play to be a ‘ritualized Twelfth Night festivity in itself’ . The comedic aspect is all due to the privileged position that the audience hold
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Infatuation is a form of indulgence If food be the food of love…. appetite may sicken and so die - Shakespeare compares love to the appetite - Orsino wishes for more music‚ music being compared to food‚ so that his love/appetite will die. - Metaphorically‚ Shakespeare has presented a picture of gluttony or excessive eating. - The main idea that is conveyed is one of excess and an illogical and self-indulgent approach to dealing with one’s romantic inclinations. - This picture of excess
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The Factors of Mistaken Identities in Shakespeare’s Twelfth Night Mistaken identity‚ dramatic irony and disguise serve a large role in making this play‚ Twelfth Night comedic. Malvolio is convinced Olivia is in love with him because of Maria’s letter. Sir Andrew is completely oblivious to the fact that Sir Toby Belch is befriending him to use him for his wealth. As Viola decides to disguise herself as a young man to keep safe‚ the potential
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The plays tittle refers to the carnivalesque spirit of abandon that surrounded renaissance Twelfth Night festivities. In which the normal rules and order of social life were suspended or else deliberately reversed‚ "serious issues and events mingled perplexingly with revelry and apparent madness." Closer textual and language analysis provides a detailed demonstration of these ideas‚ the comedic elements of the play draw from the tensions created between common social restraints and the unruly
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