Shakespeare’s wit in “Twelfth Night” gets lost in translation with “She’s The Man’s” broad slapstick‚ predictable jokes‚ youth-culture‚ stereotypes and unconvincing plotline. In a sense‚ it may seem the wit of Shakespeare in “Twelfth Night” is lost in translation but the movie “She’s The Man” is adapted to suit the youth of the present day and the wit is rather transformed into humour mostly used by people of the present day. Wit‚ meaning “The talent or quality of using unexpected associations
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In Shakespeare’s Twelfth Night‚ we are presented with various characters and plots which supply the play with comedic elements. The comedy of Twelfth Night predominantly stems from the ‘foolish’ characters and the scenarios they are involved in. Traditionally a fool is defined as ‘a person who acts unwisely or imprudently; a silly person’‚ ‘a person who is duped or imposed on’‚ or ‘a jester or clown‚ especially one retained in a royal or noble household’. (1) In Twelfth Night it is clear that at
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Twelfth Night is the merriest of Shakespeare’s romantic comedies‚ it is also the saddest. The Christian associations of the title suggests the carpe diem theme which runs through the play. Epiphany‚ according to Christian mythology‚ is the time when the shepherds recognized the birth of Christ. The feast of epiphany is the last festival of the Christmas season‚ after which death takes over. This cycle of life is an extension of the ancient pagan fertility rituals. The mood is similar in Keats’s ‘To
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Twelfth Night is known for being one of the finest romantic comedies of all time. The play begins with love at first sight‚ which then gradually transitions into a love triangle. However‚ it is kept light with the addition of the subplot. The movie version of the play Twelfth Night is fairly relative to the written version of the play‚ yet it did have some minor differences. As the written version is written by William Shakespeare himself‚ it is most likely the most accurate version of the play‚
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In Shakespeare’s Twelfth Night‚ Viola gives two different descriptions of women. The first is a soliloquy and takes place after Malvolio has given her Olivia’s ring‚ which is when Viola realizes that Olivia has fallen in love with Viola’s disguise‚ Cesario. Viola’s second description of women is to Orsino‚ when she tells a story about a “sister” of hers who once fell in love as a way of indirectly communicating her love for Orsino. Viola’s two descriptions serve as complements to each other.
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Ignorance The play Twelfth Night encapsulates what it meant to be a man and women throughout the 16th century. The roles of each gender were set in stone‚ and one could not publicly cross over under any circumstances. During Shakespearean times women were not even allowed to portray themselves on stage‚ men played their roles instead. In my opinion Shakespeare uses the play to show the hypocrisy of the status quo that held people from expressing their true identity. Twelfth Night demonstrates that
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Man Behind the Costume: Feste the Fool A fool‚ is defined as a person who acts unwisely or imprudently; a silly person. In Shakespeare’s Twelfth Night ‚ Feste‚ the fool‚ plays an important role in the play. Aside from adding humour to the play‚ Feste has shown on more than one occasion the true personalities of characters‚ which helps the reader further understand the play and characters. Feste in some ways is also deceiving and though he was not seen making profound remarks‚ F
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Many of the social issues that were dominant during the Renaissance are present in William Shakespeare’s play Twelfth Night. The relationships between Viola/Cesairo and Olivia‚ Orsino and Viola/Cesairo and Antonio and Sebastian create an immense amount of tension for the characters and audience to deal with because‚ their relationships conflict with the dominant heteronormative ideology of the time. The heteronormative ideology consists of the belief that to be accepted into society a person must
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Soliloquy Analysis Twelfth Night by William Shakespeare is a comedy of love and betrayal. This play was written in verse which adds a metrical pattern which consists of lines of unrhymed iambic pentameter (blank verse). At the start of the trumpets Duke Orsino enters wanting to be loved by Countess Olivia. However‚ she refuses to be seen for seven years because she misses her father and brother. Meanwhile‚ after a shipwreck‚ Viola is found a survivor. Viola disguises herself as a man with the name
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not dissimilar to the one that concludes Twelfth Night1 and leaves Feste at the finish-line. “But that’s all one‚ our play is done …” After everything has been sorted out‚ and the proper pairings are arranged‚ verbal and structural rhythms converge to frame a sort of closure—though playing is never done‚ as the next and final verse suggests: “And we’ll strive to please you every day.” Bradley‚ having come to the end of an essay on Feste‚ extends Twelfth Night speculatively beyond the fool’s song‚ and
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