Even though Feste role is to be a licensed fool‚ his main role is to play the wise man in the play the Twelfth Night‚ which makes him a wise fool. Feste makes the personalities and secrets of the characters oblivious. People would assume that he is a fool because of his title‚ yet it made it oblivious to everyone that he is very wise and that he used this potential throughout the story. Furthermore‚ he sees traits in characters that the audience and the characters cannot see during the play. He
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Duke repulsive in his “embassy” (1.5)‚ and Feste dubs him “a foolish wit” (1.5). It is not until Viola enters that Orsino is painted in a new brighter light‚ and even then‚ the Duke acts entitled‚ shallow‚ and overly masculine (2.4). Although “Twelfth Night” is not a tragedy‚ Orsino’s circumstance is tragic. He is trapped in a vicious hierarchy: a noble wall that separates him from others‚ protecting his off-putting persona. Because of his status‚ citizens cannot communicate to him his flaws. Because
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Shakespeare was a man that established his name in history books as a great writer. One of Shakespeare’s many sparks of innovative genius which laminated these pages was his use of masks. Masks are used throughout Shakespeare’s “Twelfth Night” as a character would choose to wear their selected mask to fit in to the particular situation. Shakespeare uses this imagery of a mask in many of the characters in his play‚ but mostly in two: Viola and Feste. These masks are used throughout
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Shakespeare’s point about love; one expressing the lengths some will go to achieve happiness through love‚ the fluidity of love overall‚ as well as some motives that engender certain action- in the pursuit of love or happiness. Shakespeare does the audience a favor and informs them of love; with a message- love isn’t all love towards each other‚ nor that love’s ambiguity could ever be single in concept. Shakespeare places special emphasis on genuine love‚ love of love‚ and false love. All there‚ becoming
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TWELFTH NIGHT: SCENE QUESTIONS ACT 1‚ SCENE i 1. Where does the play open? 2. Imagine you are the director of a Twelfth Night production. What kind of music would you have played for this scene? 3. The Duke has a very famous speech‚ in the beginning of the play‚ about love. How is the Duke feeling about love as the play opens? 4. What news does Valentine bring the Duke? How does the Duke take this news? 5. Even though we haven’t met Olivia yet‚ what do we know about her? ACT I‚
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During the “willow cabin” passage in Twelfth Night‚ hyperbole and polysyndeton are used to exaggerate the tone of Viola’s irritation and desperation. The entire speech is an amplification of how Viola feels and what she would really do in this kind of situation. The speech speaks highly of the love that Viola has for Orsino and the extent of what she would do to get it. Not only is she desperate for his love‚ but he is gunning after Oliva‚ someone who will never want him back. Viola tells Olivia
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Act 3 begins with an interesting conversation between Viola (Cesario) and Fool (Feste). In The Twelfth Night‚ Feste is portrayed as a clown who is skilled at wordplay. In the conversation‚ however‚ Viola figured out that Feste is not just a folly clown and his behavior is based on the deep wisdom. Viola says of him “This fellow’s wise enough to play the fool; And‚ to do that well‚ craves a kind of wit: He must observe their mood on whom he jests‚ The quality of persons‚ and the time; And‚ like the
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The sub-plot of Twelfth Night‚ the gulling of Malvolio by Sir Toby Belch‚ Maria‚ Feste‚ and Aguecheek‚ is justly famous as one of Shakespeare’s funniest experiments in New Comedy‚ that is‚ in a style of comedy which is basically quite different from the pastoral romantic style of the main plot. The basis for the sub-plot is one of the oldest and most popular subjects for New Comedy - the unmasking of the hypocrite‚ a satiric exposure of apparent virtue so as to humiliate the hypocrite and make him
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Devin McGowan 06/05/13 Honors English: Research Paper- Twelfth Night Period 8/9 Apples and Oranges A Comparison of Olivia and Viola in Shakespeare ’s Twelfth Night When comparing two drastically different people‚ situations‚ or objects‚ they often refer to the old saying “It ’s like comparing apples and oranges”. In reference to Shakespeare ’s Twelfth Night‚ many would say the same thing of the characters Viola and Olivia. But‚ is that observation completely true
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Sophia Reda Gender and Sexuality Paper One February 22‚ 2012 Twelfth Night is a complex story that touches on the ideas of love‚ gender roles‚ and life’s tragic and comic experiences. There are numerous layers to the characters’ gender roles‚ as well as to their sexual attractions. The sexual relationships and gender roles in Twelfth Night are multi-layered. For example‚ Viola‚ a female character‚ who was played by a male‚ is dressed as the male character‚ Cesario‚ throughout most of the
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