At the beginning of the story some of the servants got in a fight that ended up having even Lord Montague and Lord Capulet fighting. There were also sword fights between Tybalt and Romeo because Tybalt didn’t wanted his family honor to go to shame. This is relevant to today because in the story there were disagreements between the Montagues and the Capulets. Today there are variations between people‚ which causes fights. This could be
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from his friends but Tony was not quite sure why he was sad he only knew that something was missing from his life. Tony and Maria like Romeo and Juliet fell in love the second they saw each other. Bernardo like Tybalt saw them talking and attempted to separate them. Unlike in Romeo and Juliet though Bernardo successfully breaks them apart and ends the
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houses have an ongoing feud with the other that had yet to be broken‚ until Romeo and Juliet fell desperately in love and were secretly married. Their relationship was doomed when Juliet’s cousin Tybalt and Romeo and his friend Mercutio ended up in a duel where Tybalt slayed Mercutio and Romeo Slayed Tybalt. In order to be together Juliet fakes her death and awaits Romeo to find her. Miscommunication occurs and in the end both lovers end up taking their own lives for love. Many adaptations of Shakespeare’s
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Scene connections to Romeo and Juliet Which 2 scenes in the film best connect this text to Romeo and Juliet * What ideas do they share * How has the director highlighted these connections Romeo and Juliet is the story of the relationship between the son and daughter of two families‚ which are enemies‚ the Montagues and the Capulets. Their families are against their plan to marry‚ and the story ends in the death of both lovers. In West Side Story‚ instead of families‚ there are two rival
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Battle between The Jets (polish-Americans) and The Sharks (Puerto Ricans) over the streets of Manhattan upper west side. Riff‚ the leader of the jets‚ runs into Bernardo‚ the leader of the Sharks and began a battle off in the form of dancing and music. Detective shows up and tells them to get along and “you’re making my job harder”. (Page. ) Both gangs attend that dance that might where Tony‚ riff best friend and
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and Juliet‚ as well as West Side Story. As I read I noticed various things which were similar between the two stories. That also got me thinking about the things that are different as well. One of the obvious similarities is what happened to Bernardo and Tybalt as the stories progressed. They both tried to stop the two lovers from continuing their romance. If they left the two lovers alone they would have lived. They were so infuriated by the them falling in love with rival groups they would do anything
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The feuding families become two warring New York City gangs- the white Jets led by The Riff and the Puerto Rican Sharks‚ led by Bernardo. Their hatred escalates to a point where neither can coexist with any form of understanding. This closing relates to the feuding between the Montagues and the Capulets. The feuding causes of death in both the movie and the book. “A plague a’ both
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Everyone knows the heartbreaking tale of Romeo and Juliet. The two teens so desperately in love‚ they were willing to go to the extremist of measures to prove it. It is one of the most influential pieces of work ever written. Themes found in Romeo and Juliet are still widely emphasized in today’s pop culture. Take‚ for example‚ West Side Story. West Side Story takes Romeo and Juliet and puts a modern twist on it. However‚ even though the movie shares multiple themes with the tragic classic‚ there
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Three Hundred Fifty Years of Blind Love: A Contraposition of Shakespeare and Robbins’ Romeo and Juliet Andy Warhol once said‚ "They say that time changes things‚ but actually you have to change them yourself." Two hundred fifty years passed between the original Romeo and Juliet and the premiere of West Side Story on Broadway in 1957. However‚ time did not change the message of the story‚ simply the creators’ unique visions evolved. Shakespeare’s delivery of the timeless tale of desperate love
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In his 1968 interpretation of Romeo and Juliet‚ Franco Zeffirelli seems determined to defy every possible public conception of the elements of a Shakespeare movie; essentially‚ it seems to be Shakespeare distilled for public consumption. This is not to imply that Zeffirelli is not authentic in his interpretation of the text and drama; rather‚ he is‚ in the truest sense‚ staging an adaptation of the ancient tragedy to the modern medium of film. Far from altering or rejecting the Elizabethan conventions
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