FILM UNIT I’M NOT SCARED/IO NON HO PAURA (2003) DIRECTED BY GABRIELE SALVATORES An English teaching resource for year 12: Achievement Standard 2.5 REBECCA LAGAS & ZANITA THOMPSON UNIT OVERVIEW Unit Title: I’m Not Scared Either - An Introduction to a Sub-Titled Film. Strand: Visual Language (with links to Written and Oral Language) Levels: 6‚ 7 and 8 Function: Viewing (with links to Presenting‚ Listening/Speaking and Transactional Writing) Processes:
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Studying FILM The tremendous expense involved in producing motion pictures reminds us that film is both an Industry‚ and an Art. Each film is the child of a turbulent marriage between businessmen and artists. Yet despite an ongoing battle between aesthetic and commercial considerations‚ film is now recognized as a unique and powerful art form on a par with Painting‚ Sculpture‚ Music‚ Literature‚ and Drama. As a form of human expression‚ the moving picture is similar to other
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the most. The story shows acts of realism in its sense that his fictional story is able to relate in the real world and that Ernest Hemingway’s point isn’t obviously. To truly understand “Hills Like White Elephants” the reader must dig deep to find the underlying meaning. Realism began very well known in the 19th and 20th century. Realism plays very close attention to detail‚ and its affective ways of making a story realistic while still remaining fictional. Realism is unique in the way that it can
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young man of today can go without food but not without a film. The cinema is the cheapest and the most popular form of amusement. Laborers can afford to miss their evening meal‚ not their evening show. Students prefer films to reading books. Thus‚ cinema exercises a very powerful effect on society. Cinema is a universal teacher. It educates the people in different branches of learning. Our film producers have made very purposeful films to collect public opinion against some of the social evils
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Ethnographic films have focused on one key component‚ reality. It is the goal of ethnographic filmmakers to do their best to try to‚ in their minds‚ to the best of their abilities‚ express that perfect representation of the real. According to Peter Loizos‚ real[ism] “appears as it does in real life” as if the camera is an unseen observer; “Realism is life as it is lived and observed” (Loizos 165-66) and reveals the “whole bodies [...] whole people [...] whole life” (Loizos 7). That reality can only
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- Case: BMW Film. Answer the following question: - 1/ Was the BMW film idea a good one? How successful has the campaign been? - 2/ What was the motivation behind the idea? Who was the target market for the BMW films campaigns? - 3/ What should McDowell do? Which option should he pick? Answer : 1/ Was the BMW film idea a good one? How successful has the campaign been? Answer : Definitely it is. Firstly‚The BMW Film ‘ The Hire’ attracts nine million people to view it on
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Also known as "white heat" films and "the real thing‚" the snuff film myth lives on like Bigfoot‚ despite the fact that no law enforcement agency in America has publicly admitted to ever locating one. Alan Sears‚ former executive director of the Attorney General’s commission on pornography during 1985-86‚ agrees with the more than two dozen law enforcement agencies I interviewed. "Our experience was that we could not find any such thing as a commercially produced snuff film‚" says Sears. "Our commission
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Textual Analysis in Film Camera Analysis ← Composition ← Framing ← Camera Height ← Angle of view ← Depth of field ← Choice of lens Mise en Scene Film Analysis questions ← Dominant: Where is our eye attracted first? Why? ← ← Lighting Key: High Key? Low Key? High Contrast? Some combination of these? ← ← Shot and Camera Proxemics: What Type of shot? How Far away is the camera from the action? ← ← Angle:Are we ( and the camera)
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Open Rubric “Postmodernism has enriched film theory and its analysis by calling attenti0n to a stylistic shift toward a media conscious cinema” (Gonarkar 2012) Postmodenism can be characterised by various aspects including: Pastiche Nostalgia Disjointed narratives Emotional detachment Self-referentialism Time bending Altered realities ‘Quoting’ from different film genres and film movements/periods as well as from other visual media and actual historical periods
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The story and film “Monkey’s Paw” is about three wishes given to the White family. The family has all they ever wanted until the son‚ Herbert‚ has the idea to wish for 200 pounds to pay off their house. When Mr. White wishes for it‚ they receive it‚ but lose something more significant. They are later informed that their son‚ Herbert‚ has died in a machinery accident. Mrs. White then thinks to wish him back to life which results in a mysterious creature at their front door. Fearfully‚ Mr White finds
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