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    A&P: Point of View

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    Mandell 300). The point of view of a story is simply the view of whoever’s telling it. Kirszner and Mandell inform readers that if the narrator can enter all the characters’ minds and always knows what is going on‚ then he is omniscient (303). Kirszner and Mandell also tell readers that if a narrator can only enter one character’s mind‚ then he is a limited omniscient narrator (304). Point of view plays an important role in the effectiveness of a story. By analyzing John Updike’s “A&P” one can observe how

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    tell the tale influences how the tale is told. The narrator in “A Rose For Emily” influences themes of madness‚ murder‚ and isolation by telling the narrative through the gossip of the townspeople. The narrator’s third person point of view tells us that the narrator is a nonparticipant

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    Great Gatsby

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    In The Great Gatsby‚ Fitzgerald’s main innovation was to introduce a first person narrator and protagonist whose consciousness filters the story’s events. This device was not a total invention since a character through whose eyes and mind the central protagonist is discovered is to be found in two of Conrad’s books : Heart of Darkness and Lord Jim. As usual with this device‚ the main protagonist remains strange and shady. This technique reinforces the mystery of the characters. The second advantage

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    about perspective. Although Mark Haddon does not specifically relate to readers that Christopher‚ the main protagonist and narrator of the text suffers from Asperger’s Syndrome‚ the text explores how the fifteen-year-old teenager views the people and events which surround him. Taking this disability into account and as readers explore the text‚ readers realise that the unreliable narration of the first-person perspective is made even more skewed because of how differently Christopher views things‚ so

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    Esteban’s narration is biased and unreliable‚ but through the use of Clara’s notebooks we see the other side to Esteban’s time at Tres Marías as the patrón. When Esteban recalls his leadership at Tres Marías he says‚ “no ones going to convince me that I wasn’t a good patrón”(51) and that he

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    revealed‚ and said to be he is fourteen years old. During the summer he develops a crush on Sheila Mant who have rented a large cottage next to theirs. Sheila is seventeen and the middle daughter. The narrator is enchanted by Sheila and her family and wishes to be invited to their parties which the narrators mother finds loud. He often gazes at her when she is sunbathing and knows her body language very well. He swims laps almost everyday in an attempt to impress Sheila bit they go in vain because she

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    stories can be centered around the theme of losing innocence as both characters partake in actions that they thought they would never do or see. In fact‚ both characters are similar in the fact that they both are allured by temptation‚ proven as unreliable‚ commit unspeakable acts‚ and To begin with‚ both main characters are allured by temptation. In the plot of “Young Goodman Brown‚” Brown goes on a journey through the woods that makes him question

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    man’s mental deterioration and decent into madness. The story focuses on the narrator and his obsessions. The story is told from the first person point of view. So the reader knows what the narrator thinks and sees. The narrator reveals his insanity through his obsessions. The narrator’s obsessions include obsessions with the old man’s eye‚ beating heart and the narrator’s own sanity. The story is about the narrator who for eight consecutive nights goes to the bedroom of an old man. He stands

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    Literary Terms Vocabulary: Irony Irony A contrast between expectation and reality. It can be: • tragic • profound • funny There are three types or irony: 1. verbal 2. situational 3. dramatic Verbal Irony When we say the opposite of what we mean. e.g.‚ When a mother walks into a room and sees that her children‚ instead of doing their homework‚ are playing video games‚ she gives them a stern look and says "Once you’re done with your very important work there‚ let’s take some time

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    Analysis

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    are the events seen? | Is it a first-person or a third-person narrator?Who is the narrator: age‚ relation to characters and events?Omniscient/ unintrusive/ restricted?Narrative modes: dialogue‚ description‚ report | What is the narrator’s attitude to the events and to the characters?What do the other characters think: are we told about that‚ or must we guess?Is the narrator reliable or unreliable?What if the story had had another narrator? | Put the text and your interpretation into a larger perspective:ThemesAuthor’s

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