WELCOME TO PEKING OPERA Min Doh I organized basic facts and simple information mainly related to my presentation‚ however the actual contents might be different because I did not want to add any spoiler. :-) Brief Introduction & History Peking opera of China is a national treasure with a history of 200 years. Through a period of more than half a century of combination and integration of various kinds of opera there evolved the present Peking opera‚ the biggest kind of opera in China‚ whose richness
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Ethnic-Sensitive Social Work Practice Framework vs. Value Orientation/Worldview Framework Changes in world demographics occasioned by globalization and other factors require people to work with people from diverse cultural backgrounds. Failure to understand the importance of these differences could result in misunderstandings and conflicts. In addition‚ the evolving nature of social work requires practitioners to understand people’s view of the world. In most cases‚ the word “culture” is employed
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This week’s material was light‚ all of it relating to the rise of opera. To help understand the influences that allowed for opera to emerge‚ two late madrigals were presented. Monteverdi’s Cruda Amarilli highlighted how the harmonic language of seconda practica broke existing harmonic rules to express the text. Most of the expression presents itself through dissonances on words such as "amaramente" and "l’aspido‚" all relating to the feelings of discord or distress. The second piece was Caccini’s
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“The Phantom of the Opera‚” has always been intriguing to me‚ it is now even more so that I look at it through a more educated musical lens. This musical expertly uses centuries old classic opera techniques‚ and musical elements‚ to create its enticing and captivating scenes. This short essay will include an analysis of the musical elements it uses to highlight each actors character traits‚ to set the scenes‚ develop the plot‚ and to bring forth the intense emotions it draws from the audience.
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Title: Competing Nucleophiles (Exp 24‚ pp 211-221‚ pp 808-823‚ pp 836-842) Purpose: The purpose of this experiment is to determine the nucleophilic strength of chloride and bromide ions as it reacts with 1-butanol (n-butyl) and 2-methyl-2-propanol (t-butyl alcohol) under SN1 and SN2 conditions. Method: 40 g of ice and approximately 30 ml of sulfuric acid is cautiously added to a 100 mL beaker respectively. Weigh 7.6 g of ammonium chloride and 14.0 g of ammonium bromide and place it in
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Competing Against Doping Sport is thought of as an activity that is governed by a set of rules and is engaged in competitively‚ while doping is the idea of using banned natural or synthetic substance for the purpose of enhancing performance in sport. In this paper I will argue against the fallacies presented on the topic of allowing doping in sports. I will argue that the notion of doping in sports is not based on sound moral reasoning and given the choice‚ not all athletes will
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you’ll try. When you find that‚ once again‚ you long to take your heart . . . (As CARLOTTA((NIEVARES)) is singing a backdrop crashes to the floor cutting her off from half the cast) MEG/BALLET GIRLS/CHORUS He’s here: the Phantom of the Opera . . . He is with us . . . It’s the ghost . . . PIANGI (CHICO) (looking up‚ furiously) You idiots! (He rushes over to CARLOTTA((NIEVARES) Cara! Cara! Are you hurt? LEFEVRE (GACIAS) Signora! Are you all right? Buquet! Where is Buquet
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Sydney Opera House Sydney Opera House (1957 - 1973) is a masterpiece of late modern architecture. It was created by a young architect who understood and recognised the potential provided by the site against the stunning backdrop of Sydney Harbour. The base for the building was started in 1959 - years before the designs were finished. It took four years to design by Danish architect Jorn Utzon and by 1962 the designs were finalized and construction began. In total it took 14 years to build
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Project Management 722G20 Dr. Paol Canonico and Dr. Jonas Söderlund Februay 13‚ 2009 Word count: 9‚944 The Sydney Opera House Stakeholder Management and Project Success Group 5: Vincent Anter Elin Hansson Ollie McNaught-Reynolds Annabelle Tessard Contents 1. Introduction ............................................................................................................... 3 1.1 Background .............................................................................
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The term opera seria refers to the noble and ‘serious’ style of Italian opera that predominated in Europe from 1710- 1770 however this term was rarely used during this time and only really attained common usage when it was becoming unfashionable. The phrase opera buffa was first used as an informal description of the Italian comic operas which were especially associated with developments in Naples during the first half of the eighteenth century. The development of the opera buffa was parallel with
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