The movie we recently watched‚ “V for Vendetta” is one that interested me much. Even if it is a fictional movie‚ it definitely inspired me to think and argue with myself about my stands on how the government should be run and if there should really be one because that is what the movie argued. Although the movie had an radical amount of ideas and ideas that are so far out the regular box‚ it represented real life things and situations that may or may not happen in a country. The movie represented
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FORMAL WRITING A relevant idea in the film Gallipoli‚ produced by Peter Weir‚ is that war is a tragic waste of life. Weir made this idea seem relevant in the world today by using film techniques including music‚ dialogue and symbolism. Gallipoli is the story of a young man who went off to World War One. This particular film narrates the story of an eighteen-year-old from Western Australia who boarded a troop ship bound for Gallipoli. These soldiers fought the Turks in a campaign to capture
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The Lights of Casablanca -An indepth look into the lighting techniques employed and the context in which they were used‚ caught between film noir and the classic Hollywood style. Casablanca (1942)‚ directed by Michael Curtiz‚ is a perennial favorite‚ depicting unique Humphrey Bogart and Ingrid Bergman characters caught in situations out of their control. While the film’s story is engaging on many levels‚ Curtiz’s use of lighting is an integral tool he uses to help tell of the story. Previously
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cinematography techniques differ from The Wachowski Brothers’ The Matrix (1999). One of the first major differences between the films is the amount of close-ups that are involved in The Matrix and Metropolis. Metropolis consists of very few close-ups and an abundance of wide shots. The wide shots linger‚ giving the audience the ability to see everything happening within that frame composition instead of cutting away to a new angle. One scene in particular stands out with close-ups from this film. While
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yet are placed into positions of tremendous power. Resultantly‚ they extort others. In the novel Animal Farm‚ Napoleon is the leader of a farm appropriately entitled “Animal Farm”. In a larger breadth‚ the film V for Vendetta features Adam Sutler as the High Chancellor of England. The novel and film explore the theme: dangers of an irresponsible leader. They do so by examining abuse of language as an instrument of control‚ betrayal of trust‚ and the implementation of major characters. In both pieces
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guaranteed to leave the viewer thinking long after the film ends. Released in 2001‚ the movie stars many famous actors‚ including: Guy Pearce‚ Carrie-Anne Moss‚ Joe Pantoliano‚ and Stephen Tobolowsky. Considered "one of the best movies of the 2000’s‚" Memento is a complicated‚ head-spinning adventure of revenge‚ heartbreak‚ and manipulation. In this movie review‚ I will analyze the thematic significance regarding Nolan’s choice of filming techniques‚ music‚ and symbols. The plot develops around two
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In the 2007 film Atonement‚ director Joe Wright uses characterisation and explicit symbolism to explore the themes of truism and misconception. He uses this to comment on how the abuse of power is carried out by people who are seemingly civilised. Wright used both non-diegetic and diegetic sounds to draw comparisons between the seeming civility and the actions of Briony and Paul Marshall. Various mis-en-scène elements‚ such as the characters’ appearances and speaking style‚ are effectively used to
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Filmmakers use many different tools to help their audience understand the message in their films‚ and to better understand the psychological nuances of their characters. Some of these tools include acting‚ framing‚ cinematography‚ and editing. These tools can be used to show any range of emotion‚ in many different ways; extreme close ups on characters to show uneasiness‚ tears on an actors face to show sadness‚ fast cutting to make the audience feel rushed‚ or cool or warm colors to convey emotion
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The Visceral Politics of V For Vendetta: On Political Affect in cinema. By Brian L. Ott* pages 39-54 Abstract This essay concerns the role of political affect in cinema. As a case study‚ I analyze the 2006 film V for Vendetta as cinematic rhetoric. Adopting a multi-modal approach that focuses on the interplay of discourse‚ figure‚ and ground‚ I contend that the film mobilizes viewers at a visceral level to reject a politics of apathy in favor of a politics of democratic struggle. Based on the
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Documentary Film Techniques Ambient Sound This is sound that is present‚ or available‚ in the context of the scene being filmed. It may consist of the background sounds such as traffic‚ birds‚ wind‚ children playing‚ machines working etc. Archival footage Use of direct cinema or other documentary footage or photographs from the past in order to review events that took place in the past or provide some perspective on events from the past. Bird’s eye view A shot in which the camera photographs a
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