Hindustani classical music Hindustani classical music (Hindi: हिन्दुस्तानी शास्त्रीय संगीत्‚ Urdu: کلاسیکی موسیقی) is the Hindustani or North Indian style of Indian classical music found throughout the northern Indian subcontinent. The style is sometimes called North Indian classical music or Shāstriya Sangīt. It is a tradition that originated in Vedic ritual chants and has been evolving since the 12th century CE‚ primarily in what is now North India‚ Pakistan and Bangladesh and to some extent
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excellent windows to encounter the pure pleasure of natural beauty for which Punjab is known. Nature friendly amenities: The area near residential properties in Jagraon Punjab is surrounded by 70% Green Area. Furthermore‚ vedic and botanic garden‚ vastu based architecture‚ meditation and kirtan center facilitates people to live more healthier. Comfy Interior and Exterior: The interior of homes are designed with woodwork‚ marble flooring‚ wooden flooring‚ fly proofing and feng shui/vaastu compliant
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Jump to: navigation‚ search |Sree Rama Navami | |[pic] | |Ram (center)‚ with consort Sita‚ brother Lakshmana and devotee Hanuman | |Observed by |Hindus | |Type |Hindu | |Significance |Birth day of Ram; Marriage ceremony of Ram
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SCRIPTURES The Vedas (4 types) a) Rigveda b) Samadveda c) Yajurveda d) Atharvanaveda Most Hindus believe in the authority of the vedas (songs to the gods)‚ the old scriptures and sacred writings. Also accept the teachings of Dharma-Shastras‚ an ancient law books. The philosophical writings of the Upanishads and the Bhagavad-Gita. Karma – what we do today would determine our future Moksha – stage of high spiritual freedom- no longer bounded to life or death. Ways to achieve Moksha:
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from Khizr -the Prophet Elias. There is a reason to believe‚ writes Cunningham‚ that in his youth he made himself familiar with the popular creeds both of Mohammadans and the Hindus and that he gained a general knowledge of the Quran and Brahmanical Shastras. It seems that all these scholars of history have not grasped the basic fundamental fact about the divinity of Guru Nanak. He was born with divine status‚ thus‚ his teachings were heavenly. These writers seem to be very much ignorant of the fact
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Culture of India India’s languages‚ religions‚ dance‚ music‚ architecture and customs differ from place to place within the country‚ but nevertheless possess a commonality. The culture of India is an amalgamation of these diverse sub-cultures spread all over the Indian subcontinent and traditions that are several millennia old. Regarded by some historians as the "oldest living civilization of Earth"‚ the Indian tradition dates back to 8‚000 BC and has a continuous recorded history for over
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Poetics developed for the first time the concepts of mimesis and catharsis‚ which are still crucial in literary study. Plato’s attacks on poetry as imitative‚ secondary‚ and false were formative as well. Around the same time‚ Bharata Muni‚ in his Natya Shastra‚ wrote literary criticism on ancient Indian literature and Sanskrit drama. Later classical and medieval
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Grihasta after his or her student life. Thus‚ it can be said that marriage is almost a mandatory custom in the life of all the Hindus. The Hindu religion is based on the eternal philosophy of the Vedas and this philosophy is well briefed in the six shastras and the Manu HYPERLINK "http://www.indianetzone.com/6/manu_smriti.htm"Smriti written by the rishis who were philosophers of the Vedas. They practiced Bahiranga Yoga‚ realised God and Veda mantras within their heart. Those ancient rishis were Atri
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use of sexual education through art and literature by writing the first literature‚ Kama Shastra (Kama Sutra)‚ which treated sexual intercourse as a science as well as specifically outlining the practices of BDSM. The Vedas‚ the Mahabharata and Ramayana‚ reveal moral perspectives on sexuality‚ marriage and fertility prayers; these epics had a huge impact on the culture of Asia. An excerpt of the Kama Shastra states that women should study these texts‚ it also goes into detail as to why they should
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Book named Amdavadno itihash: A.D.1850 sudhino was written during Indian enlightenment by Gujarat vernacular Society i.e. Sudharavad movement. If we look at author‚ Maganlal Vakhatchand Sheth was neither an architect nor a historian but a college student and an aspiring historian of Gujarat Vidyasabha who won the award of Alexander and Kavi Dalpatram. Book is written by author as an observer who is local resident and has acknowledged cultural history apart from architecture. His book falls in epistemological
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