art comparison C Compare and Contrast: The Sleeping Venus and Olympia Ben Storms [pic] The Sleeping Venus/Dresden Venus‚ Giorgione with landscape and sky by Titian. 1510 [pic] Olympia‚ Ĕdouard Manet. 1863 The Sleeping Venus‚ or Dresden Venus‚ is by Italian Renaissance artist Giorgione. It is one of the last works but Giorgione and the landscape and sky were actually finished by Titian after Giorgione’s death in 1510. The painting portrays
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In “Venus of Urbino” by Titian‚ the subject is clearly Venus. Although there are two servants in the background and a dog alongside of her‚ Venus is the main subject of this artwork. It is also evident since her name is in the title. She has an inviting look on her face and her body language appears to be relaxed‚ calm‚ and comfortable. Titian uses chiaroscuro since the foldings on the cloth and pillows is in great detail. Titian exemplifies the theme of the male gaze in this artwork by having Venus
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The piece I chose is Venus on Fire by Erika Verzutti. This artwork is a bronze sculpture made up of three different type of forms based on pumpkins and other vegetation. A small bumpy sphere that has been flattened on one side sits on the bottom under the center of the middle piece that resembles a kobocha squash. This middle piece over hangs the bottom one by a couple of inches. Placed on top center with is large side down‚ tapering up to a peak is a figure that resembles an indented soursop or
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The Venus of Willendorf is one of the oldest and most famous early images of a human. She represents what use to be the “ideal woman” with her curvy figure and the emphasis on fertility seen in the features of her sculpted body. This paper will analyze the Venus of Willendorf sculpture in terms of its formal analysis. Most of the information about the Venus of Willendorf is based on scientific research and theory because there is no actual documentation that dates back as far as the sculpture.
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The Birth of Venus‚ Sandro Botticelli Before writing this review of a painting‚ I asked myself several times of what should I choose‚ what is my favourite or the most peculiar masterpiece for me? After a short dilemma I figured out that I am fond of Italian Renaissance‚ especially Early Renaissance. Most of all I enjoy and admire the Florentine School‚ brightly represented in the paintings of Sandro Botticelli. The painting of his that attracts me most is The Birth of Venus. The work on it was
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Introduction: Title: Venus of Laussel Date: 23‚000 B.C.E. Artist: Unknown Style: Upper Paleolithic Medium: Limestone Size: 18 in This is a carving in stone of a woman holding a horn. She has prominent breasts and a distended stomach. The woman has an undefined face and has long hair. Her breasts and genitals are accentuated to show her fertility . This woman does not appear to have much of a specific “beauty standard”
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The Venus Willendorf and Laussel During the Upper Paleolithic era artists created a wide range of small sculptures. These sculptures were made from various materials‚ including ivory‚ bone‚ clay‚ and even stone. They represented humans‚ as well as animals; they even combined them at times. Most of the sculptures from this time show a high level of skill. From this time‚ there were two very influential sculptures‚ The Venus of Willendorf and the Venus of Laussel. This paper will discuss both
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Venus of Willendorf from Willendorf‚ Austria 28‚000 – 25‚000 BCE Limestone Naturhistorisches Museum‚ Vienna Paleolithic - representation of a woman - female anatomy is exaggerated - serves as a fertility image - no facial features‚ just hair/hat - freestanding sculpture Statuettes of 2 worshipers from the Square Temple at Eshnunna (Tell Asmar)‚ Iraq 2700 BCE (early dynastic/Sumerian) Soft gypsum and inlaid with shell + black limestone Iraq Museum‚ Baghdad - represent mortals praying
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"The Birth of Venus" is a famous painting created by Sandro Botticelli between the years 1482 and 1485. The painting is inspired by Roman and Greek Mythology. The painting shows a naked young woman with long red hair standing on a massive seashell. The girl standing on the shell is mostly likely Venus‚ the goddess of love. This is because she is the focal point of the painting. To the right of Venus is another young lady draped in a billowing white gown and she is holding a red blanket. The maiden’s
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In his “Venus at a Mirror” Paul Rubens presents the nude beauty of the goddess of Love‚ Venus. The artist portrays the goddess of love from a back view‚ seated in the center of his composition. An adolescent cupid is presented in the left foreground‚ holding a mirror with the reflection of Venus’ face on its surface‚ while a dark-skinned‚ exotic handmaid fills the upper right of the painting fondling the golden hair of the Venus. The three figures form a lunette that emphasizes the mirror that frames
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