Sandro Botticelli’ created the painting The Birth of Venus in 1480 during the Renaissance Movement. The painting shows Venus floating on a seashell. Off to her right is the god Zephyr with his wife. Zephyr is blowing Venus towards land. The image on her left displays a woman ready to cover up her image with a brightly intense red garment (Getlein‚ 2008‚ p. 398). To understand the paintings contextual properties‚ “The word renaissance means “rebirth‚” and it refers to the revival of interest in
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A Woman from Willendorf - fat lady with penis boobs Venus of Willendorf 25‚000 BCE made of limestone Goddess‚ no face Woman from Willendorf‚ c25000 BCE. oldest sculpture known. anatomical exxageration. possible fertility idol. paleolith representation of women B Lion Human from Germany- 30-000-26000 BCE‚ mammoth ivory‚ tactile (cannot stand on its own) seen from all sides. not life like or found in nature. C Loacoon and His Sons‚ 1st century CE. 2 sculptors‚ Athanadoros‚ Hagesandros
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The Old Stone Age (Paleolithic Period) marked the birth of art. During that period‚ humankind began to acknowledge the forms of human and animals‚ thus creating many sculptures and paintings in attempt to represent the world around them. Venus of Willendorf (ca. 28‚000 BCE.) also known as Nude woman‚ from Willendorf‚ Austria‚ was one of the earliest female figures manufactured in Europe during the Paleolithic period. The rise of civilization follows when humankind decided to build for themselves
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He Garfunkeled Your Mother: A Psychoanalytic Reading of The Graduate The 1967 film‚ The Graduate‚ staring Dustin Hoffman and Anne Bancroft contains a plethora of human idiosyncrasies that would be of the utmost interest to the psychoanalytic minds of both Freud and Lacan. For this reading‚ I will focus on the theories of both Freud and Lacan in accordance with textual evidence to prove that Benjamin Braddock never achieves happiness in the end of the film‚ but has only just prolonged his quest
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Visual Pleasure and Narrative Cinema (1975) - Laura Mulvey Originally Published - Screen 16.3 Autumn 1975 pp. 6-18 http://www.jahsonic.com/VPNC.html I. Introduction A. A Political Use of Psychoanalysis This paper intends to use psychoanalysis to discover where and how the fascination of film is reinforced by pre-existing patterns of fascination already at work within the individual subject and the social formations that have moulded him. It takes as starting point the way film reflects‚ reveals and
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SUMMARY Personality is the enduring and unique cluster of characteristics that may change in response to different situations. It can be asses via different approaches such as Self-report or objective inventories‚ projective techniques‚ clinical interviews‚ behavioural assessment procedures and thought and experience-sampling procedures. In the study of personality ideographic research and nomothetic research are used and the major methods that the clinical method‚ the experimental method and the
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three primary colors yellow‚ blue and red. The art piece measures 220.5 cm x 182 cm and is now located in the “Museo del Prado‚ Madrid.” As it can be seen on figure 9‚ the painting represents three goddesses and daughters of Jupiter in the service of Venus‚ the goddess of love. All three are naked‚ plump‚ two being seen by three-quarters and one from the back. Rubens has shown them next to a fountain under a garland of flowers and a landscape background. The faces‚ round and imbedded‚ are inspired by
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Theo Decker stole a priceless painting from the wreckage of a terrorist attack. He didn’t pilfer the painting for fame or glory‚ but because it was his mother’s favorite. His actions‚ made in part because of the strong affection he holds towards his mother‚ mimic the life of another prominent literary character -- Oedipus. The tragic pattern of the Oedipal archetype is echoed in Donna Tartt’s The Goldfinch‚ even though Theo did not downright murder his father and sleep with his mother. Once appreciated
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Freud (1909) most known study was about a little five years old boy‚ called Hans‚ who suffered from horse phobia. Freud explained‚ his behaviour was related to the Oedipus conflict that develops between the age of three and six and drives a love towards the mother. In Freud’s theory‚ the horse symbolizes the father and because the boy unconsciously worried about the father punishing him‚ the phobia of horses developed. The boy recovered from his fear‚ after the reason for the phobia became conscious
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Historical and Biographical Approaches Historical criticism seeks to interpret the work of literature through understanding the times and culture in which the work was written. The historical critic is more interested in the meaning that the literary work had for its own time than in the meaning the work might have today. For example‚ while some critics might interpret existential themes in Shakespeare’s Hamlet‚ a historical critic would be more interested in analyzing the play within the context
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