"Victorian life reflected in the picture of dorian gray" Essays and Research Papers

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    Dorian Gray Theme Revision Youth and Beauty “All the candour of youth was there‚ as well as youths passionate purity” “And beauty is a form of genius—is higher indeed that genius as it needs no explanation” “It has a divine right of sovereignty” “I am jealous of everything whose beauty does not die” “When one loses ones good looks‚ whatever they may be‚ one loses everything” “Youth is the only thing worth having. When I find that I am growing old I shall kill myself”

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    always an infinite theme in almost stories‚ especially in classic series. There is no exception in The Picture of Dorian Gray of Oscar Widle and Wuthering Heights of Emily Bronte. The Picture of Dorian Gray and Wuthering Heights are two classic novels written respectively in Victorian era and Romanticism period. These novels are stories which revolve around the love story of the main characters Dorian versus Sibyl and Catherine versus Heathcliff and Edgar. In the aspect of love‚ it is feasible to see

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    A Narcissistic study of The Picture of Dorian Grey General Overview Oscar Wilde’s The picture of Dorian Grey’s novel is about a young man named Dorian Gray‚ the subject of a painting by artist Basil Hallward. Basil is impressed by Dorian’s beauty and believes his beauty should not be wasted and it is responsible for a new mode in his art. Dorian meets Lord Henry Wotton‚ a friend of Basil’s‚ and becomes enslaved by Lord Henry’s world view. He shows him a new hedonism‚ and suggests the only things

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    though The Picture Of Dorian Gray and A Hundred Years Of Solitude were written over 50 years apart they both deal with the fortunate and unfortunate effects of time in a personal level for Dorian Grey and in a more general level for the Buendia family and the entire town of Macondo. These two literary merits both present the story of people who are affected by time and either welcome it as a sign of progress in the case of the Buendia family or do not accept it in the case of Dorian. Both main

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    out a series of doctrines which detail his personal philosophy on the relationship that exists between art and life‚ and the rolls that they should play. Chiefly these are: art should only express itself‚ expressing life and nature makes for bad art‚ life imitates art more than art imitates life‚ and that lying is the true aim of art . When applied to his novel The Picture of Dorian Gray these doctrines add an extra layer of meaning to the themes already presented‚ and this allows for a greater level

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    The Picture of Dorian Gray was written by Oscar Wilde in 1891‚ who himself was a key proponent of the aesthetic movement created by Walter Pater. Within the novel Wilde shows blatant contradictions and struggles within his characters‚ particularly those of the upper echelons of British society. Wilde parodies with great success main characters such as Lord and Henry and later on Dorian‚ yet also lesser characters‚ such as Lord Fermor. . As a potential ‘reincarnation’ of Narcissus‚ Dorian Gray embodies

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    The Picture of Dorian Gray Literary Essay “Now the serpent was more subtle than any beast of the field. Yea‚ hath god said‚ ye shall not eat of every tree in the garden?”… “We may eat of the fruit of the trees of the garden. But of the fruit of the tree which is in the midst of the garden‚ God hath said‚ ye shall not eat of it‚ neither shall ye touch it‚ lest ye die.”… “And the serpent said‚ ye shall not die‚ for God doth know that in the day ye eat thereof‚ then your eyes shall be opened‚ and ye

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    story. In the book‚ “Dorian Gray” by Oscar Wilde‚ deformity is used to symbolize the corruption and degradation of Dorian’s soul. Dorian’s own beauty could be considered a deformity and this deformity destroyed Dorian’s life. He has an unnatural‚ surreal beauty and it’s this beauty that causes him to become so evil and corrupted. It’s the reason behind his madness. He actually traded his soul to keep his youth and beauty; “…If it were I who was to be always young‚ and the picture that was to grow old

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    thinks me: Dorian what I would like to be—in other ages‚ perhaps.’ – Oscar Wilde in a letter[1] It is a recognized fallacy to equate the experiences of an author with those of a fictional character‚ even if said character happens to be the protagonist of the author’s most influential work. Nevertheless‚ there are some cases when this line of thought may be justified: not in the way of mindlessly attributing every physical event of a book to the life of its

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    ENL 102 Victorian Literature: Textual Analysis Part 2 Chosen extract: The Picture of Dorian Grey‚ Chapter 2 from “Suddenly the painter appeared at the door of the studio” to “I would give my soul for that!” Chapter two of “The Picture of Dorian Grey” is an important chapter as it firmly introduces readers to the title character‚ Dorian Grey and his cohorts. We learn that he exudes physical attractiveness‚ being ‘wonderfully handsome1’ with a ‘bright look in the eyes2’‚ and ‘finely-curved scarlet

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