The outside format of the painting is a horizontal rectangle. The painting is large and is about the size of a 55 inch flat TV screen. The work is realistic with some abstract elements in the painting. The artwork is realistic because the scene resembles the real world where there are sharks‚ boats‚ ships‚ flying fish‚ water‚ sugarcanes‚ ropes and a dark-colored man. But‚ the texture and colors of the water make it abstract and different from the common blue water in the real world because the
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The Cabin The bone chilling howl of the wind brutally pounded my back‚ as I crawled through the deep siberian snow which was stained red. I felt the warm blood oozing down my left thigh from the deep cut. Every inch I crawled‚ the pain sent shockwaves of pain through my entire body. It seemed as if I had been crawling for miles and miles‚ but in reality I was barely 400 yards away from the snowmobile‚ thinking if only I would have tired to stay and find out the truth. Through the dim headlights
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Apaquogue 1961 This piece of artwork “Apaquogue‚ 1961” was created by Adolph Gottlieb (American‚ born 1903-1974). In fact the naming of the artwork comes from the name of a road near the ocean close to Gottlieb’s home. Medium used to create this masterpiece is oil on canvas. It is located in The Modern Art Museum of Fort Worth‚ Texas. The sizing of this canvas is 74 ¼ by 94 ¼ inches. Canvas was acquired in 1984‚ to the collection of the Modern Art Museum‚ Museum purchase. The Apaquogue took me back
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Variety is pretty self explanatory in this piece. From the animals to the structures depicted in the inner panels‚ not a single subject is exactly the same. There is a large diversity of animals from common animals that we recognize to mystical animals that appears in mythology. Different facial features are shown on the face of humans to reveal expressions of lust‚ happiness‚ and temptation. This painting is a canvas version of The Terracotta Army. It shows Bosch’s seriousness and solemn respect
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Description: Koger’s skyscape painting imitates the Aurora Borealis with the narration of a fantasy story. The soothing gradient of the dark blue starry sky to the pink-white clouds elicits a tranquil atmosphere and strongly contrasts with the Northern Lights‚ represented by asymmetrical groups of bright colours (yellow‚ green and pink). Furthermore‚ there’re two ‘camouflaging’ human faces located in this artwork; one face is on the top right-hand corner and the other face is on the middle left
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Art throughout the many years that it has existed has been seen in many different ways‚ shapes and forms‚ whether it is a painting from the renaissance area or a sculpture from the modern era. Even some of the technologies and sports are considered pieces of “Art” although under the pop culture category‚ still a part of the art family. In the 1930’s there wasn’t anything like what we get to experience with social media and all the technology there is now. In fact the 1930’s was a part of the great
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“A Sunday on La Grande Jatte” had a style that‚ once I took a closer look‚ surprised me somewhat. The painting seems to be made with many dots. It’s very impressive that the artist took the time and had the talent to use dots in such a way. Of course‚ it may have been the type of brush he used‚ or it is a painting technique that I do not yet know‚ but it certainly adds to the feel of the painting. I was also curious about the border of the painting. Rather than not have a border or having a simple
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Kindred Spirits vs Christina’s World When you look at two pieces of art‚ side by side‚ there are always things you notice. Some of these observations may be similarities‚ some may be differences. So‚ what observations can we make about the two classic American pieces Kindred Spirits and Christina’s World? Let’s find out. Kindred Spirits is a painting made in 1849 by Asher Brown Durand. It was a tribute to the deceased Thomas Cole‚ a friend of Durand. It shows Cole standing
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Fairfield Porter (1907-1975) was an American painter and art critic who studied socially relevant art and produced realist artwork during the majority of his career. Wanting to depict the “authentically lived experience” in each of his paintings‚ he painted in a representational style during the height of the Abstract Expressionism’s dominance. He did not find much inspiration to construct pieces stemming from abstract ideology. An example of Porter’s natural yet highly objective style of painting
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Located in the Art Institute of Chicago is Claude Monet’s “Arrival of the Normandy Train‚ Gare Saint-Lazare” painted in 1877. This artwork is representational because based on the historical train station known as Gare Saint-Lazare. The reason for his inspiration for painting this piece is Monet was intrigue by the industrial revolution of transportation so he rented an apartment start painting different time setting of day of trains in Gare Saint-Lazare. Then Monet gave this for Impressionist exhibition
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