play what you’d like it to be. The audience isn’t the only group that gets to change the shape of the play however. Through disguises and false identities‚ the characters in the play are able to alter the play in an attempt to fulfill their needs. Viola does this successfully by using her disguise as a servant to get close and personal with Orsino‚ who she would not have been close to normally. Sir Andrew’s guise on the other hand‚ doesn’t work as well as he’d hoped. His attempts to cloak his true
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appeal to the audience. It keeps them wondering how many more of these situations will arise‚ and in the end‚ how will this confusion and conflict be resolved? The first time that this is evident is in Act I‚ Scene IV‚ where Cesario‚ really Viola is sent by her master‚ Orsino‚ to win the love of Countess Olivia for him. At first it seems as if nothing is out of the ordinary‚ but Cesario throws a spin on things with his last words of the scene. Cesario indicates that he will do his best
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In regards to the parental comment about Romeo and Juliet‚ I both agree and disagree. When I say agree‚ what I really mean is that I understand where the parent is coming from and why they think that younger people shouldn’t watch this movie. I understand that the values in the movie are very naïve and somewhat inappropriate. The movie depicts teenagers disobeying their parents‚ so I can clearly see why a parent would not want their child to take away from the movie that it is okay to disobey
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Analysis of Haydn’s String Quartet: Op. 76‚ No. 4‚ in B-flat Major “Sunrise” Haydn composed his Op. 74 quartets in the later years of his life between 1796 and 1797 and it was the last of his completed string quartets. The set of quartets were dedicated to the Hungarian Count Joseph Erdödy and were published in 1799. It was said that this selection of quartets was one of his “most ambitious chamber works” with his attempt of “emphasizing thematic continuity‚ seamlessly and continually passing motifs
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– Act 2‚ Scene 5. Viola’s Self-Less Love Viola‚ the main character‚ is the complete opposite of Malvolio. She is fun-loving‚ happy‚ and completely selfless. She loves Orsino from the very start‚ and does not question him‚ waver from the path set for her from him‚ nor disagree with anything he says‚ other than the fact that apparently‚ women cannot love as much as men can‚ despite the fact that he very quickly changes his love from Olivia to Viola in the end.
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and can be within a plain or folk song (in the orchestral arrangement by David Bobrowitz‚ the tenors previously mentioned will be represented by the violas). From measures 1 to 17 the violins I present the melody for the first time‚ and restate it in measures 20 to 25. This melody once again resurfaces with the cellos‚ bass‚ and most importantly violas (tenor) at measures 32 and so on to 36.
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in Twelfth Night because of the cross-dressing that occurs. Viola is a woman who dresses as Cesario‚ a man‚ yet Olivia is madly in love with her. What stands out in the Twelfth Night is how acceptable this love between Olivia and Viola (Cesario) is‚ yet Antonio’s homosexual love for Sebastian is socially unacceptable. Like in Marie de France‚ tokens are used as symbols of love in the Twelfth Night as well. Olivia sends Cesario (Viola) a ring when she wants to let him know that she loves him. The
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A Feminist Analysis of Gender Identity in Hamlet and The Merchant of Venice William Shakespeare’s diverse female characters started to revolutionize views of gender in the Renaissance‚ though women were not treated as equals to men until modern times because of the patriarchal views that were instilled in society. The feminist approach in this presentation works to disprove Shakespeare’s traditional critics. I use a feminist approach to prove that Shakespeare’s representation of gender is more flexible
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“Nothing that is so is so.” To what extent do you agree with this in relation to Shakespeare’s play “Twelfth Night”? In Shakespeare’s comedy ‘Twelfth Night’‚ the main theme of disguise and façade is used to create comedy as the characters ‘conceal’ themselves. This adds to the confusion and consequently the characters‚ and at times the audience‚ are doubtful of what is real. Shakespeare makes it clear that ‘Twelfth Night’ is up for interpretation through the use of his double title ‘what you will’;
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Shakespeare’s point about love; one expressing the lengths some will go to achieve happiness through love‚ the fluidity of love overall‚ as well as some motives that engender certain action- in the pursuit of love or happiness. Shakespeare does the audience a favor and informs them of love; with a message- love isn’t all love towards each other‚ nor that love’s ambiguity could ever be single in concept. Shakespeare places special emphasis on genuine love‚ love of love‚ and false love. All there‚
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