the happy couple’s dinner. Pasta of the Sea for the young girl and Soup of the Sea for the young boy‚ the waiter politely made a small bow‚ leaving with the violinist. The young couple ate under the murmured of the other guest and the soft violin tune but they were silence eating without saying a single word to one another. The sea food dinner was filled with delicate spices and ingredients that made anyone’s stomach growl in hunger by just the smell of it. A mixture of well cooked octopus
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She suggests this idea in the sentences that open the poem: "First fight. Then fiddle." One must fight before fiddling. Playing the violin wouldn’t be a pleasure if an enemy was threatening one ’s safety. And also‚ fighting the war might eventually secure a safe place to pursue the pleasures of music if one wins. One has to "civilize a space wherein to play your violin with grace." The author seems to be using this playing as an image for art in general‚ as her more expansive references to "beauty"
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Shostakovich Piano Trio No.2 mov.1 Analysis The Piano Trio No. 2 in E minor‚ for violin‚ cello and piano‚ Op. 67‚ with four movements‚ by Dmitri Shostakovich was written in 1944‚ in the midst of World War II. The work received its premiere in Leningrad on 14 November 1944. After 1936‚ Shostakovich separated his compositions to two parallel sections‚ one for public consumptions‚ the other one for personal expressions. Therefore‚ Shostakovich’s chamber music probably constitutes the most complete
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mechanical improvements were being made to the instruments of the past which developed into the instruments that most of us are familiar with today. Originally‚ the main string instruments were of the viol family; however‚ the violin family began to replace them. Even though the violin family began to replace the viol family‚ the bass viol‚ more commonly known as the contrabass or double bass‚ was still used. Throughout this time period‚ the cores of the ensembles were string orchestras(5)‚ orchestras consisting
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of things uncommon with each other. It also relates these two together by showing how they are both intrigued by the music in which the violin produces. They both play with their heart and play to the point where they make others cry. The paper also overviews how Shamengwa teaches Corwin how to play the violin for his punishment of stealing Shamengwa’s violin in the first place. The Teacher One usually has a possession of his or hers which he cherishes as more than just a petty item he possess
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to whether the birth of the viola preceded or succeeded that of the violin. However‚ iconographic and documentary evidence indicate that the violin‚ viola‚ and cello most likely evolved together as a family of instruments very early in the sixteenth century and almost certainly in northern Italy. Part-writing for the viola in chamber music has changed dramatically over time. By the end of the seventeenth century‚ while the violin had remained popular in chamber music‚ the viola was very much neglected
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playing a violin with only two strings. The journalist goes on a great journey with the musician as I will explain more in detail as the review goes on. In this review I will explain the great story this movie told. As well as what music period it represented; what I learned from this film‚ and why I believe this movie was made. In 2005‚ Steve Lopez had a pressing need to get some story ideas for the newspaper article. That’s when he stumbled upon a homeless street musician playing a violin named Nathaniel
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I play viola. I’ve played it for a couple of years now‚ and‚ (the sound of the viola being the acquired taste that it is) I believe it has finally grown on me. In regards to playing this instrument‚ my decision to do so was‚ initially‚ not one that arose from interest and fervor‚ but rather one of practicality. Cello had long been my preferred choice of string instrument to anything else. Its sound is‚ to say the least‚ spectacular. But the feasibility of taking a cello on public transportation‚
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Movie Analysis Introduction Music is like a book that can bring you everywhere‚ anywhere and anytime. It can describe what you feel inside. It can change or influence you. You can be a princess or you can be the beast. You can be the charming or you can be the frog. You can be the instrument or you are the musician. Music can make fairytales and a happy ending story but in reality how can this thing change a person’s heart? How can it heal a broken heart? How can it make two people whose lives
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in E Minor: A Staple of the Violin Repertoire “I would like to compose a violin concerto for next winter. One in E minor keeps running through my head‚ and the opening gives me no peace‚” German composer Felix Mendelssohn wrote to his friend‚ violinist Ferdinand David‚ in 1838. Mendelssohn would seek to collaborate on his last orchestral work with David‚ revising it painstakingly until its premiere in Leipzig in 1845. The first movement of Mendelssohn’s Violin Concerto in E Minor‚ Op. 64‚ is
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