QUESTIONS ON THE FILM "THE HOURS" 1) "The Hours"‚ based on the novel written by Michael Cunningham‚ is more than a biographical movie about Virginia Woolf. How can you describe the importance and co- relation between the three female main characters: Virginia‚ Laura Brown and Clarissa Vaughan? The novel is essentially about women. Women from different periods‚ of different ages‚ and oddly the same in various aspects. We get to know women that apparently lead perfect lives‚ considering the
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creative masterpieces but also crucial articulations of revolutionary developments in critical thought. In this volume Deborah Parsons traces the developing modernist aesthetic in the thought and writings of James Joyce‚ Dorothy Richardson and Virginia Woolf. Considering cultural‚ social and personal influences upon the three writers and connections between their theories‚ Parsons pays particular attention to their work on: • • • • forms of realism the representation of character and consciousness
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through John Morrisons ‘The compound’ where a sense of belonging creates purpose and direction within a man once in a state of nothingness. Finding beauty and meaning within the city can allow one to realise themselves with that place‚ exemplified in Virginia Woolf’s ‘Street haunting’. However the city does not always provide a platform for self worth and purpose‚ but rather alienation and hostility‚ as explored by William Blake’s bleak depiction of London. The limitless boundaries and mystifying nature
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Both Anne Dillard and Virginia Woolf describe the death of a moth in their respective essays to achieve dissimilar ends. Dillard hopes to capture the self sacrificial path of a writer; while Woolf simply wants to draw attention to the strength of an individual’s drive and the even stronger hand of death. Woolf’s description is more effective‚ for she is able to clearly make her point through the description; whereas Dillard’s description and argument are separate‚ and she must connect
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feminist Virginia Woolf used a lot in her works. This “stream” is very confusing‚ because it describes the situation by every little thought of the persona who in this case is very distractive and unfocused as a result of ingesting drugs - she changes her focus by the second. Ellie is a young student living in London. She has a lot of pressure on her shoulders because her parents have made her take a course at the UCL which she is about to flunk if she does not hand in an essay about Virginia Woolf
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On the Neglect of Human Emotion in “Paradise Lost”: A Rebuttal Within Virginia Woolf’s letter and diary entry‚ she discusses her thoughts on John Milton’s writing style within “Paradise Lost‚” and reveals her feeling that Milton‚ while clearly an expert of literary description‚ does very little to touch upon human passions and emotion within his poem. Upon reading “Paradise Lost‚” it is clear that Woolf has a point; extravagant descriptions of heaven‚ hell‚ angels and God abound within the epic
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and was prescribed ‘rest cure’ – just as Septimus is; Woolf is often described as a ‘mad genius’ as she was declared mentally ill at an early stage in her life -- this intense and troubling lifestyle of erratic nervous breakdowns coupled with her substantial involvement in the Bloomsbury group in ‘the early manifestations of the Freudian psychiatry’ led to a close scrutiny and new way of looking at the issue of madness. The novel‚ in Virginias own words‚ attempts to present ‘the world seen by the
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In Mrs. Dalloway‚ the modernist writer Virginia Woolf undermines the usual conventions of prior prose fiction by adopting an innovative approach to time. She contrasts the objective external time and subjective internal time that structure the plot of the one-day novel. In fact‚ the story takes place on a single day in June and‚ by the use of two important techniques‚ namely the stream of consciousness mode of narration and the interior mono-logue‚ the reader is constantly flowing from the present
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Julia Kristeva’s quotation from Black Sun: Depression and Melancholia provides an interesting piece of observation in regards to the rampant depression apparent throughout literature. Kristeva points out that melancholy and depression can send writers into an “abyss of sorrow‚” (Kristeva). However‚ she believes that so long as a writer avoids collapsing into the “noncomunicable grief‚” (Kristeva)‚ extraordinarily powerful pieces of literature can rise from ashes of depression. The melancholy experienced
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4. The novel from 1881 to 1914 Over the eighteen eighties there was a split in fiction. The first indication towards it was Henry James’ essay "The Art of Fiction" (1884)‚ which referred to the novelist’s calling as a "Sacred office". Besides‚ there appeared a stratification of fiction due to primary education for all. Parallel to this‚ novelists saw themselves apart from the public‚ as dedicated men. This new modern conception involved dignity and a sense of glory. Another change was from the three-volume
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