Bierstadt‚ whose “gigantic and romantic landscapes…introduced Americans to the awesome beauty of their own frontier‚” (Kernan‚ 86) is a good example of how visual representations played a significant role in the dissemination of the mythic West. Being one of the first artists to join expedition tours‚ Bierstadt’s paintings of the West offered Americans visual confirmation of what they had been told through literary media as well as their cultural and religious traditions. Because Bierstadt used the sketches
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Altitude: Treelines can occur over a great range of altitudes. * Size/shape continuity: the sub-alpine (snow covered in winter) and alpine areas but the truly alpine area‚ above the treeline‚ Biophysical Interactions The upland area of the Australian Alps is underlain by marine sediments. Then through denudation the area was worn down and dissected by different forms of weathering and erosion. Once the land was uplifted and exposed to the effects of weathering‚ the varying degrees of resistance to erosion
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there are spaces in-between for red arrows connecting them. Different size and pattern of arrows‚ completed with marker‚ indicates forces and direction from exits of one fragments to the other. A network between islands of urban fabric is formed. Analysis At first sight‚ readers get familiar with the ordinary map that is now cut into pieces. Viewers immediately feel the distance between these noticeable individuals. Disrupt the ordinary form of map we perceived‚ author of this drawing intentionally
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Jean-Jacques Rousseau “Jean-Jacques Rousseau was one of the most important philosophers of the French Enlightenment” ("Jean-Jacques Rousseau - Biography"). Rousseau was born on June 8‚ 1712 in Geneva‚ Switzerland. When he was only nine days old his mother‚ Suzanne Bernard passed away leaving him with his father‚ Isaac Rousseau‚ who raised and educated him until he was ten-years-old. “According to Rousseau ’s own subsequent accounts‚ the haphazard education that he received from his father included
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The Incense Burner of Amir Saif al-Dunya wa’l-Din ibn Muhammad al-Mawardi Ja`far ibn Muhammad ibn `Ali‚ is an Iranian bronze; cast‚ engraved‚ chased‚ pierced Overall. H. 33 1/2 in. (85.1 cm) L. 32 1/2 in. (82.6 cm) W. 9 in‚ currently present in the Islamic Art section‚ in the Iranian area on a two foot high platform‚ at the Metropolitan Museum of Art in New York City. The item was made for a Prince Saif al-Dunya wa’l-Din ibn Muhammad al-Mawardi‚ it is both decorative and functional as an incense
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The Silver plate of the Battle of David and Goliath is from the Byzantine art period. The Byzantine plate was created in 629 to 630. Within the Byzantine Empire‚ it shared Roman legal and political traditions‚ customary Greek culture‚ and Christianity. This stunning plate is the major plate of the set of nine; it displays the scene of the King David’s life in the Old Testament. The artist interpretation will be examined. This study of plate will trace the subject matter of iconography‚ function
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Angely Levis Professor Florian English 114a 11 September 2013 Response to David Carr’s Articles By reading the five different topic articles I began to see the writing style of Carr. In all five stories he always referred back to his main point. Although‚ he may have slightly drifted away with detail from what he started his article with‚ he always came back to put together what he was saying from the beginning. His style of writing is unique in ways he grabs his reader’s attention and
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LOUIS VUITTON Brand Positioning Essence The Potent Symbol of modern Style. LV creates innovative‚ elegant and practical modern luxuries with quality. Heritage LV originates in Paris‚ since 1854. Personality LV is Elegant‚ Practical‚ Prestige‚ Luxurious‚ Desirable‚ Stylish‚ Value-for-money‚ High-quality and Ever-lasting. Visual Identity Monogram Canvas on LV products Brand Logo Simplified Brand Logo User Image Consumers are stylish‚ fashionable‚ aware of designer’s brands and look for
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title of Wyatt Prunty?s poem‚ ?Elderly Lady Crossing on Green?‚ describes the experience of a revengeful speaker. He tells how you should not to help that little old lady to cross the street. Then‚ he goes on to explain himself by saying that she used to be a nasty person who drove her car without any consideration for the pedestrians. In fact‚ she ?would have run you flat as paint / To make the light before it turned on her.? Finally‚ the speaker shows explains the woman?s horrible personality by
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Cryss BlackWolf Nagel Engl&102 – Visual Analysis May 13‚ 2016 Cultural Quicksilver Images with attributes that correlate with the folk and fairy tales of the common people become vehicles for further expansion of social commentary‚ inciting deliberation and collaboration by those who have become active participants in their allegorical plotlines. This process allows illustrators the ability to convey feelings and attitudes commensurate to the social climate that often remain unreachable by literary
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