"Visual analysis of movies" Essays and Research Papers

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    Visual Analysis of Richard Serra’s Two Cuts Richard Serra develops a visual language that breaks from the history of sculptural identity. His artworks reveal the methods of construction vital to the composition of his work and allow the viewer to become involved in the process of making. The steel is ribbed on the surface‚ which relates immediately to the process of cutting. Furthermore‚ his works are not pictorial or decorative in any sense but rather are large bold industrial slabs of

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    society is shaped around what the rebel symbolizes. Many people are drawn to the iconography of the rebel through every day activities. Just a few examples are children movies‚ music‚ celebrity icons‚ and our everyday transportation. There are a lot of movies with violence‚ drug abuse‚ or some type of rebellion. Even children’s movies incorporate the idea of a rebel. As a child‚ many girls‚ including me‚ idolized the Disney princesses. Cinderella‚ Rapunzel‚ Ariel‚ and Jasmine are just a few of the

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    Movies are not the only part of the film industry that misrepresents mental illnesses; cartoons and tv shows misrepresent them as well. By referencing mental illnesses within children’s cartoons‚ it allows the children to learn to stigmatize mental illnesses early in life. For example‚ in a study of six main cartoon characters portraying mental illnesses‚ three of them were comical‚ and the other three were the villains (Wilson par. 15) This is another example of how the entertainment industry is

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    Skyy Vodka and the Battle of the Sexes             Skyy Vodka has consistently been perhaps the most sexually suggestive advertiser of its genre.  Its ads typically contain a thin‚ young‚ and beautiful woman in tight clothing with some sort of sexual power over her enticed male counterpart.  The ads are not shy to appeal to sex and often promote the sexual benefits of drinking Skyy Vodka.  While the advertisement for Skyy Vodka titled “The Antagonist” seen in People magazine’s May 7‚ 2007 issue

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    INTRODUCTION Cinemas are the central spot of people’s visual entertainment‚ acting as the medium between the art of movie directors and the audiences seeking the getaway from real world reality. It is at the cinema where people enjoy themselves by watching movies that they may find interesting initially regardless of the language‚ locality or storyline‚ as long as that one particular movie is intriguing enough to make them go to the cinema to get their movie-o-meter filled with appealing crafts

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    beginnings of film history the issue was ironically the containment of women. Megan Stem Wade states in her research paper on gender in postwar class room films that from 1946 through the 1970’s there were films called social hygiene films in which mini movies were watched in educational settings serving as the base example of how men‚ and women should act in societal settings. The films had titles such as “What to do on a date”‚ which served to encourage abstinence‚ and waiting ‘til marriage‚ while titles

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    This image is from Mann’s “At Twelve” portraits of young woman collection. The girl just slightly tilted to the left of the center of the frame is standing on a old bridge with missing boards over a flowing river. There is a small house in the background and trees surrounding the house. The girls is leaning against the bridge very casually and seems to be completely relaxed and unconcerned with the dangers of falling. This trying of fearlessness is common in adolescence. The lighting is what really

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    The elements most abundant in this piece are that of color‚ light and shadow‚ and space. These are the primary elements most apparent‚ though other elements are present in the painting as well. This particular piece is not so concerned with incorporating background into telling the story‚ as it is blurred and somewhat distorted. The concentration of the piece is directed to the figures presented in the painting and the story being depicted. The use of light and shadow are what catches the viewer’s

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    Eric Kim’s Chicago‚ 2013 is a collection of psychological feelings that have been captured in one instance of time. Initially giving the image of a busy working man‚ the subject featured in this picture is a model of the average working man. Taking a look at the surroundings‚ the businessman’s true mentality begins to peak. This man is exhausted‚ stressed‚ and lonely. Despite all of these characteristics‚ this picture still gives encouragement and inspiration in an unusual way‚ which is what the

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    David is one of Michelangelo’s most well-known sculpture and has become one of the most known statues in the entire world of art. Michelangelo represented David in courageous typical nudity‚ seizing the tension of Lysippan athletes and the emotionalism of Hellenistic statuary. The statue represents the Biblical hero David‚ a favorite topic in the art of Florence. Standing 17’ high‚ made in 1501-1504 from one block of marble left over from abandoned commission on page 499 in the textbook. When Michelangelo

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