RESEARCH REPORT ON ROLE OF VISUAL MERCHANDISING IN FOOTWEAR IN BATA STORE FOR THE PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE AWARD OF THE DEGREE OF POST GRADUATE DIPLOMA IN RETAIL MARKETING AND MANAGEMENT Supervisor: Candidate: Dr. RITU BAJAJ Kanika Malhotra Rinky
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Visual Analysis of Richard Serra’s Two Cuts Richard Serra develops a visual language that breaks from the history of sculptural identity. His artworks reveal the methods of construction vital to the composition of his work and allow the viewer to become involved in the process of making. The steel is ribbed on the surface‚ which relates immediately to the process of cutting. Furthermore‚ his works are not pictorial or decorative in any sense but rather are large bold industrial slabs of
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have medialised fashion. Fashion has become an intrinsic part of today’s visual culture‚ and vice versa. Fashion magazines‚ glossies and women’s journals cannot exist without fashion‚ but fashion also cannot exist without these magazines. This chapter looks at visual culture and the ways in which fashion is ‘fashioned’ by the media. The first half of the chapter gives a theoretical background to understanding contemporary visual culture. The second half of the chapter provides an introduction to the
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Night In the memoir “Night” we see the atrocious events of the holocaust through the eyes of Ellie Wiesel a young boy from Sighet‚ Romania. The memoir begins with Ellie and his family in Sighet unaware of the horrible events they will experience. In this book we see how his experiences in the holocaust change his beliefs about god and his complete kindness. The change we see in Ellie is most evident in his opinion‚ Ellie goes from a very religious and god fearing person and doesn’t
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Totally Fetch “On Wednesdays we wear pink.” Most teenage girls would catch this popular Mean Girls reference. This pretty pink picture features the four main characters from the Paramount movie Mean Girls. The image focuses on Cady Heron (Lindsay Lohan). Her three friends‚ Regina George‚ Gretchen Wieners and Karen Smith‚ are surrounding her fixing her hair‚ applying her makeup‚ and attempting make her perfect. The girls surrounding Cady symbolize the constant pressure placed on high school girls
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This image is from Mann’s “At Twelve” portraits of young woman collection. The girl just slightly tilted to the left of the center of the frame is standing on a old bridge with missing boards over a flowing river. There is a small house in the background and trees surrounding the house. The girls is leaning against the bridge very casually and seems to be completely relaxed and unconcerned with the dangers of falling. This trying of fearlessness is common in adolescence. The lighting is what really
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The elements most abundant in this piece are that of color‚ light and shadow‚ and space. These are the primary elements most apparent‚ though other elements are present in the painting as well. This particular piece is not so concerned with incorporating background into telling the story‚ as it is blurred and somewhat distorted. The concentration of the piece is directed to the figures presented in the painting and the story being depicted. The use of light and shadow are what catches the viewer’s
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Eric Kim’s Chicago‚ 2013 is a collection of psychological feelings that have been captured in one instance of time. Initially giving the image of a busy working man‚ the subject featured in this picture is a model of the average working man. Taking a look at the surroundings‚ the businessman’s true mentality begins to peak. This man is exhausted‚ stressed‚ and lonely. Despite all of these characteristics‚ this picture still gives encouragement and inspiration in an unusual way‚ which is what the
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David is one of Michelangelo’s most well-known sculpture and has become one of the most known statues in the entire world of art. Michelangelo represented David in courageous typical nudity‚ seizing the tension of Lysippan athletes and the emotionalism of Hellenistic statuary. The statue represents the Biblical hero David‚ a favorite topic in the art of Florence. Standing 17’ high‚ made in 1501-1504 from one block of marble left over from abandoned commission on page 499 in the textbook. When Michelangelo
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Upon first sight‚ Maui: Sugar Plantation may appear quite confusing. Being the product of the overlaying of three maps‚ the piece is jam-packed with detail that can almost overload the eye. The three maps that are included in this print are a topographic map‚ a nautical map‚ and a map of Spanish Camp A. Created as a digital print with hand lithography made in the feminist era‚ there are a few interpretations about the meaning of this piece which include the exploitation of native lands or the placement
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