illustrate the effects of the interplay (interference) of the state and the capitalist system on Japanese film industry. • To explain the causes and effects of such interferences: – The ways films are produced‚ distributed and exhibited – Type of films allowed‚ – Regulation and censorship‚ The Arrival of Sound Cinema in Japan • Sound cinema arrived comparatively late in Japan. WHY? • 1st sound film: Heinosuke Gosho’s My Neighbour’s Wife & Mine (1931). The Only Son (1936) The WWII and Its Effects
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The film Tous les Matins du Monde‚ produced in 1991‚ stars Jean-Pierre Marielle‚ Gerard Depardieu and Anne Brochet as the main characters of the film (IMDB). This film is set in seventeenth century France where music was a prominent part of French culture and was a part of everyday entertainment everywhere from the great palace of Versailles to the small countryside villages. At the time‚ orchestral music was very popular and the learning to play the violin and or cello were of the utmost important
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The social importance of film in the 21st century is extremely evident to be a powerful form of communication. Through sound and images filmmakers make use of technical‚ symbolic‚ audio and written codes to convey strong messages. These themes are portrayed in all types of films such as documentaries‚ commercials and even Hollywood blockbusters. As time moves forward so does the ability to connect‚ through film‚ with the social aspects of our age. Every story‚ every image‚ every sound has an impact
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Name: Institution: Professor: Course: Date: Film Development Industries are affected by many factors that play a role in its growth and development. The film industry started as a small entertainment business in 1880s when the first movie camera was invented but developed to a big industry that is worldwide. The reason for its widespread is attributed to its cheap cost as a source of entertainment. To protect the industry‚ governments of different countries have enacted laws that guide it
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cinematographer –Jeff Cronenweth‚ Film editor James Haygood‚ Production Design-Alex McDowell‚ Art Direction- Chris Gorak and Costume Design by Michael Kaplan. The Set director by Jay Hart‚ all of these people where responsible in making this successful movie. He or she is responsible for the images that the camera sees‚ and by extension the images that the audience will see in the finished film‚ this is the main job of the cinematographer. (4.2 What is a Cinematographer‚ 2011‚. Film: From Watching to Seeing)
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FILM REVIEW: REUNION All of us would like to have a good past memories. As we all know high school life is the crucial part of becoming into grown-ups teenager. Once you enter high school things change‚ "some of your best friends become bitches. Homework goes in the trash; cell phones are being used in class. Detention becomes suspension‚ soda becomes beer‚ and gum becomes pot. Bikes become cars. Lollipops become cigarettes. Lip-gloss becomes makeup. French kisses become sex." High school can
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offices‚ in cars and buses‚ and on airplanes. We carry films with us in our laptops and iPods. We press the button‚ and our machines conjure up movies for our pleasure. For about 100 years‚ people have been trying to understand why this medium has so captivated us. Films communicate information and ideas‚ and they show us places and ways of life we might not otherwise know. Important as these benefits are‚ though‚ something more is at stake. Films offer us ways of seeing and feel- ing that we find deeply
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been made are about war and not even single one movie about against the war or from different perspectives. I wondered if the people in Hollywood did not all get together in a room and decide that they willing to do just this kind of film and not other kind of film. Leon Trotsky once used an expression to describe events that are not accidents‚ and not planned consciously‚ but are something in between; and he called this “natural selection of accidents‚” in which‚ if there is a certain structure
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Film Noir‚ meaning “black film’ in French‚ was the trending style and genre in American culture between the 1940s and the 1950s. It is a combination of European cynicism and the American landscape. Film Noir has its origins from German Expressionism and French Poetic Realism. Nino Frank‚ who was a French film critic‚ was the first to introduce this black and white genre to Hollywood in 1946. Many of the directors who introduced Film Noir where refugees from Nazi‚ Germany. From that moment in time
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French Film Noir: Touchez pas au Grisbi and Ascenseur pour l’échafaud Azaria Wassyihun Film Noir is often regarded as a uniquely American phenomenon. The particular context these films were produced in‚ marked by the post-war period‚ infused these films with a unique style Hollywood had never encountered before. America might have been the adequate setting for this unique phenomenon to occur‚ but film noir would not be the same without it’s international aspects. Famous Austrian born directors
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