of the Western World as a dark comedy. 20 OR Analyse the Jimmy - Alison relationship in Look Back in anges. 6. Discuss Doolilttle’s criticism of middle class morality in Pygmalion. 20 OR Critically examine the structures of Waiting for Godot. 7. Write short notes on any two of the following in not more than 200 words each : 2x10=20 (a) Romantic Comedy (b) Shawn Keogh (c) Osric (d) Lucky MEG-2 2
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“Rosencrantz and Guildenstern Are Dead”- Tom Stoppard In the play “Rosencrantz and Guildenstern Are Dead”‚ the writer Tom Stoppard reveals to the reader the importance of “play” in his play and how it helps develop the plot and the characters of his literary work. Stoppard uses witty language‚ and satirical humour to help highlight the importance of numerous types play to the reader. Stoppard uses play as a main theme throughout his play as commentary on how play has many different interpretations
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Q 1.Discuss the plot of Dr.Faustus The Tragical History of the Life and Death of Doctor Faustus‚ commonly referred to simply as Doctor Faustus‚ is a play byChristopher Marlowe‚ based on the German story Faust‚ in which a man sells his soul to the devil for power and knowledge.Doctor Faustus‚ a well-respected German scholar‚ grows dissatisfied with the limits of traditional forms of knowledge—logic‚ medicine‚ law‚ and religion—and decides that he wants to learn to practice magic. He begins his new
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The nature of the human condition and a questioning of humanity and human beliefs and values on a political‚ social and personal level have been explored by a number of texts throughout history. Samuel Beckett’s Waiting for Godot‚ John Le Carre’s The Spy Who Came in from the Cold‚ Louise Lawrence’s Children of the Dust and Wolfgang Becker’s Good Bye‚ Lenin! are permeated by a climate of Cold War anxiety‚ resulting in a heightened level of questioning being reflected in these compositions. Influenced
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men in the various genres of 20th century. As the thorough examination of a few literary pieces of 20th century such as William Golding’s Lord of the Flies‚ Arthur Miller’s Death of a Salesman‚ T. S Eliot’s The Waste Land‚ and Samuel Beckett’s Waiting for Godot reveals alienation‚ faithlessness‚ desolation‚ frustration‚ uncertainty‚ lack of intelligence‚ lack of consciousness‚ sense of interdependence‚ class distinction between rich and poor etc of modern men. The books undoubtedly reveals that all
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lighting designer Mary Louise Geiger. Sissons created a beautifully naked set‚ backed by a grove of trees that was brought to life by Geiger’s gentle moonbeams‚ water reflections‚ and campfire light. Not nearly as empty as Samuel Beckett’s Waiting for Godot; however‚ both sets allow the imagination to improvise and individually
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This is one of my attempts to highlight a few of the connections between the thought provoking scenes of this movie and the Existential movement in 19th and 20th century Philosophy. I do list and describe a few scenes and quotes‚ so i’ll throw on a SPOILER alert just in case. One of the most prominent concepts in I (Heart) Huckabees is that of Martin Heidegger’s Dasein. Dasein‚ literally meaning "Being-there"‚ is Heidegger’s method in which he applies another prominant Existential philospher
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“There are certain events of such social significance that they rock the foundations of our world.” To what extent does your study of the elective “After the Bomb” support the given statement? In your response‚ you must make reference to the play “Waiting for Goddot’ and two texts of your own choosing. If you so wish‚ you may use Plath as a second prescribed text but you will still need to write about two additional texts. Particular events have such broad and long-lasting ramifications for our society
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Rosencrantz and Guildenstern are Making a Point Tom Stoppard’s Rosencrantz and Guildenstern are Dead‚ a humorous piece of self-reflexive theater that draws upon Shakespeare’s Hamlet as the source of the story. The actual device of self-reflexive theater is used so well in Stoppard’s play that it reads like the love child of a play and a compelling critical essay. The play is academic yet conversationally phrased and it deepens our understanding of the original play but also criticizes it. The
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Criticism. Oxford: The Holy Well Press‚ Ltd.‚ April‚ 1966. Beckett‚ Samuel. That Time. London: Faber and Faber‚ 1976. . Krapp’s Last Tape and Embers. London: Faber and Faber‚ 1979. . Three Occasional Pieces. London: Faber and Faber‚ 1982. . Waiting for Godot. London: Faber and Faber‚ 1982. . Endgame. London: Faber and Faber‚ 1985. Boulton‚ James T Bradbury‚ Malcolm and Christopher Bigsby ed. Harold Pinter. London: Methuen Co. Ltd.‚ 1983. Brater‚ Enoch. Why Beckett. London: Thames and Hudson
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