"Warhol and basquiat" Essays and Research Papers

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    Humanities Final

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    Quotes: 1. What a piece of work is a man! How noble in reason! How infinite in faculties... – hamlet 2. Man is born free‚ yet everywhere he is in chains. Rousseau 3. Modern society is rotten even at its roots. Rouseeau 4. Get back to Nature … Noble Savage .. SOCIAL CONTRACT - rouseeau 5. Reason is supreme . Human reason can solve every problem facing humankind. - descartes 6. A work of art is a public dream – frued – Oedipus complex 7. We live in an ordered‚ rational‚ understandable

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    The End of Art

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    is no longer art in the traditional sense (having a manifesto-aesthetically pleasing‚ etc.) because the accessibility to art and to create art has allowed the masses to be exposed to it and to manipulate it. As Danto says any “art” made after Andy Warhol in the 1960s is not attached to any manifesto‚ and the art that is produced after the end of art is consider pluralism and cultural artifacts. A shift from the artwork itself evoking an emotional response is no longer relevant. The criterion for which

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    Western Art‚ and his embracement of Otaku culture had given him a unique niche in the Japanese art world. Murakami is often called the Japanese Andy Warhol and Micahek Darling has this to comment‚ “[Murakami’s] Pop strategy for mixing references to canonical art-historical figures or subjects with consumer sources in analogous to the work of Andy Warhol… in the early 1960s” (“Plumbing the Depths of Superflatness”2). This unique blend of artistic interests and style has lead to his development of the

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    In an attempt to bring art back into America‚ the Pop art movement represents the used of celebrities‚ popular objects and popular icons by using common everyday objects‚ products‚ and celebrities by advertising product packaging and television commercials. The illustrations are characterized by criticism‚ irony‚ and humor. The movement determines the position of art back into America. It reinforced the gap between low and high art to eradicate the distinction between commercial and fine art methods

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    Fun Home: A Family Tragicomic is an autobiography written by Alison Bechdel. The graphic novel takes its readers through Alison Bechdel’s childhood using engaging diction and detailed drawings. One of the biggest themes of Fun Home: A Family Tragicomic is the discovery of one’s sexual orientation. Over the course of her life‚ Alison Bechdel eventually comes to the realization that she is a lesbian. Interestingly‚ Alison Bechdel uses this novel to recount her experience of events that helped to shape

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    Marilyn-Diptych Analysis

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    for it. However‚ the opposite opinion exists‚ which is The Commons that believes the knowledge belongs to all humanity to inspire innovation that has not been created. Marilyn Diptych Link: https://www.khanacademy.org/humanities/art-1010/pop/a/warhol-marilyn-diptych Andy Warhol’s Marilyn Diptych is made of two silver canvases on which the artist silkscreened a photograph of Marilyn Monroe fifty times. Andy`s works consists of many interesting

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    Banksy Real or Fake

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    Guetta a Real or a Fake In Banksy’s film Exit Through the Gift Shop‚ Banksy portrays the protagonist as a delusional man. Guetta ‚ an eclectic Frenchman‚ is obsessed with filming every aspect of life without importance of how insignificant it might be. While doing this he falls into filming the adventurous life of street artist. However‚ many of the scenes that depict Guetta are almost only there to discredit him as a filmmaker. And as if that were not enough‚ the film does a hilarious job of

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    There‚ she became the designer she is today . Mix match‚ spunky‚ colorful‚ avant-garde fashion. Betsey Johnson‚ Andy Warhol‚ and Mary Quant were some on the first who introduced a new fashion revolution. The 1960’s‚ “Youthquake.” This was a time of cultural‚ musical and most of all‚ a fashion movement. After 5 eventful years working at Paraphernalia‚ Johnson became a

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    Chris Radley (458656) Superflat Graphic Design BA(Hons): Part Time CCS200 ● 1800 Word Essay January 2010 “Any engagement with Murakami’s catalogues more profound than a rapid skim is liable to leave the Western art consumer (at least one old enough to be unaffected by the current Western youth fad for all things otaku) floundering in a sea of unfamiliar signifiers‚ feeling hooked‚ intrigued yet vaguely ill-at-ease‚ not unlike Bill Murray’s character in Sofia Coppola’s Lost in Translation

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    The fascination of images: How do images teach us to desire The culture in which we live teaches us to‚ and what to desire. It does so through the works of psychoanalysis‚ interpreting the unconscious‚ free associations‚ fantasies and dreams. Interpreting these in a way in which to make the viewer the resolute to the images. The basic human needs are different to that of what we desire‚ we need food‚ water‚ shelter‚ yet we do not desire these things in a way in which we desire love and sex

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