Senate. The reign of Julius Caesar throughout the first century was filled with rioting‚ conquests‚ and instability. In 44 BCE‚ he was named dictator of Rome‚ a title that made others jealous‚ fear that Caesar was becoming too powerful‚ and think that the rights of the Senate would soon diminish. It was because of this‚ that a group of Roman senators led by Brutus and Cassius assassinated Caesar by stabbing him. However‚ all was not restored as they had hoped and a rival between Julius Caesar’s nephew
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down fall of all involved. Throughout Julius Caesar‚ both friends and enemies use flattery and manipulation to obtain their goals. The first main use of flattery is used by Cassius on Brutus in Act 1‚ Scene 2 and in Act 2‚ Scene 1. Cassius tries his hardest to force Brutus to join the revolt against Caesar‚ but Brutus resists‚ stating his loyalty and faithfulness to Rome. However‚ after Brutus accidentally blurts out‚ "I do fear the people choose Caesar as their king." Cassius continues his
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the difference any longer. I had been at war with myself‚ having to endure countless of sleepless nights ever since Cassius incited me against Caesar. But‚ Caesar is mine own friend and benefactor‚ is he not?. He was the one who granted me amnesty‚ did he not? He was the one that allowed me to attain such high an office and lead a comfortable life‚ were he not? Furthermore‚ Rome is built on honour and staunchness‚ and if I should betray him‚ it would be a heinous act. And yet it is not personal;
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Lab report Exposure to chocolates: Materials: -Four pieces of chocolates -ruler Control variable: -amount of chocolate eaten -same chocolate piece -time of waiting Independent variable: giving girls the chocolate Dependent variable: Time of reaction Hypothesis: If the person eats chocolate then the reaction will decrease Data collected: No chocolate Chocolate Modi Distance(cm) Time (sec) Distance(cm) Time (sec) Trial 1 56
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Everything we see is a perspective‚ not the truth”; embodying the notion that conflicting perspectives are held by different people towards both events and individuals. I believe that this common idea is held true in William Shakespeare’s production ‘Julius Caesar’‚ discussing the conflict between Brutus‚ Cassius and Antony‚ Richard Glover’s Sydney Morning Herald article ‘Take a Moment to Mourn the Mainstream’‚ debating against the depreciation of the respect over radio stations between generations‚ and
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promise‚/ If the redress will follow‚ thou receivest/ Thy full petition..." (II.1.46-58). In the play Julius Caesar‚ Brutus tried to save Rome from changing to a monarchy under control of the beloved Julius Caesar who was ambitious and could change Rome for the worst. Brutus‚ along with others‚ stab Caesar to the death hoping to keep Rome from corruption. This does not happen‚ a friend of Caesar starts a civil war‚ killing the majority of Brutus’ allies which leads to both of them gathering soldiers
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Julius Caesar Timeline (by Act and Scene) ACT I (Good Luck () |Scene 1 |Scene 2 |Scene 3 | |On February 15‚ the Feast of |On the same day‚ Caesar attends the |On the night of March 14‚ a terrible storm | |Lupercal‚ the people take a |traditional race at the festival of Lupercal |brings different reactions. | |holiday to celebrate Caesar’s |and receives a warning
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in some cases trust must be earned by persuasion. In a story that completely negates the meaning of trust such as Julius Caesar‚ it is still has a constant presence. The idea of trust is shown in a momentous scene with the character Portia attempting to persuade Brutus that he can entrust her‚ this point in the book can relate to a logos or pathos emotion. In Act II of Julius Caesar‚ Portia uses emotional and logical appeal to convince Brutus that she is not only worthy‚ but as his wife‚ obligated
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cultural‚ political‚ and military power during this period‚ was its centre‚ where it was institutionalised as part of a festival called the Dionysia‚ which honoured the god Dionysus. Tragedy (late 6th century BC)‚ comedy (486 BC)‚ and the satyr play were the three dramatic genres to emerge there. Athens exported the festival to its numerous colonies and allies in order to promote a common cultural identity. Etymology The word τραγῳδία (tragoidia)‚ from which the word "tragedy" is derived‚ is a compound
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desire for a home; a place of belonging. The image of circling suggests an accompanying feeling of dizziness and dislocation. Their uncertain existence is elaborated in the third stanza. The simile‚ comparing the migrants to “birds of passage” who were always sensing a change in the weather” emphasises the absence of a fixed home for these people. They don’t not belong in their current location but are also uncertain of their future. This leads to a sense of dislocation and alienation from their
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