Guggenheim Museum & its Giorgio Armani Exhibition In November of 1999‚ the Solomon R. Guggenheim Museum in New York announced that it would devote an exhibition to honor the works of the celebrated Italian designer Giorgio Armani. However‚ during the announcement of the exhibition‚ the museum did not mention that it was simultaneously entering into a three-year agreement in which Armani pledged a donation of $15 million to Guggenheim. When The New York Times unveiled Armani’s gift‚ the museum strongly
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Infact Attract Siddhartha‚ the celebrated book by swiss author Hermann Hesse‚ is acclaimed for its spiritual story arc. Nonetheless‚ it is also a minefield for symbolic themes such as the recurring water imagery and the omnipresent circle motif. The most important theme however‚ is unity‚ as Siddhartha realizes it is the answer to his search for nirvana. Unity is explored in many ways throughout the whole book‚ but one way in particular stands out: the idea that opposites attract to form
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Museums and tourism Stakeholders‚ resource and sustainable development Master’s Dissertation International Museum Studies Museion/Göteborg University Spring term 2004 Author: Guðbrandur Benediktsson Supervisor: Cajsa Lagerkvist LIST OF CONTENTS FOREWORD. . . . . . . . . . . . . . . . . . . . . . . . . . . . 1. INTRODUCTION. . . . . . . . . . . . . . . . . . . . . . . . 1.1. Aims and objectives. . . . . . . . . . . . . . . . . . . 1.2. Theoretical approaches and sources. . . . . . . .
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Opposites Attract It was a bright sunny day outside and I could hear the sound of the ocean waves and seagulls. The water was rising and recoiling. I was rushing from the parking lot to the beach. I was hosting a party for four really important people and I was really excited and nervous because these four people were from opposite backgrounds. My guests were Lilly Singh‚ Katniss Everdeen‚ Demi Lovato‚ and Tris Prior. They were so different from each other that I didn’t know how this would end up
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Museum Art Critique If you live in Dallas‚ most likely you have been to Northpark Mall. However‚ did you ever notice that Northpark is also a museum? Sort of. Most art people do not know about it‚ and the shoppers do not seem to care‚ but the place is owned by Ray Nasher of Nasher Sculpture Center‚ and he has placed an impressive percentage of his collection in front of Neiman’s‚ Barney’s‚ Victoria’s Secret‚ and the Watch Hut. For the sole purpose and interest in the art presented throughout the
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Are Seltz’s new Japanese museums ‘counter-museums’ by Patterson’s definition? Patterson and Seltz introduce new museums differing in subject matter‚ context and methodology‚ but sharing analogous goals. The Jim Crow Museum of Racist Memorabilia (JCM) in the United States is touted by Patterson as a ‘counter-museum’ that ‘seek[s] to engage visitors as active participants in dynamic‚ continuing memorial processes’ (66)‚ and one that ‘seeks to use products of intolerance to teach understanding’ (68)
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Earned Revenue *Earned revenue* is *revenue* created by the business operations of the facility. Sources that contribute to museums’ earned revenue include admissions‚ gift shops‚ food and beverage sales‚ memberships‚ facility rentals‚ and fees for research services. Essentially‚ any product or service that is offered by the museum and generates income is considered earned income. *Unearned revenue* is money that is not generated by the business operations of the facility‚ but is provided
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I had the pleasure of visiting The Miami Art Museum and was very impressed by what I encountered and viewed. I have never found interest in art until I got to see the museum. Throughout my exploration at the Miami Art Museum I was able to view a wide selection of art. In this venture‚ I viewed the most beautiful artwork I had ever seen‚ observed interesting non European/North American art‚ was alarmed by the most disturbing works ‚ explored a breath taking exhibition‚ and actually found work that
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In this essay‚ I will argue that ethnographic museums privilege viewing‚ at the expense of other senses. I will further argue that by privileging the visual‚ ethnographic museums become problematic in two ways- firstly‚ by not accurately representing the cultures they are supposed to be exhibiting‚ and secondly‚ by limiting the experience of museum-goers who may be visually impaired or otherwise unable to visit museums that are purely mono-sensorial. After outlining and discussing the problems associated
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GUGGENHEIM MUSEUM BILBAO Bilbao—today one of the top tourist destinations in Europe—was such a backwater in the 1990s that‚ according to Gehry‚ the 265‚000-square-foot museum‚ beside the Nervión River‚ went up almost unnoticed by the press. That only contributed to the drop-dead impact it created with its unveiling. “I like to work under the radar as much as I can. It’s been harder since I’ve gotten notorious‚” says Gehry. The first photos of the near-complete structure‚ which resembles a gargantuan
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